It is the week of Halloween in New York City and the Museum of Modern Art opened its door for a Members get together.
The MoMA was haunted on a pre-Halloween Night and members of the museum were looking for a fright!
On October 28th, the Museum of Modern Art held their annual Members Night with a Halloween theme “It’s Alive”. They asked members to dress up and carried the Halloween theme throughout the museum with entertainment, refreshments and art lectures on spooky looking art. It was a fun evening out on a warm October night.
The Costumed guests at the Museum of Modern Art
The guests were greeted at the museum with a DJ playing and a pumpkin carving display being created. On the second floor, there were arts and crafts for adults and children, while a spooky silent film played in a darkened hall. The theme of the evening was “It’s Alive” and the museum came to life with each member arriving.
Members mingling among the ghosts and ghouls and things that go bump in the night
The sign welcoming us for the Members Evening “It’s Alive”
Many of the museums were having their Members Nights before the start of the holidays but nothing beats a night at the MoMA before Halloween night. This was no ordinary night of Trick role Treating at the museum. There was a costumed DJ spinning tunes as we entered and the whole lobby was filled with people in costume.
The lobby was the heart of the party
I love the art in the lobby
There was a pumpkin carving demonstration on the first floor when we walked in
The museum planned an array of activities to enjoy from the DJ spinning to the to the dancing and music on the first floor. Pumpkin carving and artwork to enjoy with our creative side to a spooky silent film to watch and then tour the haunted halls of the museum looking for sinister art. Movies and music on the patio as the sun set and the moon rose in the night sky.
Our directory of the evening
My first stop was the outside patio and it was just beautiful this evening with the weather warm at 65 degrees and such a pleasant night to be outside. The cool weather finally gave way to a warm week leading into Halloween. Surrealist movies were playing on the screen while the Beauty of Midtown lights gleaned in the background.
The patio was busy with people chatting and enjoying the nice weather
My video on the patio
The patio fountains were lit for the evening
I then made my way to the second floor to watch a silent horror film, ‘The Cat and the Canary’
The beginning of the film
The movie in full
The silent film “The Cat and the Canary”
Watching the silent film
The silent film “The Cat and the Canary”
While we were watching the film, the tables were set with play dough and paper to create what inspired us. I created my version of Mr. Bill. It was fun being a kid again!
The table setting our spooky instructions
The spooky instructions
My version of Mr. Bill doing the scream
My creative artwork
After my time with the arts and crafts , I sat down to watch the full film which had lots of twists and turns on it.
I needed a drink after the film was over and with it being Midterms week at work, I really needed one to relax me. I eyed the Blood Orange Margarita and watch it get mixed. They even put a small gummy eye at the bottom of the drink.
The Blood Orange Margarita sounded good after a long week of running around
The margarita looked cute but not for $17.00. I thought it was a bit small with too much ice. The candy eyeball was cute though.
As I was enjoying my drink and listening to the music, the museum laid out trays of Halloween candy like M & M’s and Tootsie rolls, which got devoured quickly. As I walked around the lobby, the main floor turning into a dance floor of witches and ghosts and many costumed characters.
The make shift dance floor on the first floor
The party continued on the first floor
I continued the evening walking the galleries of the Fifth Floor looking for Halloween art. There were talks and tours all night and I joined other members on the Fifth Floor and I found many ‘haunting’ objects in the halls of the MoMA.
Artwork on the Fifth Floor
The spider like Alexander Calder piece
The colorful surreal pieces of the Fifth Floor
A missing mysterious magician
A headless Spector rooming the halls
Colorful art dominating the Fifth floor
The party continued into the later evening with the dance floor going strong.
The costumed characters on the dance floor on the first floor
I took a break from the festivities and relaxed on the patio enjoying the warm night and admiring the lights of Midtown. With everything going on in the world today, the MoMA tricked us in for a real treat at the museum that night.
Relaxing in the patio at the end of the evening
The haunted pools of the patio relaxed me that evening.
All good things come to an end and the museum started to close down by 9:00pm. I could tell many of the party goers did not want to leave but out into the darkness we went only to be treated by the array of lights to Midtown Manhattan.
Looking at the MoMA from a distance down Seventh Avenue
Decorating for Halloween has become a big business and all signs of the Fall were around us. Unfortunately with Halloween on Saturday I was already seeing the signs of Christmas lurking in the background. Designers were putting up pine displays and decorations you could see just waiting for Halloween night to end. Still for tonight, Midtown was a haunting display.
Pumpkins lining an office building on Sixth Avenue
The Fall leaves are falling along the sides of West 55th Street
Looking down 8th Avenue at night
It was fun to walk around the City on this warm October night and enjoy the pre-Halloween festivities. Trick or Treat everyone!
In the months of March and May right before the Memorial Day holiday, many of the museums I belong to held their private ‘Members Night’, where they hold extra hours for members after the museums are closed to the public to come and see the exhibitions, listen to music, have something to eat and drink and listen to talks about the exhibitions. The funny part is that the museum’s are more crowded on these nights than when they are open to the public.
Walking inside the soaring dining space at the Morgan Library
The first set of ‘Members Nights’ I went to were on March 24th with my first stop at the Morgan Library. I was there to see the ‘Mozart’ exhibition again.
Wolfgang Amadeus Mozart: Treasures from the Mozarteum Foundation of Salzburg, an exhibition that traces the extraordinary life and enduring legacy of Wolfgang Amadeus Mozart (1756–1791). On view March 13th through May 31st, 2026, this two-gallery exhibition combines the Morgan’s significant holdings in Mozart manuscripts and first editions with remarkable objects, on view in the United States for the first time, from the Mozarteum Foundation of Salzburg. These include Mozart’s clavichord on which he composed The Magic Flute and his childhood violin, as well as famous portraits, letters, and personal objects of Mozart and his family (Morgan Library.com).
Touring the exhibition
Video on the exhibition:
The concert of Mozart as a child
The Magic Flute music and costumes
I happen to love ‘The Magic Flute’ and it was interesting to see the notes and some of the original costumes from the opera at the exhibition.
The costumes from the Magic Flute
After I toured the Mozart exhibition, I toured the rest of the museum that included the original part of the mansion.
The old Living Room
The ceiling outside the exhibition hall
The old Library and Rare book collection
The ceiling in the old Library
I then visited the exhibition of ancient Mesopotamia art scrolls. This was really interesting how this form of written art worked into the collection.
After touring the museum, I went to see what everyone was eating in the museum’s small restaurant was eating because it was getting crowded. The counter was filled with delicious looking desserts.
The sweet treats at the dessert bar at the Morgan Library
The selection of desserts at the Morgan Library the night of Member’s Night
I then visited their very interesting Gift Shop
Admiring the flowers at the Coat Check on the way out. I thought this was a nice touch.
All good things come to an end and I made my way up Fifth Avenue to the Museum of Modern Art for the second part of the evening
I could not believe that the museums arranged these ‘Members Nights’ on the same night. They would plan this three weeks late when the Museum of Modern Art and the Metropolitan Museum of Art. I just had to enough time at one museum and see what I wanted to see and then go up the next.
The Museum of Modern Art (MoMA) at 11 West 53rd Street
Frida and Diego: The Last Dream celebrates Frida Kahlo and Diego Rivera—two of Mexico’s most beloved icons of 20th-century art—in a first-of-its-kind collaboration with the Metropolitan Opera. Organized in conjunction with the Met’s new production of El Último Sueño de Frida y Diego, the presentation at MoMA features artworks by Kahlo and Rivera in an elaborate setting designed by Jon Bausor, the set and co-costume designer of the opera. For both the opera and installation, Bausor evokes the artists’ lives and artworks in his theatrical designs (MoMA.org).
Key participants in a movement to redefine Mexican culture and identity after the revolution of 1910–20—Rivera through monumental murals and Kahlo through intimate self-portraits—the artists were romantically involved from 1928 until Kahlo’s death in 1954. The fictional narrative of the opera El Último Sueño de Frida y Diego begins three years after Kahlo’s death and follows an aging Rivera as he summons the deceased Kahlo back to life on the Day of the Dead, a Mexican holiday honoring passed loved ones. As the opera and installation design attest, the pair continue to have an enduring influence on artists across the visual and performing arts (MoMA.org).
Video on the exhibition:
The opening of the ‘Frida and Diego’ exhibition brought members out in droves
The description of the exhibition
The tree dominates the center of the exhibition
The signature piece from the exhibition
One of the dominate drawings
Looking over costume designs
Some of my favorite costume designs
Another great costume design
After touring the exhibition, I visited some of the other galleries and looked over other works of art that I admired in the past. I took a quick tour of the Modern Galleries before I left that evening.
The Jackson Pollack work
I loved this creative food service work
After touring the museum, I joined the rest of the crowd on the main floor for music.
The main lobby of the MoMA the night of Member’s Night
A few weeks later, the Metropolitan Museum of Art had planned their Member’s Night and then the Museum of Modern Art planned a Member’s Night the same night. So I planned another night of running back and forth between museums.
Member’s Night at the Museum of Modern Art
The schedule of events
There was a lot of activities happening that evening and I wondered around museum to see all of them. I started in the Museum Garden to hear the singers who were performing that evening.
The first performer was Lizzy Hilliard, who performed the guitar and was really enjoyable to hear. She is a very lively and engaging entertainer.
The crowds were outside enjoying the beautiful weather that evening
Lizzy Hilliard performing that evening in the garden
After the performance, I wondered around the museum to see some of the exhibitions and started on the first floor which was really active.
I love wondering through the lobby of the MoMA.
While most of the crowds were still listening to the entertainment in the garden, I went up to the Marcel Duchamp exhibition and toured the galleries again (I had been there the previous week and quickly walked the exhibition).
The Marcel Duchamp exhibition was the biggest retrospect of the artist’s work in years
Marcel Duchamp is organized by The Museum of Modern Art, New York, and the Philadelphia Art Museum, with the generous collaboration of the Centre Pompidou. “Contemporary artworks often prompt viewers to ask, ‘Why is this art?’ It is virtually impossible to answer this question without referring to the work of Duchamp,” said Temkin. “More than any other modern artist, Duchamp challenged and transformed the very definition of an artwork.” Kuo added, “Duchamp’s influence is incalculable and his myriad contributions have established him as one of the most important figures in modern culture (MoMA.org).
Our exhibition will foreground the ways in which Duchamp upended conventional oppositions between hand and machine, original and copy, intention and chance, and matter and idea.” MoMA and PMA have a longstanding history with Duchamp’s work. MoMA was the first museum to acquire a work by Duchamp, in addition to including his work in early landmark exhibitions such as Fantastic Art, Dada, Surrealism (1936) and The Art of Assemblage (1961) (MoMA.org).
Video on the exhibition from the MoMA curator:
I joined the start of the walking tour with one of the docents at the MoMA at the beginning of the exhibition
The gallery was so crowded with people listening to the one docent that was describing the exhibition that I continued on my own. I had never seen much of this artist’s work in museums before and had heard about his piece of changing the look of the Mona Lisa. I really enjoyed seeing it up close.
The 1919 original “L.H.O.O.Q.” was on a card
The 1930 replica “L.H.O.O.Q.”
The information on the replica piece
I then moved on to other works that he was well known for especially his controversial urinal piece.
The work “Fountain” (I thought this was unusual)
The write up on the piece
The last piece that I saw in the exhibition before I left the museum for the Met was his spoke wheel piece.
The work “Bicycle Wheel”
I wondered around the museum for a bit after the tour of the exhibition and admired works in the Modern Wing.
I love Picasso’s Cubism works
After I finished touring the exhibition, I left the MoMA for The Met. The weather was beautiful and with it being light out until almost 8:30pm. It was a beautiful walk up Fifth Avenue with the trees and the flower beds in full bloom.
Arriving at The Metropolitan Museum of Art for “The Met After Hours”
The lobby and rotunda for the event seemed very quiet to me
The beautiful floral arrangements in the lobby area were fresh Cherry Blossoms
The Cherry Blossoms in the urns around the lobby
The American Wing where the Member’s Bar and entertainment was located
The Met seemed very quiet that night. Being the Tuesday after Memorial Day Weekend, I guess most members were getting back to work or still tired from the weekend. It had been a rainy mess the whole weekend and I could not see many people going away.
The bar and the entertainment in the American Wing were located that evening.
I had about two hours before the museum closed for the evening, so I wondered through some of the special exhibitions and started with the “Raphael-Sublime Poetry” exhibition on the second floor.
Raphael: Sublime Poetry is the first comprehensive exhibition on Raphael in the United States, bringing together more than 170 of the artist’s greatest masterpieces and rarely seen treasures to illuminate the brilliance of Raphael’s extraordinary creativity. The son of a painter and poet, Raphael engaged with the foremost writers and thinkers of his age in Rome, displaying a poetic sensibility that captivated his peers and generations that followed. Follow the full breadth of his life and career, from his origins in Urbino to his rise in Florence, where he began to emerge as a peer of Leonardo da Vinci and Michelangelo, to his final, prolific decade at the papal court in Rome (Met.org).
Dive into the artistic process of one of history’s most beloved and influential artists. A true titan of the Italian Renaissance, Raffaello di Giovanni Santi (1483–1520)—better known as Raphael—matched ambition with lyricism to create works with both intellectual heft and emotional depth, a necessary skill in the complex political landscape of Renaissance courts. In his short life of only 37 years, he achieved such profound success as a painter, designer, and architect that he was regarded as the pinnacle of artistic perfection for centuries after his death (Met.org).
Video on the exhibition with the MoMA:
Video on the exhibition with CBS This Morning:
The work admired as I was walking around the exhibition.
This was my favorite piece from the exhibition
The Raphael Exhibition I know was a big deal for the museum but it really was not my taste in art. As much as I admired the work, the whole exhibition did not ‘grab me”.
I was not as impressed with the art in the exhibition and took a quick tour of the works. I had seen the exhibition on a previous tour of the museum so I just wanted to walk around again to see the works that I missed.
I then went back to the first floor and spent more time at the Costume Art exhibition. There had been so much media on the exhibit that you could not get in without timed tickets but because it was quiet on Member’s Night, I just walked in.
The Costume Institute’s spring 2026 exhibition explores depictions of the dressed body across The Met’s vast collection, pairing garments with artworks to reveal the inherent relationship between clothing and the body (Met.org).
Focusing primarily on Western art from prehistory to the present, Costume Art presents connections between garments from The Costume Institute and objects from the Museum’s other collecting areas. Pairings between fashions and artworks will present a spectrum of connections and experiences: from the formal to the conceptual, the aesthetic to the political, the individual to the universal, the illustrative to the symbolic, and the playful to the profound. These pairings are organized into a series of thematic body types that reflect their pervasiveness and endurance through time and cultures (Met.org).
Video on the Costume Art exhibition:
Walking through the entrance of the exhibition
This gallery was newly created for this collection and I had display the pieces that stood out to me the most in the Costume Art exhibition.
One of the pieces I admired
Some of the Evening clothes I admired
Another piece I admired
I thought this was really unusual
I really enjoyed looking over the exhibition yet wondering how many people would actually wear some of these pieces out in public. It really asks the question “What is art?” Still, I loved the dress with all the human organs on it. Now that would stop everyone in mid conversation at a party.
All good things come to an end again and I left the Met as it was closing for the evening. It really is a pretty site at night looking down Fifth Avenue.
How beautiful the Upper East Side is at night
I was starved when I left the museum and knew not too many places outside the bars would be open this late at night. I remembered Asian 83 on East 83rd Street that still might be open for the evening and I was one of their last customers that night. The food is excellent at this little ‘hole in the wall’ on the Upper East Side.
Dinner at Asian 83, Beef and Broccoli with Fried Rice
I ordered a combination platter of Beef and Broccoli with Fried Rice and an Egg Roll with a Coke. Their prices are so reasonable and their portion sizes are very fair. It was a nice dinner before I left Manhattan that evening.
The Beef and Broccoli entree
Their Egg Rolls are excellent
Being a member of many museums, this is one of the perks about membership. You get to enjoy these wonderful evenings while supporting the museums which in this economy really helps. That’s why I have enjoyed supporting them for years. The donation benefits everyone.
What I love about being a member of the museums in New York City is that there is an opportunity to see the museum in the early hours for private events. This morning I got up early to experience Manhattan on a spectacular sunny morning for the event ‘Oasis in the Garden’, a talk on the design, purpose and art in the MoMA outdoor garden.
We met inside the museum before the tour
Since the museum opened at 9:30am and there was no one at the museum at that hour, we had the outdoor garden to ourselves for almost an hour and a half.
The outdoor garden at the MoMA at 10:00am in the morning
Our tour guide led about fifteen of us through a history of the creation of the gardens, the purpose in the museum, its renovation in 2004 when I joined and the sculpture in the garden.
She also talked about taking her students here and that some of them wanted specific answers to what the art meant rather than forming their own opinion. It is funny how I see this in my own students.
What I liked about our tour group was that it was an older, very educated crowd of people who brought different opinions on how the art we were seeing should be thought about. From the time the artist created it to it modern interpretation by the ‘politically correct police’, I was amazed by the other members take on each piece of art.
The gardens are a refuge from the noise and crowds of the museum and the City
Video of the fountain
The Albert Giacometti ‘Talk Figure III’
Each piece of sculpture we touch upon was chosen specifically for the gardens and we talked about its place from when it was made to the modern interpretation and how they differ. Our first discussion was about the Albert Giacometti sculpture ‘Tall Figure III’. Some people talked about hunger and the stance on poverty. I asked if her students had different thoughts of the statue when it was made versus today.
She explained everything is seen differently through the artist’s eyes versus the modern I perception. It was hard to compare the two opinions without a debate. I thought today’s students needed to lighten up a little and stop taking art at face value and just enjoy it. The context of work over a hundred years ago is very different from how it can be looked at today.
We had time to talk and relax between art pieces and I swear the sound of the fountains relaxed me so much I almost feel asleep.
The fountains were so calming that morning
Video of the Japanese fountain
The August’s Rodin ‘St. John the Baptist Preaching’
We talked about the religious standpoint of the sculpture versus its place in modern society. I thought it was a naked guy hitchhiking. It’s funny how you see art.
The Jacques Lipchitz ‘Figure 1926-30’
With the ‘Figure’ many of the member talked about their interpretation of the modern take of Cubism and some members asked about whether these were arms and legs or something else.
The back of the gardens
The back of the gardens were so peaceful. I stood back from the tour so I could just hear the water rumble.
The Henry Moore sculpture ‘ The Family Group 1948-49
We discussed the modern family unit of today versus when the sculpture was created.
The back of the gardens
The Henri Matisse ‘The Back (III) 1913-16
The Aristide Maillol ‘The River’
We talked about the fall from God. One person said it looked like someone was tripping into the fountain. I thought that was clever.
The Jean Dubuffet ‘Study for Tower with Figures’
This was the last figure we discussed and we were asked as a group what was the first thing that came to our minds when we saw this. I said ‘Juxtaposed’. So much going on and a lot being said. We talked about children and their make up in the family unit. How they change things.
I have to say that I saw the art in a different light this morning. It was interesting to hear the artist’s interpretation versus what members thoughts were on what the art meant. I thought it was a good take away when we finished the tour. There were so many interesting opinions on the art. What I liked was the weather was so amazing, and it was so nice to be outside.
The garden as the public entered later that morning
I know I got a lot out of the tour. It’s always nice to see different points of view of what the art means and how we interpret it. This is why it is fun to be a member of the MoMA. It’s nice to see the museum when it is quiet and you can just take your time.
