Open: The museum is seasonable and open for special events. Please check out their website for more information. Open for the Sussex County Heritage weekend event.
I visited the Old Sparta Train Station Museum as part of the Sussex Heritage Weekend and it was a fascinating trip back in time to when these rural communities started getting connected to the cities after the Civil War.
The museum was at the beginning stages of development with displays being created in the rail system in Sussex County and train artifacts that were mounted on display. There was a model train set chugging along a train route.
The side view of the station
The plaque dedicated to the train station
The water tower outside the train station on the station’s grounds
The grounds where the station and the water tower are located are still an active train line.
The inside gallery at the Sparta Train Station Museum
The back part of the station’s gallery
Old travel equipment used on the train rails
Though the collection is small for now, the docents explained they will continue to add more to the collection. They were also a wonder book of knowledge on the history of this area of New Jersey.
The history of the museum
The building and the museum have had quite the history. This includes the fire and the rebuilding.
The train displays
The train display
The engine display
The docents were a wonder book of information on the history of the rail system and of the station building itself. The museum is just starting to develop so for now it is quick visit through the museum when it is open and visits back to see how it grows it collections. For now, it was a very interesting visit.
The Hill Memorial was constructed in 1916 by Newton contractor Thomas Farrel in renaissance revival style according to the design of Henry T. Stephens, a Paterson architect. It was built for the society’s use by donations from Joshua Hill, a native of Sussex County and was dedicated on Founder’s Day, June 8, 1917. The building was named in memory of Joshua’s parents, Luther and Abigail (Dildine) Hill, and his uncle, Joseph Price Hill. The building is faced with two shades of tapestry brick furnished by the N.H. Sloan kilns of Pennsylvania. The main entrance is ornamented with a portico and door casings manufactured by the Brick Terra Cotta & Tile Company of Corning, New York. The main architectural feature of the entry hall is the grand staircase of quartered oak.
The Hill Memorial Museum Mission Statement:
(from the museum website)
The purpose of the SCHS is to promote public knowledge and interest in the history of Sussex County, New Jersey, and surrounding areas by:
Compiling, publishing and disseminating information;
Collecting, preserving and studying historical, genealogical and archaeological records, documents, papers and artifacts;
Maintaining a public museum;
Promoting the preservation and protection of buildings, cemeteries and other sites of historic interest and co-operating with other organizations of similar interest.
During the Sussex Heritage Weekend, one of the museums on my bucket list was the Hill Memorial Museum, the home of the Sussex County Historical Society. The museum has very limited hours and I have been wanting to visit since last summer. The museum is worth the wait. What an interesting museum filled with fascinating artifacts found from all corners of Sussex County, NJ. The collections fills two floors that also include a historical room and a research library.
The entrance foyer to the museum is quite grand
The museum home to an extensive collection of artifacts and does an interesting job of displaying these objects case by case. Each case holds a story of businesses, the participation of the community in wars, parks and schools and daily life over the last hundred years. The museum is a treasure trove of information on not just the County but the State of New Jersey as well.
Historic musical instruments on display along the stairs
The Second Floor Galleries of the Hill Memorial Museum:
(from the museum website)
The Victorian display in the upstairs gallery were custom made for jeweler H.D. Couse, and donated by his successor, John Coats Sr., when Coats Jewelry Store moved from the Cochran House to 103 Spring Street in 1950. Here are displayed some of the Society’s collections including the partial skeleton of a Mastodon discovered in 1962 during the dredging of a bog at Camp Auxilium in Hampton Township. New exhibits include “The History of” Farming, Railroads, and Creameries “of Sussex County”. The Civil War display now includes information about 22 Soldiers who rest across the street in the Old Newton Burial Ground.
The second floor is where the larger part of the gallery and displays are located. Each case-line has a different category of artifacts depending on the theme. The main room is used as a meeting space for organization meetings and lectures for the community. The room is surrounding on all sides by cases filled with different objects depending on the subject matter.
The main gallery and meeting room on the second floor
The back of the main gallery behind the meeting space is lined with glass and wood case lines of artifacts from the County of Sussex, NJ
Each case line has a different set of displays:
The first display case was lined with dinosaur bones locally found and the Woolly Mammoth skull and bones found in the County is the highlight of the collection
The Native American and Lenape display of domestic and agriculture artifacts
The 250th Anniversary display
The Sussex County farming and agriculture display
The Sussex County Railroad display
The Dairy industry case
The World War I display and veterans memorabilia
The rail system in Sussex County
The vintage Toy display
It was interesting to look at the vintage toy collection as you wonder today if children in the twenty-first century still have the same imagination as the children in the 19th century. I think creativity comes from within.
The vintage doll
The vintage rocking horse
The World War II display
The history of Photography in Sussex County
Various household and everyday items from elaborate clothes and accessories to household products
The elaborate outfits of the day
The household goods that made the home run
The museum had an elaborate and detailed display of the old Chatterbox Restaurant, that was once a staple in the Newton area that has since been replaced by a Wawa.
As the name indicates, this room on the lower floor focuses on local history. The main feature is a large stone fireplace built by George Sharp in 1921, incorporating stones from Sussex County that are of geological and historical significance. A framed copy of G.M. Hopkins Jr.’s 1860’s map of Sussex County hangs near the oak roll-top desk of Judge Henry T. Kays. Portraits of Luther and Abigail (Dildine) Hill are on display. Other interesting pieces include a safe from the first bank in Newton – The Sussex Bank, founded in 1818; a Wheeler and Wilson sewing machine – once used to sew clothing for Civil War soldiers; and an original wrestling robe from Newton High School during the time of “Henry Boresch –father of NJ Wrestling”. In the center of the room is a display featuring the Cochran House, once located on Spring Street, it was the center of local social, business, and political activities.
The museum really covers the history of Sussex County in detail with wonderful and interesting displays and lots of historical artifacts. It will take you more than one afternoon of visiting the museum to see the whole collection.
Tour of the Museum on video
After the tour of the museum was over, I toured the historic Green in the middle of the downtown. Downtown Newton as the County Seat of Sussex County is coming into its own as the City gentrifies bringing in new restaurants and shops. The Green was in bloom with Fall colors. Lots of restaurants are in the process of opening and their are lots of coffee shops as well.
I really learned a lot about the City of Newton both inside the museum and outside. This is a community that is still writing its own history.
It was not just an interesting museum visit but it was nice to walk the downtown and see how this small city was changing rapidly as new people were moving in and changing the demographics. Newton, NJ is a town in transition.
I was recently traveling around the Newfield, NJ area, where a small museum dedicated to Matchbox cars was located. I had enjoyed playing with them and collected them when I was little and it sounded fascinating to have a whole museum dedicated to them.
They were not open that day but arranged to visit the museum when I was in the area on my next trip. A few weeks later I arranged a private tour of the museum and got a very interested and detailed tour of the collection, the history of Matchbox cars and the owner of the collection and his collection.
The museum sign at the front of the museum
The rows and rows of cars and trucks
The museum houses one of the most extensive and complete collections of Matchbox cars from not just the collectibles but cars that were part of their promotions in Happy meals and in boxes of Kellogg cereal.
The rows and rows of the collection
The collection also extended out to toys from the company that manufactured the cars from Universal Toys to Tyco Toys to the current owner, Mattel (Wiki.com).
The first car created as part of this vast collection
The collection contained some of the original die cast cars from the first set that were created.
All the cars are so neatly organized
We went row by row and room by room and I was fascinated by the detail and extensive knowledge the docent had on the collection and the history of Matchbox cars. This is a great museum to take kids on just for the sheer collection and for toy collectors who are interesting in Matchbox items.
Our Story, Our Passion
(From the museum website)
The concept of Matchbox Road Museum was formed out of a life-long interest in miniature automotive perfection. The personal collection turned into a well-renowned museum of the preservation of the rare, discontinued and historically important die-cast models. Every item in our assortment symbolizes the art, nostalgia, and cultural impact of the small cars over time.
The inside of the Galley
We think such miniature cars are not just collectibles but narrators of innovations, design and childhood fantasy. By means of professional conservation, careful exhibitions and devotion to authenticity, we give our visitors and collectors an experience that is informative and inspirational.
The Matchbox cars in Happy Meals
The cars available in cereal boxes
The models of Queen Elizabeth II coronation carriages that helped start the company
We have a very easy mission to fulfill, which is to secure the legacy, celebrate the history and make sure these small cars keep on telling big stories in the coming decades.
The Legacy of Matchbox Cars
(From the museum website)
Since its inception in the year 1953, Matchbox cars have changed the way we view toys as well as the toy industry.
They were not only iconic in size but storytelling. Real-world vehicles. Authentic detail. The palm of your hand Dreams at affordable prices.
These small masterpieces attracted the minds of millions of people during decades. Nowadays, they are not just toys, but a part of history, art of engineering, and culture.
We celebrate that tradition at Matchbox Road Museum.
Video on the tour
The museum also has an extensive collection of toys and playthings on display.
Walking around the extensive collections of cars
About the Founder
(From the museum website)
Every great collection begins with a single spark.
A childhood obsession turned into a lifetime goal – retain the heritage of miniature car perfection to the generations to come. The creator of Matchbox Road Museum devoted several decades to the collection of rare, discontinued, and historically important models.
This museum is not constructed using shelves of cars.
It is built on passion. Dedication. Obsession with detail.
And now that heritage open to you is there.
The museum is open for private tours that can be arranged in advance. The tour will take about an hour and you will see a lot. I was taken in by the sheer collection and the walls filled with rows and rows of cars. I really is a fascinating museum.
The Clayton Historical Museum is the perfect example of a community recording and preserving its past and showing the direction of its future through historical timeline of this town. From its place in glass manufacturing the the cheer of its high school, the museum displays the community pride of Clayton, NJ.
It shows how small towns all over New Jersey can preserve their past while still being part of the community at large. Each of the rooms in the museum displays a part of the community and its progression through time.
The first small gallery is dedicated to the uniformed forces that help protect this small community, the majority of the second gallery is dedicated to the glassworks business that once dominated the area and the back gallery displays its community with schools, the business district and the continuation of the glassworks.
The docents and volunteers give you the freedom to walk around but time is limited because the museum is only open for two hours a month plus special events happening in the town.
The History of the Museum:
(From the Museum website)
Clayton Historic Preservation collects personal papers, local business and organization records, photographs, early maps, genealogies, church histories, family Bibles, historic books, newspapers, artifacts and so much more.
The Veteran’s Exhibition in the middle of the museum
Our museum’s archives showcases the heritage and culture of Clayton, allowing visitors to explore and appreciate the town’s fascinating journey. Clayton Historic Museum is a guardian of the borough’s rich heritage, offering visitors a journey through its exhibits and displays (Clayton Historical Society pamphlet).
The entrance hall to the museum
The church artifacts in the first entrance gallery
The Clayton Historic Museum fosters a sense of pride and appreciation for Clayton’s past by preserving artifacts, documenting stories and engaging the community. CHP invites residents and visitors to explore, learn and connect with the borough’s history.
As a testament to the borough’s commitment to preserving its unique identity, CHP is creating an enduring legacy for future generations(Clayton Historical Society pamphlet).
The front gallery dedicated to the town’s First Responders:
The front gallery of Clayton Fire and EMS displays
The Clayton Police and Fire Department displays
The Clayton Police display
The middle gallery is dedicated to the glassworks businesses:
The middle gallery
The glass making industry was a majority of the work force at the turn of the last century and shows New Jersey’s craftsmanship over the years.
The glass milk bottles showing the areas both dairy and glass bottle industries of the past
The back gallery contained a lot of Clayton’s manufacturing and retail history
The glassworks history in the community run deep
The Clayton Glass Works factory at the turn of the last century
Decorative glass was one of its specialties
Creative glass works are part of the extensive collection at the museum
The everyday decorative items were made right here in New Jersey
The main part of the gallery discusses and displays how important the glass industry was to the community and the creativity of the artisans.
The display of the glass blowers chair and the time and effort once part of this craft
The glass blowers chair on display
The museum’s exhibits offer an overview of Clayton’s history, covering various aspects such as industry, agriculture, transportation and daily life.
Collections from The local Clayton High School
The Clayton, NJ local business district businesses
Through an assortment of photgraphs and documents, visitors can explore the Borough’s development.
The beautiful decorative glass on display
The Clayton High School display showing small town pride
The progression of the telephone
The antique Victrola got its start in the Edison labs here in New Jersey
The exhibits provide a deeper understanding of Clayton’s past, fostering an appreciation for the borough’s heritage.
A clipping from the Salem Oak in Salem, NJ is in the yard behind the museum
The Mission Statement of the Museum:
(From the Museum website)
• Acquire and preserve documents, records and relics of the Borough of Clayton, Gloucester County and the State of New Jersey
• Encourage the protection and preservation of the historical landmarks and points of interest
Furnish historical information and documentation to the Borough
• Partner with Clayton Special Events and neighboring Preservation Associations to exchange and display historical related information, documents and artifacts
The middle gallery of the museum’s extensive glassworks collection
Remember that the museum is only open from 11:00am-1:00pm the third Saturday of the month so plan your trip to museum accordingly.
During the Annual Sussex County Heritage Weekend, one of the first stops I made was to the Franklin Heritage Museum in Downtown Franklin, NJ. The museum was the house in one of the offices of the mining company. The museum was a glimpse into community’s mining past and how it shaped this area of the State of New Jersey.
The museum sign out front
The museum building was the old New Jersey Zinc Company ‘Time Office’. This meant that the miners had to punch into their shift at the mine through this building. The old turnstile is to the right of the building.
History of the Franklin Historical Society:
(From the museum pamphlet)
The Franklin Historical Society was organized and incorporated in September 1996 as a non-profit all volunteer education association. It was founded to preserve the heritage of the Franklin Borough to create awareness of both the County and Borough of Franklin and its rich history of culture and ethnic heritage.
The Historical Society’s Museum is located at 95 Main Street in the historic Franklin Mill complex of the former New Jersey Zinc Company.
The Heritage Museum was opened to the public in April 1997 and its displays include:
Iron and Zinc Mining
Railroads
Franklin’s Churches and Schools
Franklin’s Local History
The sign for the old New Jersey Zinc Company ‘Time Office’ historical sign
The history of the Franklin Mine and its place in New Jersey history
The smaller gallery off to the side of the building concentrates on the history of the NJ Mining industry and the many mining areas in Sussex County.
The room contains all sorts of artifacts related to the industry including both pictures and everyday equipment.
The pictures of all the miners at the company
The Mining Gallery
The Mining Gallery with equipment and artifacts for a day of working in the mines
Artifacts from home and work
This gallery was in transition with the volunteers working on the displays. This side of the museum with be on the local NJ Zinc Mine Company and its history.
The main gallery in the old Main Office space
The main gallery of the museum has a mixture of more mining artifacts and town objects that cover the history of the town.
The ‘250th Anniversary exhibition of the town and its mining past
For the ‘250th Celebration’ of our country, the museum created an interesting display of the formation of the community around the mining industry to its growth today.
The Mining and Equipment display
Community artifacts
Pictures of the police and fire department’s in this small mining community
The museum’s main emphasis is on the development of the mining industry both its early development up until when the mines closed in the 1980’s. The display above is on the early mining tools used by the workers.
The Mineral display
What I found interesting was all the minerals that are on display and the glow in the dark components that make these rocks special. When the lights go out, the true magic begins.
The old turnstile to enter the mining compound before the start of the shift
The back of the museum behind the fencing and the weeds, is the entrance to the old mines. Both the entrance building and entrance to the mine has been closed off for years but you can still see behind the fencing. This is the old turnstile off to the side of the building where the miners entered the complex.
Across the street from the museum is the old Hungarian Reformed Church, which is planned to be renovated.
The sign for the church
The old Hungarian church
Down the road from the downtown area where the museum is located is the Franklin Furnace Park, which is a beautiful picturesque park situated around a lake.
All along the highway facing the park and in the park itself was the most beautiful and colorful foliage. Plan to visit the park after the museum for a colorful and relaxing break.
The foliage around the park in early October
The lake view of the park from the highway
The views from every angle of the park are breathtaking.
The view from inside the park and the footbridge to the island
The view of the park from south of the park
A view of the islands in the park
A view of the islands and the foliage
The islands and the foliage in the beginning part of October
The small center pine island
Traveling back down the road back to Route 23 South to continue my tour of museums
The view of the islands to the north in the lake
The view of the lakes from the south
The view of the foliage from the south
For a small town, Franklin offered such an interesting look at this part of New Jersey’s mining past and its transition from a mining industry to tourism based around the mines. The series of museums and cultural sites offers so much for visitors to see and experience.
A start at the Franklin Heritage Museum offers a glimpse into that past and as the museum keeps developing their exhibits will tell that story to visitors.
The Margate Historical Society at 1 South Washington Avenue
The Margate Historical Society is a small history museum that tells the story of Margate, NJ and nearby Atlantic City, NJ. The two towns are intertwined by history and business. This small museum is run by the Margate Library, part of the town’s municipal system.
The museum sign when open
The entrance to the museum
The inside of the museum and their fire and rescue displays
This interesting museum covers the history of the Fire, Rescue and Police Departments with lots of artifacts from all three departments including pictures and equipment.
The rescue and life guard display
The display explains both the lifeguard stations and members and the rescue units run by both this department and the fire department.
The museum has a lot of interesting artifacts from the Margate Fire Department that covers both the working and social aspects of the department. Many cover the last 100 years of the department.
Margate Fire Company #1 Banner
The history of the Margate Fire Department
The Margate Police Department also had an interesting display of artifacts including a jail cell. The department also donated uniforms and items to arrest people.
The museum features the history of the town from community events and organizations to artifacts on buildings and businesses.
Transit display
The history of the community of Margate, NJ
The town has many historical sites especially the “Lucy the Elephant” building down the road from the museum, which is one of the most well known structures at the Jersey shore.
The history of the Margate trolley system that used to exist on the shore line
Artifacts from the old trolleys
The history of the early community
Artifacts from residents of the town that continue to be collected by the museum
Artifacts from the community
The corner stones from the local schools
The museum has an interesting display of the 1964 Democratic Convention that was held in a fading Atlantic City. One of the biggest complaints was that the hotels were past their prime. This was before gambling would be introduced five year later.
The Democratic Convention in Atlantic City that was held in 1964
The museum touches on all parts of the Town of Margate,NJ and its role in the formation of beach communities along the Jersey shore. The museum shows the spirit of this New Jersey community.
The inside of the museum and the extensive displays of this small but interesting local museum.
The museum takes about an hour to visit and is packed with interesting information. The museum has very limited hours but you can work with the library in the off times to arrange a private tour.
I recently visited the American Folk Art Museum in New York City for the “Made in New York City” exhibition and it is a very interesting and engaging museum. The artwork for the museum was a combination of painting, sculpture, pottery and metal work created at different periods of the City’s history. It really showed the extent of manufacturing in New York City and the craftsmanship that was once here.
The entrance to the museum
I recently visited the American Folk Art Museum in New York City for the “Nation”exhibition and it is a very interesting and engaging museum.
The main gallery of the museum with early American art
The main gallery with one of the revolving shows
The artwork for the museum was a combination of painting, sculpture, pottery and metal work created at different periods of the City’s and the Country’s history.
Some of the permanent works were made in the Tri-state area. It really showed the extent of manufacturing in New York City and the craftsmanship that was once here.
The ‘Folk Nation’: Crafting Patriotism in the United States’ exhibition
Patriotism in the United States draws from the American Folk Art Museum’s rich collections to explore links between vernacular art and the construction of an American sense of self. Introducing visitors to the concept of “folk” as a category developed in conjunction with the art and antiques markets, this exhibition positions works as multilayered in their meanings, imbued with cultural significance by not only their creators, but also their collectors and subsequent owners. Americans have long preserved objects as a way of telling stories about themselves. Beginning after the Revolutionary War and gathering momentum in the late nineteenth and early twentieth centuries, people turned to early American things to construct a national history and sense of collective identity—an impulse often driven by lingering insecurity about the young nation’s perceived cultural provinciality compared to Europe (Folk Art Museum.com).
One of the painting’s that stood out to me was more contemporary approach to the Statue of Liberty, entitled ‘Miss Liberty reaches out to the persecuted’. A different approach to folk art.
The painting ‘Miss Liberty reaches out to the persecuted’ by Reverend Benjamin Franklin Perkins
The description of the painting
Some of the interesting things you will see are the paintings by artists in both Colonial New York and from the Hudson River School of prominent New Yorkers through its first 200 years of history. You will see how the styles of art have changed over the years.
Also there is a lot of metal work in the ways of signs and rods for the front of doors and for the roofs. The woodwork carvings that once graced the front doors of merchants all over the City is now a lost art. Here you could see the works of German and Russian carvers and the craftsmanship that was put into every piece. It was interesting too to see the racial themes and stereotypes that were used in the art.
Several revolving shows were being featured on a recent trip to the museum such as ‘Nation’ and ‘Self Made’, themed shows for the 250th Anniversary of the Country.
The show ‘Self Made’ A century of inventing artists’
Self-Made: A Century of Inventing Artists takes a critical look at the historical definition of the “self-taught artist” in the United States from the early twentieth century to today. The exhibition examines how artists without academic training have depicted, conceptualized, and identified themselves on their own terms. In doing so, it aims at challenging reductive, long-standing narratives that have cast these artmakers as amateurs or isolated geniuses working out of time, without lineage, influence, or artistic networks (Folk Art Museum.com).
The sixty artists featured here largely worked outside conventional art-school, gallery, museum, and peer-exchange systems. Their practices are rooted in diverse sites of learning, from professional expertise to community-based traditions. Drawn primarily from the American Folk Art Museum’s collection, this selection of artworks brings together outstanding examples of paintings, sculptures, photographs, videos, and artists’ notebooks by key national and international figures—many of them recent or rarely seen acquisitions (Folk Art Museum.com).
The exhibition is organized around three methods of artistic “self-making” and self-fashioning: self-portraits, alter egos, and autobiographies. Each gallery unfolds chronologically, providing grounding for the artists’ intentions. The works function as primary documents: firsthand accounts of the self, authored by the self. Akin to diaries or other personal statements, they call for close attention, asking viewers to “look at me, in this way, that I have chosen.” By centering the makers’ perspectives and aesthetic choices, Self-Made shifts the focus away from the viewer’s role in completing the creative act and places it squarely on the artist’s agency (Folk Art Museum.com).
Some of the paintings that stood out seemed to be self-portraits.
The painting ‘Untitled’
The painting ‘Untitled’
The museum takes different approaches to the way art is portrayed.
Another program that the museum does well is they have afternoon Jazz Wednesdays and Free Concerts on Friday nights.
There are family programs, walking tours, curator talks and lectures as part of the museum programming so there is something for everyone.
The American Folk Art Mission:
(From the Museum website)
Since 1961, the American Folk Art Museum has been shaping the understanding of art by the self-taught through its exhibitions, publications and educational programs. As a center of scholarship and by showcasing the creativity of individuals whose singular talents have been refined through experience rather than formal artistic training, the museum considers the historical, social and artistic context of American culture. Its collection includes more than seven thousand artworks dating from the eighteenth century to the present, from compelling portraits and dazzling quilts to powerful works by living self-taught artists in a variety of mediums (Museum bio).
Self-Taught art, past and present, tells empowering stories of everyday life. The field of American folk art was first defined at the turn of the twentieth century by collectors, professional artists, critics, dealers and curators whose search for an authentic American Art seemed to be finally answered in works that presented a nuanced of national identity, faith, progress, ingenuity, community and individuality. Under the umbrella of “folk art” expanded to also include artists working in the present. For the last twenty years, the term self-taught has more regularly come to address these artists, whose inspiration emerges from unsuspected paths and unconventional places, giving voice to individuals who may be situated outside the social mainstream. Those individuals have been active participants in the shaping of American visual culture, influencing generations of artists and establishing lively artistic traditions (Museum History).
American Folk Art Museum History:
(From the Museum website)
The museum of Early American Folk Arts as it was known initially held its first exhibition in a rented space on 49 West 53rd Street in 1961. The museum’s collection was launched in 1962 with the gift of a gate in the form of an American flag, celebrating the nation’s centennial. The gift reflected the museum’s early focus on eighteenth and nineteenth century vernacular arts from the northeast America.
In 1966, after receiving a permanent charter, the museum expanded its name and mission. As the Museum of American Folk Arts, it looked beyond the traditional definitions of American folk art. Its exhibitions and collection began to reflect “every aspect of the folk arts in America-north, south, east and west.” Founding curator Herbert W. Hemphill Jr. “expanded the notion of folk art beyond traditional, utilitarian and communal expressions.” Under his direction, the museum began to champion idiosyncratic and individualistic artwork from the fields of traditional and contemporary folk art. In doing so, the museum ushered in a new era in the field of twentieth-century folk art (Museum History).
The 1990’s brought new focus to the diversity and multiculturalism of American Folk Art. Offering a more inclusive vision. the museum began to present African American and Latino artworks in their exhibitions and permanent collections. Director Gerard C. Wertikin announced American folk art’s common heritage as “promoting an appreciation of diversity in a way that does not foster ethnic chauvinism or racial division.” (Museum History).
The museum further established its broadened outlook with the 1998 formation of the Contemporary Center, a division of the museum devoted to the work of 20th and 21st century self-taught artists as well as non-American artworks in the tradition of European art brut. In 2001, the museum opened the Henry Darger Center to house 24 self-taught artist’s works as well as a collection of his books, tracings, drawing and source materials (Museum History).
The gift shop
In 2001, the museum chose its current name, American Folk Art Museum. Recognizing that American Fold Art could be fully understood in an international context, the word American functions as an indication of the museum’s location, emphasis and principal patronage rather than as a limitation on the kind of art it collects, interprets or presents. The museum’s current programming reflects this shift in focus. Past exhibits have included folk arts of Latin America, England, Norway, among other countries and continents (Museum history).
Don’t miss this amazing little museum on the Upper West Side of Manhattan.
In the months of March and May right before the Memorial Day holiday, many of the museums I belong to held their private ‘Members Night’, where they hold extra hours for members after the museums are closed to the public to come and see the exhibitions, listen to music, have something to eat and drink and listen to talks about the exhibitions. The funny part is that the museum’s are more crowded on these nights than when they are open to the public.
Walking inside the soaring dining space at the Morgan Library
The first set of ‘Members Nights’ I went to were on March 24th with my first stop at the Morgan Library. I was there to see the ‘Mozart’ exhibition again.
Wolfgang Amadeus Mozart: Treasures from the Mozarteum Foundation of Salzburg, an exhibition that traces the extraordinary life and enduring legacy of Wolfgang Amadeus Mozart (1756–1791). On view March 13th through May 31st, 2026, this two-gallery exhibition combines the Morgan’s significant holdings in Mozart manuscripts and first editions with remarkable objects, on view in the United States for the first time, from the Mozarteum Foundation of Salzburg. These include Mozart’s clavichord on which he composed The Magic Flute and his childhood violin, as well as famous portraits, letters, and personal objects of Mozart and his family (Morgan Library.com).
Touring the exhibition
Video on the exhibition:
The concert of Mozart as a child
The Magic Flute music and costumes
I happen to love ‘The Magic Flute’ and it was interesting to see the notes and some of the original costumes from the opera at the exhibition.
The costumes from the Magic Flute
After I toured the Mozart exhibition, I toured the rest of the museum that included the original part of the mansion.
The old Living Room
The ceiling outside the exhibition hall
The old Library and Rare book collection
The ceiling in the old Library
I then visited the exhibition of ancient Mesopotamia art scrolls. This was really interesting how this form of written art worked into the collection.
After touring the museum, I went to see what everyone was eating in the museum’s small restaurant was eating because it was getting crowded. The counter was filled with delicious looking desserts.
The sweet treats at the dessert bar at the Morgan Library
The selection of desserts at the Morgan Library the night of Member’s Night
I then visited their very interesting Gift Shop
Admiring the flowers at the Coat Check on the way out. I thought this was a nice touch.
All good things come to an end and I made my way up Fifth Avenue to the Museum of Modern Art for the second part of the evening
I could not believe that the museums arranged these ‘Members Nights’ on the same night. They would plan this three weeks late when the Museum of Modern Art and the Metropolitan Museum of Art. I just had to enough time at one museum and see what I wanted to see and then go up the next.
The Museum of Modern Art (MoMA) at 11 West 53rd Street
Frida and Diego: The Last Dream celebrates Frida Kahlo and Diego Rivera—two of Mexico’s most beloved icons of 20th-century art—in a first-of-its-kind collaboration with the Metropolitan Opera. Organized in conjunction with the Met’s new production of El Último Sueño de Frida y Diego, the presentation at MoMA features artworks by Kahlo and Rivera in an elaborate setting designed by Jon Bausor, the set and co-costume designer of the opera. For both the opera and installation, Bausor evokes the artists’ lives and artworks in his theatrical designs (MoMA.org).
Key participants in a movement to redefine Mexican culture and identity after the revolution of 1910–20—Rivera through monumental murals and Kahlo through intimate self-portraits—the artists were romantically involved from 1928 until Kahlo’s death in 1954. The fictional narrative of the opera El Último Sueño de Frida y Diego begins three years after Kahlo’s death and follows an aging Rivera as he summons the deceased Kahlo back to life on the Day of the Dead, a Mexican holiday honoring passed loved ones. As the opera and installation design attest, the pair continue to have an enduring influence on artists across the visual and performing arts (MoMA.org).
Video on the exhibition:
The opening of the ‘Frida and Diego’ exhibition brought members out in droves
The description of the exhibition
The tree dominates the center of the exhibition
The signature piece from the exhibition
One of the dominate drawings
Looking over costume designs
Some of my favorite costume designs
Another great costume design
After touring the exhibition, I visited some of the other galleries and looked over other works of art that I admired in the past. I took a quick tour of the Modern Galleries before I left that evening.
The Jackson Pollack work
I loved this creative food service work
After touring the museum, I joined the rest of the crowd on the main floor for music.
The main lobby of the MoMA the night of Member’s Night
A few weeks later, the Metropolitan Museum of Art had planned their Member’s Night and then the Museum of Modern Art planned a Member’s Night the same night. So I planned another night of running back and forth between museums.
Member’s Night at the Museum of Modern Art
The schedule of events
There was a lot of activities happening that evening and I wondered around museum to see all of them. I started in the Museum Garden to hear the singers who were performing that evening.
The first performer was Lizzy Hilliard, who performed the guitar and was really enjoyable to hear. She is a very lively and engaging entertainer.
The crowds were outside enjoying the beautiful weather that evening
Lizzy Hilliard performing that evening in the garden
After the performance, I wondered around the museum to see some of the exhibitions and started on the first floor which was really active.
I love wondering through the lobby of the MoMA.
While most of the crowds were still listening to the entertainment in the garden, I went up to the Marcel Duchamp exhibition and toured the galleries again (I had been there the previous week and quickly walked the exhibition).
The Marcel Duchamp exhibition was the biggest retrospect of the artist’s work in years
Marcel Duchamp is organized by The Museum of Modern Art, New York, and the Philadelphia Art Museum, with the generous collaboration of the Centre Pompidou. “Contemporary artworks often prompt viewers to ask, ‘Why is this art?’ It is virtually impossible to answer this question without referring to the work of Duchamp,” said Temkin. “More than any other modern artist, Duchamp challenged and transformed the very definition of an artwork.” Kuo added, “Duchamp’s influence is incalculable and his myriad contributions have established him as one of the most important figures in modern culture (MoMA.org).
Our exhibition will foreground the ways in which Duchamp upended conventional oppositions between hand and machine, original and copy, intention and chance, and matter and idea.” MoMA and PMA have a longstanding history with Duchamp’s work. MoMA was the first museum to acquire a work by Duchamp, in addition to including his work in early landmark exhibitions such as Fantastic Art, Dada, Surrealism (1936) and The Art of Assemblage (1961) (MoMA.org).
Video on the exhibition from the MoMA curator:
I joined the start of the walking tour with one of the docents at the MoMA at the beginning of the exhibition
The gallery was so crowded with people listening to the one docent that was describing the exhibition that I continued on my own. I had never seen much of this artist’s work in museums before and had heard about his piece of changing the look of the Mona Lisa. I really enjoyed seeing it up close.
The 1919 original “L.H.O.O.Q.” was on a card
The 1930 replica “L.H.O.O.Q.”
The information on the replica piece
I then moved on to other works that he was well known for especially his controversial urinal piece.
The work “Fountain” (I thought this was unusual)
The write up on the piece
The last piece that I saw in the exhibition before I left the museum for the Met was his spoke wheel piece.
The work “Bicycle Wheel”
I wondered around the museum for a bit after the tour of the exhibition and admired works in the Modern Wing.
I love Picasso’s Cubism works
After I finished touring the exhibition, I left the MoMA for The Met. The weather was beautiful and with it being light out until almost 8:30pm. It was a beautiful walk up Fifth Avenue with the trees and the flower beds in full bloom.
Arriving at The Metropolitan Museum of Art for “The Met After Hours”
The lobby and rotunda for the event seemed very quiet to me
The beautiful floral arrangements in the lobby area were fresh Cherry Blossoms
The Cherry Blossoms in the urns around the lobby
The American Wing where the Member’s Bar and entertainment was located
The Met seemed very quiet that night. Being the Tuesday after Memorial Day Weekend, I guess most members were getting back to work or still tired from the weekend. It had been a rainy mess the whole weekend and I could not see many people going away.
The bar and the entertainment in the American Wing were located that evening.
I had about two hours before the museum closed for the evening, so I wondered through some of the special exhibitions and started with the “Raphael-Sublime Poetry” exhibition on the second floor.
Raphael: Sublime Poetry is the first comprehensive exhibition on Raphael in the United States, bringing together more than 170 of the artist’s greatest masterpieces and rarely seen treasures to illuminate the brilliance of Raphael’s extraordinary creativity. The son of a painter and poet, Raphael engaged with the foremost writers and thinkers of his age in Rome, displaying a poetic sensibility that captivated his peers and generations that followed. Follow the full breadth of his life and career, from his origins in Urbino to his rise in Florence, where he began to emerge as a peer of Leonardo da Vinci and Michelangelo, to his final, prolific decade at the papal court in Rome (Met.org).
Dive into the artistic process of one of history’s most beloved and influential artists. A true titan of the Italian Renaissance, Raffaello di Giovanni Santi (1483–1520)—better known as Raphael—matched ambition with lyricism to create works with both intellectual heft and emotional depth, a necessary skill in the complex political landscape of Renaissance courts. In his short life of only 37 years, he achieved such profound success as a painter, designer, and architect that he was regarded as the pinnacle of artistic perfection for centuries after his death (Met.org).
Video on the exhibition with the MoMA:
Video on the exhibition with CBS This Morning:
The work admired as I was walking around the exhibition.
This was my favorite piece from the exhibition
The Raphael Exhibition I know was a big deal for the museum but it really was not my taste in art. As much as I admired the work, the whole exhibition did not ‘grab me”.
I was not as impressed with the art in the exhibition and took a quick tour of the works. I had seen the exhibition on a previous tour of the museum so I just wanted to walk around again to see the works that I missed.
I then went back to the first floor and spent more time at the Costume Art exhibition. There had been so much media on the exhibit that you could not get in without timed tickets but because it was quiet on Member’s Night, I just walked in.
The Costume Institute’s spring 2026 exhibition explores depictions of the dressed body across The Met’s vast collection, pairing garments with artworks to reveal the inherent relationship between clothing and the body (Met.org).
Focusing primarily on Western art from prehistory to the present, Costume Art presents connections between garments from The Costume Institute and objects from the Museum’s other collecting areas. Pairings between fashions and artworks will present a spectrum of connections and experiences: from the formal to the conceptual, the aesthetic to the political, the individual to the universal, the illustrative to the symbolic, and the playful to the profound. These pairings are organized into a series of thematic body types that reflect their pervasiveness and endurance through time and cultures (Met.org).
Video on the Costume Art exhibition:
Walking through the entrance of the exhibition
This gallery was newly created for this collection and I had display the pieces that stood out to me the most in the Costume Art exhibition.
One of the pieces I admired
Some of the Evening clothes I admired
Another piece I admired
I thought this was really unusual
I really enjoyed looking over the exhibition yet wondering how many people would actually wear some of these pieces out in public. It really asks the question “What is art?” Still, I loved the dress with all the human organs on it. Now that would stop everyone in mid conversation at a party.
All good things come to an end again and I left the Met as it was closing for the evening. It really is a pretty site at night looking down Fifth Avenue.
How beautiful the Upper East Side is at night
I was starved when I left the museum and knew not too many places outside the bars would be open this late at night. I remembered Asian 83 on East 83rd Street that still might be open for the evening and I was one of their last customers that night. The food is excellent at this little ‘hole in the wall’ on the Upper East Side.
Dinner at Asian 83, Beef and Broccoli with Fried Rice
I ordered a combination platter of Beef and Broccoli with Fried Rice and an Egg Roll with a Coke. Their prices are so reasonable and their portion sizes are very fair. It was a nice dinner before I left Manhattan that evening.
The Beef and Broccoli entree
Their Egg Rolls are excellent
Being a member of many museums, this is one of the perks about membership. You get to enjoy these wonderful evenings while supporting the museums which in this economy really helps. That’s why I have enjoyed supporting them for years. The donation benefits everyone.
This small museum in the Upper West Side neighborhood of Manhattanville is easy to miss. It is in a small brownstone on West 107th Street right near Riverside Drive. You can see the plaque for the museum to the right of the building and there is a side door to get in. The admission is free but they do ask for a donation if you can do it.
The gallery on the second floor
The museum is a specialty collection of the works of artist Nicholas Roerich. They are mostly landscapes and religious themed that cover three floors of the museum.
The is a beauty to all his works especially the ones concentrated in the Himalayas with their colorful and spiritual themes.
The artist’s portrait of his mother on the third floor
It takes about an hour to an hour and a half to see all the floors. A nice touch they had in the afternoon that I was there was a piano player whom you could hear play throughout the brownstone. When you go, it will be a pleasant afternoon where you are not fighting the crowds of the larger museums.
The art pieces enlighten you and I felt gave you a sense of hope.
(The following information is from the museum website)
Artist Nicholas Roerich
(From the museum website)
The Nicholas Roerich Museum was founded in 1949 to house a permanent collection of over two hundred paintings by the Russian-born artist, poet, philosopher and humanitarian, Nicholas Roerich. The museum also houses a library of books and maintains an archive and a collection of artifacts relating to the areas of Roerich’s interests (Museum guide).
The Mission of the Museum:
The mission of the Nicholas Roerich Museum is essentially a narrow one: to make available to the public the full range of Roerich’s accomplishments. These, however, are not narrow; they cover the realms of art, science, spirituality, peacemaking and more. Because Roerich’s activities ranged widely, so do the museum’s.
The second floor galleries
The Museum Collection:
Nicholas Roerich is known first and foremost as a Russian-born artist. His paintings, of which there are thousands around the world, explore the mythic origins, the natural beauty and the spiritual strivings of humanity and of the world.
One of the more spiritual paintings in the collection
The museum houses approximately two hundred of these works and keeps most of them permanently on display for visitors who come from around the world. Indeed, for many of these visitors, the museum is a destination of great importance; the paintings speak to them of their own inner yearnings and possible fulfillment. For them, Roerich’s paintings are a kind of teaching-about spiritual development about culture and its role in human life and about opportunities for the achievement of peace in a fractious world.
The second floor galleries
The beautiful landscapes on the second floor
Publications & Booklist:
The museum also keeps in print a number of books by and about Roerich and his life and work and a substantial stock of postcards and reproductions of his paintings. These too are seen by many as more than just prints; they are hung in homes with a degree of appreciation that is not often given to such things.
The gallery on the first floor with some of the more religious works
Cultural Events:
In addition to these functions, the museum also maintains an active schedule of cultural activities.
The second floor galleries
It was Roerich’s fervent belief that the role of cultural development in the peace and evolution of the world is fundamental and that it is therefore the responsibility of those who work in creative and cultural fields to strive always for that peace and evolution and for those goals to be the chief impulses guiding their creative work. Information about these ideas is always available.
The second floor gallery with Asian themed art
The Roerich Pact & the Banner of Peace:
The museum sustains an ongoing effort to spread public awareness of the intermingled roles of peace and culture and the ways in which each sustains the other. Information and materials about The Roerich Pact and the Banner of Peace are always available.
The patronage of the museum through the Katherine Campbell-Stibbe Foundation
Throughout this century of wars and national struggles, the yearning of the public for ways of achieving peace has been great; the ideas of the Pact and the Banner provide a welcome answer to those yearnings.
The history of the museum through the years
As Roerich’s ideas become better known around the world, attendance at the Museum grows and requests for information and materials about him and his art and social achievements increase.
The gift shop on the first floor. The director of the museum even sells honey from the beehives on top of his building.
*This information is from the Museum’s website.
Disclaimer: This information was taken from a combination of the museum’s website and from the biography of the artist.
I recently revisited the African Museum of Art on the SMA Father’s and on this trip really took my time to learn about the Mission and study the art in the various displays. Each country that the Mission is involved with is represented here with detailed information on the meaning of the art and its purpose. It is an interesting approach to understanding the culture of each of these countries.
The beautiful stained glass windows line the ceiling and walls and has a beautiful effect in the room on a sunny day.
The sculpture in the middle of the main hall
The History of the Museum:
(From the museum website)
This museum was established in 1980 and is one of the only rare few in the United States dedicated solely to the arts of Africa. Its permanent collections, exhibited on a rotating basis, offer a unique advantage in the study and research of sub-Saharan sculpture and painting, costumes, textiles and decorative arts, religion and folklore.
The main hall of the museum
The history of the Mission
The history of the Mission
The history of the Mission
The African Art Museum of the SMA Fathers is one of five museums around the world founded and maintained by the Society of African Missions, an International Roman Catholic missionary organization that serves the people of Africa.
The display case that line the main hall
The display case that line the main hall
The art works up close
The descriptions of the works
The display case that line the main hall
Some of the works up close
The description of the masks
The display case that line the main hall
The museum is the continued vision of SMA’s founder, Bishop Melchior de Marion Bresillac (1813-1859). The French-born clergyman urged his Society to respect and preserve the culture of the peoples they serve, the unique among the missionaries of his time. (This information is provided by the museum).
Some of the works being featured in the exhibition
Their current exhibitions is on the “Africanizing of Christian Art” which shows the 20th Century encounter between Catholic Christianity and the visual culture of the Yoruba, a prominent west African people of southwest Nigeria under the conditions of late colonization (This information provided by the museum).
The hallway off the main room
Linking the walls of the main room are wooden carved doors from a palace in Africa. The interesting detail work tells it own story.
The description of one of the doors
Panel One
Panel Two
Panel Three
Panel Four
The collection contains many works in the form of masks, textile work, religious figurines and decorative arts. Each display case shows a different theme in the art.
The works of art in the cases
The puppets in the case
The works of art lining the cases
The engaging Mask collection
The museum is the main hallway of the church. I found it a quiet place where you could really concentrate on the beauty of the art. It grounds are also nice to walk around in in the nice weather.
The Chapel just off the museum is interesting to visit. I wondered how many people came to serve here and how the service was performed.
The main chapel of the mission
The beautiful stained glass windows in the chapel
The museum is a true hidden gem of wonderful and interesting testimonial and contemporary art. An inspiring museum if you take the time to really enjoy it.
