Tag Archives: museums

Day Eight Hundred and Eighty Six: Attending Private Members Nights at the Museums in New York City-The Museum of Modern Art, The Morgan Library and the Metropolitan Museum of Art March 24th and May 26th, 2026

The Morgan Library at 225 Madison Avenue

https://www.themorgan.org

My review on TripAdvisor:

https://www.tripadvisor.com/ShowUserReviews-g60763-d107356-r1054349477-Morgan_Library-New_York_City_New_York.html?m=19905

My review on VisitingaMuseum.com:

The Mozart Exhibition at the Morgan Library

In the months of March and May right before the Memorial Day holiday, many of the museums I belong to held their private ‘Members Night’, where they hold extra hours for members after the museums are closed to the public to come and see the exhibitions, listen to music, have something to eat and drink and listen to talks about the exhibitions. The funny part is that the museum’s are more crowded on these nights than when they are open to the public.

Walking inside the soaring dining space at the Morgan Library

The first set of ‘Members Nights’ I went to were on March 24th with my first stop at the Morgan Library. I was there to see the ‘Mozart’ exhibition again.

The wonderful entertainment that evening

Touring the Mozart exhibition

https://www.themorgan.org/press/2026/mozart-exhibition

(from the Morgan Library Website)

Wolfgang Amadeus Mozart: Treasures from the Mozarteum Foundation of Salzburg, an exhibition that traces the extraordinary life and enduring legacy of Wolfgang Amadeus Mozart (1756–1791). On view March 13th through May 31st, 2026, this two-gallery exhibition combines the Morgan’s significant holdings in Mozart manuscripts and first editions with remarkable objects, on view in the United States for the first time, from the Mozarteum Foundation of Salzburg. These include Mozart’s clavichord on which he composed The Magic Flute and his childhood violin, as well as famous portraits, letters, and personal objects of Mozart and his family (Morgan Library.com).

Touring the exhibition

Video on the exhibition:

The concert of Mozart as a child

The Magic Flute music and costumes

I happen to love ‘The Magic Flute’ and it was interesting to see the notes and some of the original costumes from the opera at the exhibition.

The costumes from the Magic Flute

After I toured the Mozart exhibition, I toured the rest of the museum that included the original part of the mansion.

The old Living Room

The ceiling outside the exhibition hall

The old Library and Rare book collection

The ceiling in the old Library

I then visited the exhibition of ancient Mesopotamia art scrolls. This was really interesting how this form of written art worked into the collection.

The exhibit on ancient scrolls

https://www.themorgan.org/collection/ancient-near-eastern-seals-and-tablets

I thought this was so interesting

An interesting form of communication

Video on the Exhibition

The Dining area during Members Night

After touring the museum, I went to see what everyone was eating in the museum’s small restaurant was eating because it was getting crowded. The counter was filled with delicious looking desserts.

The sweet treats at the dessert bar at the Morgan Library

The selection of desserts at the Morgan Library the night of Member’s Night

I then visited their very interesting Gift Shop

Admiring the flowers at the Coat Check on the way out. I thought this was a nice touch.

All good things come to an end and I made my way up Fifth Avenue to the Museum of Modern Art for the second part of the evening

I could not believe that the museums arranged these ‘Members Nights’ on the same night. They would plan this three weeks late when the Museum of Modern Art and the Metropolitan Museum of Art. I just had to enough time at one museum and see what I wanted to see and then go up the next.

The Museum of Modern Art (MoMA) at 11 West 53rd Street

https://www.moma.org

My review on TripAdvisor:

I started this Member’s Night at the MoMA, finishing the ‘exhibition and then going to the Met.

The opening of the ‘Frida and Diego’ on Members Night

https://www.moma.org/calendar/exhibitions/5882

(From the MoMA website):

Frida and Diego: The Last Dream celebrates Frida Kahlo and Diego Rivera—two of Mexico’s most beloved icons of 20th-century art—in a first-of-its-kind collaboration with the Metropolitan Opera. Organized in conjunction with the Met’s new production of El Último Sueño de Frida y Diego, the presentation at MoMA features artworks by Kahlo and Rivera in an elaborate setting designed by Jon Bausor, the set and co-costume designer of the opera. For both the opera and installation, Bausor evokes the artists’ lives and artworks in his theatrical designs (MoMA.org).

Key participants in a movement to redefine Mexican culture and identity after the revolution of 1910–20—Rivera through monumental murals and Kahlo through intimate self-portraits—the artists were romantically involved from 1928 until Kahlo’s death in 1954. The fictional narrative of the opera El Último Sueño de Frida y Diego begins three years after Kahlo’s death and follows an aging Rivera as he summons the deceased Kahlo back to life on the Day of the Dead, a Mexican holiday honoring passed loved ones. As the opera and installation design attest, the pair continue to have an enduring influence on artists across the visual and performing arts (MoMA.org).

Video on the exhibition:

The opening of the ‘Frida and Diego’ exhibition brought members out in droves

The description of the exhibition

The tree dominates the center of the exhibition

The signature piece from the exhibition

One of the dominate drawings

Looking over costume designs

Some of my favorite costume designs

Another great costume design

After touring the exhibition, I visited some of the other galleries and looked over other works of art that I admired in the past. I took a quick tour of the Modern Galleries before I left that evening.

The Jackson Pollack work

I loved this creative food service work

After touring the museum, I joined the rest of the crowd on the main floor for music.

The main lobby of the MoMA the night of Member’s Night

A few weeks later, the Metropolitan Museum of Art had planned their Member’s Night and then the Museum of Modern Art planned a Member’s Night the same night. So I planned another night of running back and forth between museums.

Member’s Night at the Museum of Modern Art

The schedule of events

There was a lot of activities happening that evening and I wondered around museum to see all of them. I started in the Museum Garden to hear the singers who were performing that evening.

The first performer was Lizzy Hilliard, who performed the guitar and was really enjoyable to hear. She is a very lively and engaging entertainer.

The crowds were outside enjoying the beautiful weather that evening

Lizzy Hilliard performing that evening in the garden

https://www.lizzyhilliard.com

After the performance, I wondered around the museum to see some of the exhibitions and started on the first floor which was really active.

I love wondering through the lobby of the MoMA.

While most of the crowds were still listening to the entertainment in the garden, I went up to the Marcel Duchamp exhibition and toured the galleries again (I had been there the previous week and quickly walked the exhibition).

The Marcel Duchamp exhibition was the biggest retrospect of the artist’s work in years

https://www.moma.org/calendar/exhibitions/5820

(From the MoMA website):

Marcel Duchamp is organized by The Museum of Modern Art, New York, and the Philadelphia Art Museum, with the generous collaboration of the Centre Pompidou. “Contemporary artworks often prompt viewers to ask, ‘Why is this art?’ It is virtually impossible to answer this question without referring to the work of Duchamp,” said Temkin. “More than any other modern artist, Duchamp challenged and transformed the very definition of an artwork.” Kuo added, “Duchamp’s
influence is incalculable and his myriad contributions have established him as one of the most important figures in modern culture (MoMA.org).

Our exhibition will foreground the ways in which Duchamp upended conventional oppositions between hand and machine, original and copy, intention and chance, and matter and idea.” MoMA and PMA have a longstanding history with Duchamp’s work. MoMA was the first museum to acquire a work by Duchamp, in addition to including his work in early landmark exhibitions such as Fantastic Art, Dada, Surrealism (1936) and The Art of Assemblage (1961) (MoMA.org).

Video on the exhibition from the MoMA curator:

I joined the start of the walking tour with one of the docents at the MoMA at the beginning of the exhibition

The gallery was so crowded with people listening to the one docent that was describing the exhibition that I continued on my own. I had never seen much of this artist’s work in museums before and had heard about his piece of changing the look of the Mona Lisa. I really enjoyed seeing it up close.

The 1919 original “L.H.O.O.Q.” was on a card

The 1930 replica “L.H.O.O.Q.”

The information on the replica piece

I then moved on to other works that he was well known for especially his controversial urinal piece.

The work “Fountain” (I thought this was unusual)

The write up on the piece

The last piece that I saw in the exhibition before I left the museum for the Met was his spoke wheel piece.

The work “Bicycle Wheel”

I wondered around the museum for a bit after the tour of the exhibition and admired works in the Modern Wing.

I love Picasso’s Cubism works

After I finished touring the exhibition, I left the MoMA for The Met. The weather was beautiful and with it being light out until almost 8:30pm. It was a beautiful walk up Fifth Avenue with the trees and the flower beds in full bloom.

Arriving at The Metropolitan Museum of Art for “The Met After Hours”

https://www.metmuseum.org/visit-guides/membership

My reviews on “Met After Hours” on MywalkinManhattan.com:

https://mywalkinmanhattan.com/tag/met-after-hours

The lobby and rotunda for the event seemed very quiet to me

The beautiful floral arrangements in the lobby area were fresh Cherry Blossoms

The Cherry Blossoms in the urns around the lobby

The American Wing where the Member’s Bar and entertainment was located

The Met seemed very quiet that night. Being the Tuesday after Memorial Day Weekend, I guess most members were getting back to work or still tired from the weekend. It had been a rainy mess the whole weekend and I could not see many people going away.

The bar and the entertainment in the American Wing were located that evening.

I had about two hours before the museum closed for the evening, so I wondered through some of the special exhibitions and started with the “Raphael-Sublime Poetry” exhibition on the second floor.

The entrance to the “Raphael” exhibition

https://www.metmuseum.org/exhibitions/raphael-sublime-poetry

(From the Met website):

Raphael: Sublime Poetry is the first comprehensive exhibition on Raphael in the United States, bringing together more than 170 of the artist’s greatest masterpieces and rarely seen treasures to illuminate the brilliance of Raphael’s extraordinary creativity. The son of a painter and poet, Raphael engaged with the foremost writers and thinkers of his age in Rome, displaying a poetic sensibility that captivated his peers and generations that followed. Follow the full breadth of his life and career, from his origins in Urbino to his rise in Florence, where he began to emerge as a peer of Leonardo da Vinci and Michelangelo, to his final, prolific decade at the papal court in Rome (Met.org).

Dive into the artistic process of one of history’s most beloved and influential artists. A true titan of the Italian Renaissance, Raffaello di Giovanni Santi (1483–1520)—better known as Raphael—matched ambition with lyricism to create works with both intellectual heft and emotional depth, a necessary skill in the complex political landscape of Renaissance courts. In his short life of only 37 years, he achieved such profound success as a painter, designer, and architect that he was regarded as the pinnacle of artistic perfection for centuries after his death (Met.org).

Video on the exhibition with the MoMA:

Video on the exhibition with CBS This Morning:

The work admired as I was walking around the exhibition.

This was my favorite piece from the exhibition

The Raphael Exhibition I know was a big deal for the museum but it really was not my taste in art. As much as I admired the work, the whole exhibition did not ‘grab me”.

I was not as impressed with the art in the exhibition and took a quick tour of the works. I had seen the exhibition on a previous tour of the museum so I just wanted to walk around again to see the works that I missed.

I then went back to the first floor and spent more time at the Costume Art exhibition. There had been so much media on the exhibit that you could not get in without timed tickets but because it was quiet on Member’s Night, I just walked in.

The Costume Art Exhibition

https://www.metmuseum.org/exhibitions/costume-art

(From the Metropolitan Museum of Art’s website):

The Costume Institute’s spring 2026 exhibition explores depictions of the dressed body across The Met’s vast collection, pairing garments with artworks to reveal the inherent relationship between clothing and the body (Met.org).

Focusing primarily on Western art from prehistory to the present, Costume Art presents connections between garments from The Costume Institute and objects from the Museum’s other collecting areas. Pairings between fashions and artworks will present a spectrum of connections and experiences: from the formal to the conceptual, the aesthetic to the political, the individual to the universal, the illustrative to the symbolic, and the playful to the profound. These pairings are organized into a series of thematic body types that reflect their pervasiveness and endurance through time and cultures (Met.org).

Video on the Costume Art exhibition:

Walking through the entrance of the exhibition

This gallery was newly created for this collection and I had display the pieces that stood out to me the most in the Costume Art exhibition.

One of the pieces I admired

Some of the Evening clothes I admired

Another piece I admired

I thought this was really unusual

I really enjoyed looking over the exhibition yet wondering how many people would actually wear some of these pieces out in public. It really asks the question “What is art?” Still, I loved the dress with all the human organs on it. Now that would stop everyone in mid conversation at a party.

All good things come to an end again and I left the Met as it was closing for the evening. It really is a pretty site at night looking down Fifth Avenue.

How beautiful the Upper East Side is at night

I was starved when I left the museum and knew not too many places outside the bars would be open this late at night. I remembered Asian 83 on East 83rd Street that still might be open for the evening and I was one of their last customers that night. The food is excellent at this little ‘hole in the wall’ on the Upper East Side.

Dinner at Asian 83 at 1605 Second Avenue

https://www.asian83nyc.com

My review on TripAdviser:

https://www.tripadvisor.com/ShowUserReviews-g60763-d13433935-r1061867800-Asian_83-New_York_City_New_York.html?m=19905

My review on DiningonaShoeStringinNYC@Wordpress.com:

Dinner at Asian 83, Beef and Broccoli with Fried Rice

I ordered a combination platter of Beef and Broccoli with Fried Rice and an Egg Roll with a Coke. Their prices are so reasonable and their portion sizes are very fair. It was a nice dinner before I left Manhattan that evening.

The Beef and Broccoli entree

Their Egg Rolls are excellent

Being a member of many museums, this is one of the perks about membership. You get to enjoy these wonderful evenings while supporting the museums which in this economy really helps. That’s why I have enjoyed supporting them for years. The donation benefits everyone.

Nicholas Roerich Museum 319 West 107th Street New York, NY 10025

Nicholas Roerich Museum

319 West 107th Street

New York, NY  10025

(212) 864-7752

Open: Monday: Closed/Tuesday-Friday: 12:00pm-4:00pm/Saturday-Sunday: 2:00pm-5:00pm

Closed: Major holidays

Admission: Admission is free, though donations are welcome.

http://www.roerich.org

http://www.roerich.org/

TripAdvisor Review:

https://www.tripadvisor.com/Attraction_Review-g60763-d136141-Reviews-Nicholas_Roerich_Museum-New_York_City_New_York.html?m=19905

The front of the museum

This small museum in the Upper West Side neighborhood of Manhattanville is easy to miss. It is in a small brownstone on West 107th Street right near Riverside Drive. You can see the plaque for the museum to the right of the building and there is a side door to get in. The admission is free but they do ask for a donation if you can do it.

The gallery on the second floor

The museum is a specialty collection of the works of artist Nicholas Roerich. They are mostly landscapes and religious themed that cover three floors of the museum.

The is a beauty to all his works especially the ones concentrated in the Himalayas with their colorful and spiritual themes.

The artist’s portrait of his mother on the third floor

It takes about an hour to an hour and a half  to see all the floors. A nice touch they had in the afternoon that I was there was a piano player whom you could hear play throughout the brownstone. When you go, it will be a pleasant afternoon where you are not fighting the crowds of the larger museums.

The art pieces enlighten you and I felt gave you a sense of hope.

(The following information is from the museum website)

Artist Nicholas Roerich

(From the museum website)

The Nicholas Roerich Museum was founded in 1949 to house a permanent collection of over two hundred paintings by the Russian-born artist, poet, philosopher and humanitarian, Nicholas Roerich. The museum also houses a library of books and maintains an archive and a collection of artifacts relating to the areas of Roerich’s interests (Museum guide).

The Mission of the Museum:

The mission of the Nicholas Roerich Museum is essentially a narrow one: to make available to the public the full range of Roerich’s accomplishments. These, however, are not narrow; they cover the realms of art, science, spirituality, peacemaking and more. Because Roerich’s  activities ranged widely, so do the museum’s.

The second floor galleries

The Museum Collection:

Nicholas Roerich is known first and foremost as a Russian-born artist. His paintings, of which there are thousands around the world, explore the mythic origins, the natural beauty and the spiritual strivings of humanity and of the world.

One of the more spiritual paintings in the collection

The museum houses approximately two hundred of these works and keeps most of them permanently on display for visitors who come from around the world. Indeed, for many of these visitors, the museum is a destination of great importance; the paintings speak to them of their own inner yearnings and possible fulfillment. For them, Roerich’s paintings are a kind of teaching-about spiritual development about culture and its role in human life and about opportunities for the achievement of peace in a fractious world.

The second floor galleries

The beautiful landscapes on the second floor

Publications & Booklist:

The museum also keeps in print a number of books by and about Roerich and his life and work and a substantial stock of postcards and reproductions of his paintings. These too are seen by many as more than just prints; they are hung in homes with a degree of appreciation that is not often given to such things.

The gallery on the first floor with some of the more religious works

Cultural Events:

In addition to these functions, the museum also maintains an active schedule of cultural activities. 

The second floor galleries

It was Roerich’s fervent belief that the role of cultural development in the peace and evolution of the world is fundamental and that it is therefore the responsibility of those who work in creative and cultural fields to strive always for that peace and evolution and for those goals to be the chief impulses guiding their creative work. Information about these ideas is always available.

The second floor gallery with Asian themed art

The Roerich Pact & the Banner of Peace:

The museum sustains an ongoing effort to spread public awareness of the intermingled roles of peace and culture and the ways in which each sustains the other. Information and materials about The Roerich Pact and the Banner of Peace are always available.

The patronage of the museum through the Katherine Campbell-Stibbe Foundation

Throughout this century of wars and national struggles, the yearning of the public for ways of achieving peace has been great; the ideas of the Pact and the Banner provide a welcome answer to those yearnings.

The history of the museum through the years

As Roerich’s ideas become better known around the world, attendance at the Museum grows and requests for information and materials about him and his art and social achievements increase.

The gift shop on the first floor. The director of the museum even sells honey from the beehives on top of his building.

*This information is from the Museum’s website.

Disclaimer: This information was taken from a combination of the museum’s website and from the biography of the artist.

The first floor galleries

The African Art Museum of the SMA Fathers (Society of African Missions) 23 Bliss Avenue Tenafly, NJ 07670

The African Art Museum of the SMA Fathers (Society of African Missions)

23 Bliss Avenue

Tenafly, NJ  07670

(201) 894-8611

http://www.smafathers.org/museum

https://smafathers.org/museum/

https://smafathers.org/museum/about-us/

Open: 8:00am-5:00pm Seven Days a week

Please contact us for group tours.

Fee: Free admission but a donation is suggested.

TripAdvisor Review:

https://www.tripadvisor.com/Attraction_Review-g46863-d3967225-Reviews-African_Art_Museum_of_the_Society_of_African_Missions-Tenafly_New_Jersey.html?m=19905

I recently revisited the African Museum of Art on the SMA Father’s and on this trip really took my time to learn about the Mission and study the art in the various displays. Each country that the Mission is involved with is represented here with detailed information on the meaning of the art and its purpose. It is an interesting approach to understanding the culture of each of these countries.

The beautiful stained glass windows line the ceiling and walls and has a beautiful effect in the room on a sunny day.

The sculpture in the middle of the main hall

The History of the Museum:

(From the museum website)

This museum was established in 1980 and is one of the only rare few in the United States dedicated solely to the arts of Africa. Its permanent collections, exhibited on a rotating basis, offer a unique advantage in the study and research of sub-Saharan sculpture and painting, costumes, textiles and decorative arts, religion and folklore.

The main hall of the museum

The history of the Mission

The history of the Mission

The history of the Mission

The African Art Museum of the SMA Fathers is one of five museums around the world founded and maintained by the Society of African Missions, an International Roman Catholic missionary organization that serves the people of Africa.

The display case that line the main hall

The display case that line the main hall

The art works up close

The descriptions of the works

The display case that line the main hall

Some of the works up close

The description of the masks

The display case that line the main hall

The museum is the continued vision of SMA’s founder, Bishop Melchior de Marion Bresillac (1813-1859). The French-born clergyman urged his Society to respect and preserve the culture of the peoples they serve, the unique among the missionaries of his time. (This information is provided by the museum).

Some of the works being featured in the exhibition

Their current exhibitions is on the “Africanizing of Christian Art” which shows the 20th Century encounter between Catholic Christianity and the visual culture of the Yoruba, a prominent west African people of southwest Nigeria under the conditions of late colonization (This information provided by the museum).

The hallway off the main room

Linking the walls of the main room are wooden carved doors from a palace in Africa. The interesting detail work tells it own story.

The description of one of the doors

Panel One

Panel Two

Panel Three

Panel Four

The collection contains many works in the form of masks, textile work, religious figurines and decorative arts. Each display case shows a different theme in the art.

The works of art in the cases

The puppets in the case

The works of art lining the cases

The engaging Mask collection

The museum is the main hallway of the church. I found it a quiet place where you could really concentrate on the beauty of the art. It grounds are also nice to walk around in in the nice weather.

The Chapel just off the museum is interesting to visit. I wondered how many people came to serve here and how the service was performed.

The main chapel of the mission

The beautiful stained glass windows in the chapel

The museum is a true hidden gem of wonderful and interesting testimonial and contemporary art. An inspiring museum if you take the time to really enjoy it.

Day Three Hundred and Sixty-Five Artist Party-Ruth Asawa-Member’s Night at the MoMA November 22nd, 2025

The front of the Museum of Modern Art on 11West 53rd Street

https://www.moma.org/

My review on TripAdvisor:

https://www.tripadvisor.com/ShowUserReviews-g60763-d105126-r1040038069-The_Museum_of_Modern_Art_MoMA-New_York_City_New_York.html?m=19905

There is always a lot of excitement when a new art exhibition is ready to open. It is even better when the museum opens it to its members first before the public gets a glimpse. The lines always wrap around the corner from the museum.

The long line of MoMA members waiting to get into the museum for the opening night of Artist Ruth Asawa’s exhibition

I noticed this year especially and right before Thanksgiving, all the museums are throwing open their doors for Member’s Nights. I have been invited to five Members Nights at museums all over the City. You can’t attend them all but when you can, it is a lot of fun.

The excitement the museum creates for these evenings

Video of entering the museum at the start of the opening with 80’s Japanese Pop Music

I think in an economy like this, these Members Nights are one of the best ways to engage with the membership for both donations and renewals of memberships especially before the holiday season. Plus it gives the members a wonderful night out to see the exhibitions ahead of time and enjoy the evening after a long week at work.

The opening of the Ruth Asawa Retrospect

Artist Ruth Asawa

https://en.wikipedia.org/wiki/Ruth_Asawa

The biography of the artist and her works

https://www.moma.org/artists/21-ruth-asawa

Biography of Artist Ruth Asawa:

(from the Museum of Modern Art website)

Born on a farm in Southern California, Asawa began her arts education when she was a teenager and she and her family were among the thousands of persons of Japanese descent who were forcibly incarcerated by the US government during World War II. It was at the internment camp that Asawa began taking classes in painting and drawing. After her release, Asawa studied to be a teacher but was unable to get a license because of her Japanese heritage, so she enrolled at Black Mountain College, an experimental art school in North Carolina. Asawa took classes from and worked alongside fellow artists Josef AlbersRobert RauschenbergMerce Cunningham, and R. Buckminster Fuller. Black Mountain was also where she met her husband, the architect Albert Lanier.

I loved her wire woven sculptures. They were the real standouts of the show.

The wire woven sculptures were the standouts of the exhibition

I thought these were a unique design

I liked here colorful paintings, these are of her child’s footprints. I loved the idea that her children were involved with the art

The patrons enjoying the art

The display of the wire art

The displays were impressive and graceful

The colorful faces looked tired

The look of nature in the wire art in the form of trees

I loved her works of food

At the end of the exhibition and the evening, I joined everyone on the main floor where the bar and gift shop were located. The main floor was the busiest part of the museum. I wondered if some of these people even went upstairs to see the exhibition or just stayed downstairs to socialize.

The main floor of the museum is always packed with people

Share in the excitement of the Membership opening

These evenings always get my mind off the stress of life. It is nice to just be in Midtown Manhattan and be in the moment. It is nice to see art, hear music and walk through the museum.

U.S. Life Saving Station 30 801 East 4th Street Ocean City, NJ 08226

U.S. Life Saving Station 30 Museum

801 East 4th Street

Ocean City, NJ 08226

(609) 398-5553

https://uslifesavingstation30.com/

https://www.facebook.com/U.S.LifeSavingStation30/

https://www.ocmuseum.org/about-us/museum-history

Open: Sunday 10:00am-4:00pm/Monday-Friday Closed/Saturday 10:00am-4:00pm

My review on TripAdvisor:

https://www.tripadvisor.com/ShowUserReviews-g46696-d14961805-r1033640492-U_S_Life_Saving_Station_30-Ocean_City_Cape_May_County_New_Jersey.html?m=19905

The front of the museum

The front sign of the building

Short History of the Museum:

(from the museum website)

Also known as the U.S. Coast Guard Station No. 126, this is the only life-saving station (now museum) of its design in NJ (1 of 6 in the country) still in existence. The designer and architect was James Lake Parkinson in a Carpenter Gothic style. This building is one of 42 stations built in New Jersey. It was also the workplace of the brave surfmen who were the beachfront First Responders of the day.

The anchor outside the building

The historical plaque outside the building

The History of the Building and Museum:

(from the State of NJ Historic website)

The U.S. Life Saving Station in Ocean City is significant as an example of a significant type of life saving station and for its association with the activities of the U.S. Life Saving Service. The building was constructed in 1885 in what was referred to as the “1882 type.” There were 25 life-saving stations constructed in this style. In 1905 the building’s footprint was expanded to nearly twice its original size. The expansion was done in a style unique to New Jersey Life Saving Stations.

In 1915 the U.S. Life Saving Service and the Revenue Cutter Service were combined to form the U.S. Coast Guard. The Coast Guard continued to utilize the building until it was decommissioned during the 1940s and sold. It was used as a private residence until the City purchased it in May 2010.

The first room inside was the formal dining room where guests who visited or who had been rescued had dined. It was a rather formal affair.

I visited the museum on a weekend day to learn of the rescue procedures and the job these men did on a day to day basis. The first thing I learned was how shifting tides can change an island.

This building which now sits about four blocks inland was once at the shoreline a hundred years ago. Talk about change and Mother Nature’s role in this.

The first room I visited was the formal dining room in the newer extension of the building. This would be where the officers and men would entertain guests and visitors to the building. It could be a casual or formal affair.

The first floor formal dining room

The entertainment for the evening was either board games or a music box

Some of the items salvaged from the sea

The Life Guard officer formal outfit was worn for formal affairs

The officers would be dressed formally to receive guests

The next room over was the Rescue room and door where the boats and other equipment would be held when the alarm sounded.

The docent discussed how the doors were opened and the boats needed to be pulled out on a stormy night. Everything you needed had to be close by, in good shape and ready to go.

The rescue boats and pulleys that would be used in the sea

The ropes and pulleys used to assist in the rescue

The lanterns were used as communication between shore watch and the tower

The equipment used to repair the items used for rescue

The rescue boat and the items used for a water rescue

The additional boats used in rescue

Some boats were used for fishing and collecting shell fish

The Sneak Box was used for duck hunting to camouflage yourself

The sneak box

We then toured the second floor sleeping room for the crew. This offered a great view of the sea when the building was at shore line. These men were given good accommodations for the time.

While not very private, it was comfortable and served its purpose for a job where you might not get a good nights sleep.

The sleeping quarters

The main sleeping room was for a crew of six

The loft lead to the tower where the look out for the evening would sleep (it is not open to tours right now).

The loft area from the window

We then headed back downstairs where we toured the station manager’s room and office.

The station manager’s room off from the kitchen

The station manager’s office where all the monthly paperwork was done and business was conducted.

The kitchen

The Station Manager’s office was right next to the kitchen stove so that the room was kept warm during the winter months and on cool nights.

The kitchen stove

All the meals for the crew and visitors were cooked either by the men or their wives might be allowed to visit and assist in duties in the building.

The kitchen

All the storage of the foodstuffs has to be accounted for because getting them was rough with no cars for transportation and no bridges to cross to the mainland.

The gift shop

The museum and grounds

The museum offers a glimpse of the everyday life of these brave men who were on call 24/7 and performed such dangerous work. Ocean City has done a wonderful job preserving this legacy.

The museum has docents on hand for more formal tours and are very detailed on their knowledge of the building and its contents. It is a very interesting look at Ocean City’s past.

Day Three Hundred and Fifty-Five Private Members Morning ‘Oasis in the City’ tour at the MoMA August 9th, 2025

The entrance to the Museum of Modern Art 11West 53rd Street in New York City

https://www.moma.org/

My review on TripAdvisor:

https://www.tripadvisor.com/Attraction_Review-g60763-d105126-Reviews-The_Museum_of_Modern_Art_MoMA-New_York_City_New_York.html

The sign for the gardens

What I love about being a member of the museums in New York City is that there is an opportunity to see the museum in the early hours for private events. This morning I got up early to experience Manhattan on a spectacular sunny morning for the event ‘Oasis in the Garden’, a talk on the design, purpose and art in the MoMA outdoor garden.

We met inside the museum before the tour

Since the museum opened at 9:30am and there was no one at the museum at that hour, we had the outdoor garden to ourselves for almost an hour and a half.

The outdoor garden at the MoMA at 10:00am in the morning

Our tour guide led about fifteen of us through a history of the creation of the gardens, the purpose in the museum, its renovation in 2004 when I joined and the sculpture in the garden.

She also talked about taking her students here and that some of them wanted specific answers to what the art meant rather than forming their own opinion. It is funny how I see this in my own students.

What I liked about our tour group was that it was an older, very educated crowd of people who brought different opinions on how the art we were seeing should be thought about. From the time the artist created it to it modern interpretation by the ‘politically correct police’, I was amazed by the other members take on each piece of art.

The gardens are a refuge from the noise and crowds of the museum and the City

Video of the fountain

The Albert Giacometti ‘Talk Figure III’

Each piece of sculpture we touch upon was chosen specifically for the gardens and we talked about its place from when it was made to the modern interpretation and how they differ. Our first discussion was about the Albert Giacometti sculpture ‘Tall Figure III’. Some people talked about hunger and the stance on poverty. I asked if her students had different thoughts of the statue when it was made versus today.

She explained everything is seen differently through the artist’s eyes versus the modern I perception. It was hard to compare the two opinions without a debate. I thought today’s students needed to lighten up a little and stop taking art at face value and just enjoy it. The context of work over a hundred years ago is very different from how it can be looked at today.

We had time to talk and relax between art pieces and I swear the sound of the fountains relaxed me so much I almost feel asleep.

The fountains were so calming that morning

Video of the Japanese fountain

The August’s Rodin ‘St. John the Baptist Preaching’

We talked about the religious standpoint of the sculpture versus its place in modern society. I thought it was a naked guy hitchhiking. It’s funny how you see art.

The Jacques Lipchitz ‘Figure 1926-30’

With the ‘Figure’ many of the member talked about their interpretation of the modern take of Cubism and some members asked about whether these were arms and legs or something else.

The back of the gardens

The back of the gardens were so peaceful. I stood back from the tour so I could just hear the water rumble.

The Henry Moore sculpture ‘ The Family Group 1948-49

We discussed the modern family unit of today versus when the sculpture was created.

The back of the gardens

The Henri Matisse ‘The Back (III) 1913-16

The Aristide Maillol ‘The River’

We talked about the fall from God. One person said it looked like someone was tripping into the fountain. I thought that was clever.

The Jean Dubuffet ‘Study for Tower with Figures’

This was the last figure we discussed and we were asked as a group what was the first thing that came to our minds when we saw this. I said ‘Juxtaposed’. So much going on and a lot being said. We talked about children and their make up in the family unit. How they change things.

I have to say that I saw the art in a different light this morning. It was interesting to hear the artist’s interpretation versus what members thoughts were on what the art meant. I thought it was a good take away when we finished the tour. There were so many interesting opinions on the art. What I liked was the weather was so amazing, and it was so nice to be outside.

The garden as the public entered later that morning

I know I got a lot out of the tour. It’s always nice to see different points of view of what the art means and how we interpret it. This is why it is fun to be a member of the MoMA. It’s nice to see the museum when it is quiet and you can just take your time.

The gardens really are an “Oasis in the City”.

Gallery of New York School of Interior Design: NYSID Gallery 170 East 70th Street New York, NY 10021

Gallery of the New York School of Design; NYSID Gallery

170 East 70th Street

New York, NY 10021

(212) 472-1500

https://www.nysid.edu/exhibitions

https://www.nysid.edu/

Hours: Tuesday-Saturday: 11:00am-6:00pm/Closed on Sunday and Monday

Admission: Free

My review on TripAdvisor:

 New York School of Interior Design at 170 East 70th Street

I came across the Gallery of the New York School of design when walking the Upper East Side for my project, ‘MywalkinManhattan.com’ when covering the lower part of the Upper East Side.

The entrance to the Gallery

The New York School of Interior Design was displaying their Senior projects as most the college galleries I visited were doing at this time (this takes place between May and June around graduation time). It was interesting to see how the seniors at the college reused space in old buildings for new purposes. The seniors use their creativity to recreate these spaces. It is the student’s project to take a space and redesign it for a new purpose.

The entrance sign to the gallery

We had done similar projects in college but did not have the computer technology that students do today and they really went above and beyond the things we did back then. You can take this project into 3-D if you want and how real it looks. These kids are so talented that their creativity reminds me of us when we were in school. If only we had what they have today.

The Student Projects line the walls

Take time to look at the detail work and space design of each project. Some of the students even include samples of fabrics and stone/wood work that will be used for the surfaces.

The Gallery is located on the Upper East Side in the back of the school’s building on the first floor. The admission is free and the Gallery is open when the school is open. There are only two shows a year. You just have to show your ID to get into the galleries.

The student project along the walls

The student project along the walls

What I like about the museum is that you get to see the student creativity and how they imagine the space will be designed. The use of color and shape play a roll in all the designs. It looks like the students get to choose their own space to design.

The best part is the you get to go in for free with you ID and just enjoy the show and see the students creativity.

History of the Gallery/Museum at the College:

The New York School of Design’s gallery presents two public exhibits yearly on design and architecture. Exhibitions have included ‘Paris in the Belle Epoque’, rare photographs from the years 1880-1914; Perspective on Perspective, an exploration of artistic technique; ‘The Great Age of Fairs; London, Chicago, Paris, St. Louis’, selective coverage from the first World’s Fair in 1851 to the last in 1904; ‘Venice’s Great Canal’, architectural drawings of the buildings along the famous thoroughfare; ‘Stanford White’s New York’, a survey of that classicist’s many metropolitan buildings and ‘Vanishing Irish Country Houses’, a look into the preservation crisis facing these not infrequently grand structures.

The gallery’s Thursday-evening lectures have included ‘Palladio’s Villas’; ‘Beaux-Arts New York’ and a survey of the Grands Projects undertaken in Paris during the tenure of French President Francois Mitterrand.

(New York School of Interior Design Website)

Beacon Historical Society 61 Leonard Street Beacon, NY 12508

Beacon Historical Society

61 Leonard Street

Beacon, NY 12508

(845) 831-0514

https://www.beaconhistorical.org/

https://www.facebook.com/BeaconHistoricalSociety/

Open: Sunday- Wednesday Closed/ Thursday 10:00am-12:00pm/Friday Closed/Saturday 1:00pm-3:00pm

Admission: Free but donations are accepted

My review on TripAdvisor:

https://www.tripadvisor.com/Attraction_Review-g47291-d15772700-Reviews-Beacon_Historical_Society-Beacon_New_York.html

The Beacon Historical Society at 61 Leonard Street at Christmas time

The outside of the building in the Summer

The sign for the Beacon Historical Society at Christmas time

The outside sign in the Summer

The Mission of the Society:

(From the Society pamphlet

The Beacon Historical Society was founded in 1976 to preserve, collect and interpret the rich history of the City of Beacon and its predecessor Villages of Fishkill Landing and Matteawan.

History of the Society:

(From the Museum website)

Established in 1976, the Beacon Historical Society showcases Beacon’s history through exhibitions, collections, programs, books and an informative monthly newsletter. The Beacon Historical Society is proud to serve as Beacon’s repository of rare photographs, paintings and prints, Hudson River ship models, objects and ephemera from local factories and Main Street businesses, records of local cemeteries and Civil War veterans, maps of Beacon, Fishkill Landing and Matteawan.

I recently did a walking tour of Downtown Beacon, NY and was impressed by the numbers of restaurants, bars and stores in the downtown area. It is an impressive downtown with very few empty stores and impressive and lively street life. On my first trip to the Beacon Historical Society I learned this was not always the case.

I recently visited this small historical society packed with information on the history not just of the City of Beacon but the surrounding Hudson River area. The museum gives an in depth view of the industrial history of the area and the highs and lows of many of the river communities. These small communities have seen a renaissance over the last decade especially during COVID and many of the older towns have seen new life being breathed into them.

The first exhibition I looked at was the Photographer Patrick Prosser exhibition (being shared with the Howland Cultural Center) ‘Work in Decay: The City of Beacon NY’.

Artist Patrick Prosser

https://www.facebook.com/groups/Beaconphotogroup/posts/30007658412154532

Photographer Patrick Prossner was born and raised in Beacon and a graduate of Beacon High School and SUNY New Paltz with BFA. His work on this project started in 1982 photographing the decay of his home town (Author’s Bio on BHS website).

The photographer moved to the area in the early 1980’s during a time when Beacon’s mills and factories were closing and the downtown was boarded up. It shows what the downtown business district looked like and the changes that were made to shape it today.

The sign for the exhibition

Pictures of the former industrial zone

The pictures showed a once vibrant industrial community and the changes once these factories closed.

The changes in the surrounding area

The exhibition really shows the transformation of these towns from the once industrial hubs to the artsy communities filled with galleries and bars that many of them have become.

Downtown Beacon today filled with art galleries, shops and small restaurants

The former mill is now a luxury hotel and restaurant overlooking the same waterfall that used to power the mill

These small communities factories have now become hotels, lofts and in some cases new cottage industries have moved in. Time transforms areas and what is old becomes new again.

The first floor gallery

The second exhibition that I walked through was the ‘From Haverstraw to Beacon: Inside the Brickyards the built New York City’, an extensive look at the brickyards and the clay deposits that once lined the Hudson River that build most buildings in the City in the end of the Eighteenth, Nineteenth and early Twentieth centuries.

The exhibition sign

The map of the location of the brickyards along the Hudson River. This depended on the location of the clay deposits.

Transportation of freight and people for both recreation and business was described in this display of different boats down the Hudson River.

The display of understanding the brick business

Display of the different companies and processes of making bricks

The display of people that make up the industry

The process of mining, making, drying and creating the bricks that would end up in New York City

Some of the bricks and the companies from the New York market that were created in the region

Another display on the companies

More of the companies and processes to making bricks

The exhibition was a very interesting look at what was once a dominant industry in the area but like any industry as the clay ran out and building materials changed, the industry diminished in the area and that way of life changed. With it as well was the transformation of the area.

The former brick factories

The Brockway Brick Company that built Macy’s original building in Manhattan

There were smaller exhibitions as well all over the two floors of displays. First there was a handmade dollhouse on the first floor that is a favorite of the elementary school students.

The handmade dollhouse on the first floor

On the seconded floor is a display is the socially prominent Van Nydeck family. The family donated their family tree and many family heirlooms and portraits.

Part of the Schenck Van Nydeck family tree

The Van Nydeck family heirlooms

There was also artwork and artifacts from the surrounding community on display all over the museum.

The painting is by a local artist and the pottery is locally made

The window is a Tiffany window from a local church that the Historical Society saved for the museum

The first floor gallery

The docent told me after I toured the exhibition that there are more exhibitions being planned for the future.

Touring Downtown Beacon, NY:

After the trip through the Historical Society, I ventured and walked Downtown Beacon. The neighborhood has certainly changed since the early eighties.

Downtown Beacon today

Downtown Beacon today with Mount Beacon in the distance

The beautiful floral arrangements in the downtown today

Day Three Hundred and Forty-Two Private Members Nights at the Museum of Modern Art (MoMA) and the Metropolitan Museum of Art (The Met) May 27th, 2025

One of the nicest things about being a member of museums in New York City is when they have the ‘Private Members Nights’, where the museums are open after hours for the membership only. The funny thing about these nights are that the museums seem busier on these nights than they would when the museums are open during the day to the general public.

What also is difficult is when two major museums have their Members Night on the same night. I had to do a lot of coordinating to go to both museums. What made it work is that both museums closed at different times with The Met closing at 10:00pm. I timed it perfectly.

Members Night at the MoMA ‘Behind the Flowers’ for the Hilma af Klint exhibition

The theme that evening was based on the Hilma af Klint exhibition

https://www.moma.org/calendar/exhibitions/5779

Going this evening took a lot of planning as I had to teach in the morning and cut the lawn on the afternoon. I was already exhausted by the time I left for the City at 4:00pm. Even on this gloomy afternoon, the weather held and it was a nice evening.

The area around the museum was in full bloom that early evening

The event opened early at the MoMA with their event from 6:00pm-9:00pm and the Met went from 7:00pm-10:00pm so I was able to enjoy both with a lot of walking in between. It was worth it as I was able to see several exhibitions on my bucket list before they closed. With work and finals, it had been tough to visit both of them.

People were enjoying conversation and cocktails when I arrived at the MoMA that evening.

I decided to start my evening at the Sculpture Garden on the first floor. The weather was cloudy but still it was a warm evening. People were conversing near the fountains and listening to music. The lines for the cash bar never let up and they were about thirty deep the whole time.

The Sculpture Garden at the MoMA

While I walked around the gardens and fountains I noticed a lot of the art that they were featuring was really unique, some of which I had not seen before.

The gardens with the poppies in bloom

This beautiful mosaic of a octopus did not have a name

This metal artwork was towards the back of the sculpture garden

The artwork makes quite a statement in the sculpture garden

I watched this interactive art that I had seen at the last Members Night

I love this interactive art in this video

I love watching this video sculpture moving around. I had seen it on my last visit and thought it was very interesting. I then moved upstairs to see the Hilma af Klint exhibition that would be closing that weekend. The galleries were jammed with members who wanted to see the artist’s work. She had some interesting pieces that looked more like a naturalist works.

The entrance sign to the Hilma af Klint

The entrance to the galleries

https://www.moma.org/calendar/exhibitions/5779

You could barely move in the galleries it was so crowded. I was not able to get as close to the works as I wanted but I wanted to share from the exhibition the pieces I liked most.

Flowers and an Apple

These interesting drawings on mushrooms

I thought this set of drawings on dandelion’s and strawberries was interesting

As I finished the exhibition, I watched from above other members milling around the second floor

I then moved to the next exhibition ‘Pirouette: Turning Points in Design’, the use of design and concept in everyday life. I thought this exhibition was interesting because it described how we look at functionality and the reasons why things are designed for a specific purpose and then can take on new meaning.

‘Pirouette: Turning Points in Design’ exhibit

https://www.moma.org/calendar/exhibitions/5756

Of the many fascinating and famous items in the exhibition that I saw two well known works stood out to me. The first was the “I ❤️ New York” logo and its development in the 1970’s to be one of the most famous tourism campaigns in history

The Milton Glazer campaign for the “I ❤️ New York” campaign which saved New York tourism and is still used today. What was sad was the creator died during COVID in 2020.

The sign on the development of the design

The other stood out for its simplicity and fame was the development of M & M’s. This simple candy was a result of Forrest Mars seeing the rations of candy abroad of chocolate coated in a shell so it would not melt on the battlefield. With some experimentation, he created the modern M& M.

M & M display by Forrest Mars

I thought the whole museum would be open that night but it was just the two floors plus the gift shop and gardens. Since I saw everything at the MoMA already and it was around 7:45pm, off I ran out the back door to the Metropolitan Museum of Art Private Members Night.

Walking up Fifth Avenue at dusk

Walking up Fifth Avenue at dusk

The walk up Fifth Avenue to The Metropolitan Museum

The Met at night is quite dazzling

The entrance to The Met in the evening

Looking down Fifth Avenue at night

The entrance in the Rotunda was filled with fresh flowers and members chatting away. I even saw some of the members I had seen at the MoMA earlier.

The floral arrangements were spectacular

The beauty of the Rotunda in the evening

Maybe because these Members Nights were on a Tuesday evening, they both did not seem as crowded as they had been in the past. The museum was crowded but not as crowded as the past two Member’s Nights. I think that I arrived at 8:00pm most people were starting to leave. What was nice was that the MoMA night went until 9:00pm and The Met Night went until 10:00pm so it gave me the time to run through both museums.

I started my tour of The Met in the Greek Galleries looking at the Cycladic Art. I always loved the looks of these works.

https://www.metmuseum.org/departments/greek-and-roman-art

The entrance to the Cycladic Wing

The Cycladic Gallery in the Greek wing

Some of the interesting cases I admired that night

I then did a quick tour of the Roman Galleries which I had not toured in detail since the galleries opened years ago.

https://www.metmuseum.org/departments/greek-and-roman-art

Touring the Roman Galleries

Touring the Roman Gslleries

Touring the Roman Galleries

After the tour of the Roman Galleries, I headed to the Egyptian Galleries, I wanted to explore the galleries and get a drink at the Members Bar.

https://www.metmuseum.org/departments/egyptian-art

I love the Egyptian Galleries. I have been coming here since 1973 and have loved them ever since.

I love the ancient hieroglyphics

For the last two Members Nights, the Members Bar was in the Temple of Dendur. It is always so well lit and the music was wonderful. It is a nice way to end the evening.

The Temple of Dendur lit for the evening

The Temple of Dendur was the perfect place to relax and have a cocktail

The crowds were rather large at the bar that evening

The Passion fruit cocktail was the specialty drink of the evening

The Passion fruit cocktail was well worth the money

It was nice to just sit back with the other members and relax and listen to the music. After a long week at work, the sounds of jazz with a nice drink and good conversation is a way to enjoy the evening.

I had a renewed energy after being in the Egyptian Galleries for an hour and I headed into the American Wing to tour some of the exhibits around the main court.

Only the outside of the American Wing was open

I decided to see the new Costume exhibition “Superfine”, an exhibition of Black Men’s clothing through the ages from pre-slavery to current times. The exhibition was a discussion on attitudes, tastes, tailoring and how the Black style influences fashion.

The sign for the “Superfine” exhibition

https://www.metmuseum.org/exhibitions/superfine-tailoring-black-style

Clothing and accessories I admired in the exhibition

Clothing styles I thought were interesting in the exhibition

The evening drew to a close and I was exhausted running from work to come into the City to walk from one museum to another and then walk back to the bus station. Still I got to see a lot in both museums.

The Rotunda at the end of the evening

The fountain dancing as I left

It was such a beautiful that I decided to take the long walk back to Port Authority via Second Avenue. I wanted to see if my favorite Chinese restaurant was still open. I was getting hungry but at almost 10:00pm not much was open. The Chinese restaurant had just closed for the evening. Since COVID, the ‘City that never sleeps’ is going to bed early.

As I was walking down Second Avenue, I came across a very reasonable pizzeria named Centro Pizzeria & Restaurant at 1469 Second Avenue. All I had to do is look at the pizza cases and I could not decide on what I wanted to order.

Centro Pizzeria and Restaurant at 1469 Second Avenue

https://www.centropizzeriarestaurantmenu.com/

My review on TripAdvisor:

https://www.tripadvisor.com/Restaurant_Review-g60763-d15164626-Reviews-Centro_Pizzeria_Restaurant-New_York_City_New_York.html?m=69573

My review on Diningona ShoeStringinNYC@Wordpress.con:

The selection of pizzas in the pizza case

The Cheese and Pepperoni pizzas had just come out of the oven and were the freshest of the pies. I noticed the Pepperoni pizza was loaded with pepperoni and I decided I had to try it. The pizza here is excellent.

My dinner that night

The Pepperoni slice was loaded with slices of pepperoni and cheese

The red sauce which is the base of the pizza gave the Cheese slice lots of flavor

Yum!

It really was a nice walk through Midtown with all the lights on and a nice crowd of people walking their dogs in the various neighborhoods. Walking down the streets of the Upper East Side is really a nice walk and the classic New York experience. These Members Nights are a wonderful way to spend the evening.

Places to Eat:

Centro Pizzeria and Restaurant

1469 Second Avenue

New York, NY

(212) 988-4200

https://www.centropizzeriarestaurantmenu.com/

Open: Sunday-Wednesday 10:00am-11:30pm/Thursday 10:00am-1:30am/Friday 10:00am-3:30am/Saturday 10:00am- 3:30am

My review on TripAdvisor:

https://www.tripadvisor.com/Restaurant_Review-g60763-d15164626-Reviews-Centro_Pizzeria_Restaurant-New_York_City_New_York.html?m=69573

My review on DiningonaShoeStringinNYC@Wordpress.com:

Places to Visit:

The Metropolitan Museum of Art

1000 Fifth Avenue

New York, NY 10028

(212) 535-7710

https://www.metmuseum.org/

Open: Sunday-Tuesday 10:00am-5:00pm/Wednesday Closed/Thursday 10:00am-5:00pm/Friday-Saturday 10:00am-9:00pm

Admission: Adults $30.00/Seniors & Disabled People $22.00/Students $17.00/Members and Caregivers with disabled person Free/NYC residents and NY, NJ and CT students: Pay as you Wish

My review on TripAdvisor:

https://www.tripadvisor.com/Attraction_Review-g60763-d105125-Reviews-The_Metropolitan_Museum_of_Art-New_York_City_New_York.html

The Museum of Modern Art

11 West 53rd Street

New York, NY 10019

(212) 708-9400

https://www.moma.org/

Open: Sunday-Thursday 10:30am-5:30pm/Thursday 10:30am-8:30pm/Friday 10:30am-5:30pm

Admission: Admission: Adults $30.00/Seniors & Disabled People $22.00/Students $17.00/Members and Caregivers with disabled person Free/Children Under 16 are free/Members Free/Guests of Members are $5.00.

My review on TripAdvisor:

https://www.tripadvisor.com/Attraction_Review-g60763-d105126-Reviews-The_Museum_of_Modern_Art_MoMA-New_York_City_New_York.html

Day Three Hundred and Thirty-Four Private Members Night at the Museum of Modern Art ‘Abstraction Unbound’ (MoMA) March 25th, 2025

Right after the Metropolitan Museum of Art had their private members night, ‘Met After Hours’, the Museum of Modern Art countered with their event. Neither museum has the whole museum open but at least at The Met there is more than one bar open and they keep two of the restaurants open for patrons so you can have dinner at the museum.

The Museum of Modern Art (MoMA) kept only two floors open and had one very crowded bar open that evening. Still it was nice to visit the museum after hours and walk through the halls.

The front of the Museum of Modern Art at 11 West 53rd Street

https://www.moma.org/

My review on TripAdvisor:

https://www.tripadvisor.com/Attraction_Review-g60763-d105126-Reviews-The_Museum_of_Modern_Art_MoMA-New_York_City_New_York.html

West 52nd Street the night of the Members Night

The entrance to the Members Night

Looking down on the bar crowd as I walked to the second floor

Listening to the music play with the artwork

The first piece of art I saw was ‘Cadence’ by artist Otobong Nkanga. This colorful and impressive piece took up the entire second floor atrium and the interesting part of the work was that it was interactive and you could walk through the display. It looked like a volcano had exploded and the rocks that spewed out you could walk around.

The work ‘Cadence’ by artist Otobong Nkanga

The write up on the this interesting work

The work took up the second floor atrium

The rest of the second floor of the museum was closed that evening so I made my way to the fourth and fifth floor to visit the galleries.

There was no special exhibition on the fourth floor so I stopped room by room to admire the art. Sprinkled amongst the paintings and sculptures, the museum had placed clips of movies, a few of them silent films. One of my favorites was showing, George Meles’s ‘Trip to the Moon’.

George Meles’s silent film ‘Trip to the Moon

The write up of the piece

The YouTube video on the movie “A Trip to the Moon”

I had first seen this film in high school and had fallen in love with the elaborate sets and the campy storyline. I never got how they thought they were going to get home. Still the movie is fun to watch and you think to seventy years later to movies like ‘2001 Space Odyssey’ and ‘Apollo 13’ and even the footage of really landing on the moon and think how far we have come.

Roaming around the Picasso gallery

Then I walked around the Contemporary Galleries and admired all the works by Picasso and Brancusi. Everyone else was still down at the bar on the first floor so I had these galleries to myself for the first forty-five minutes. I quietly walked and admired all the works.

The contemporary gallery

The works ‘Fish’ and ‘Bird in Space’

Brancusi’s works especially ‘Bird in Space’ I had studied in my Art History class at Michigan State University and zI had admired them for a long time. I had forgotten that versions of them were at the MoMA.

‘Broadway Boogie Woogie’ by Piet Mondrian

The signage

Then I passed ‘Broadway Boogie Woogie’, another work I had studied in college. It is amazing how many great works were at this museum. I just liked the colors and whimsy of this painting. Then I walked through the Claude Monet gallery where the famous ‘Water Lillie’s’ paintings were located.

The gallery dedicated to Claude Monet’s ‘Water Lilies’

The signage

Claude Monet’s ‘Water Lillies’

I love these immense murals either their beautiful colors and calmness to the painting.

I then turned the corner and came across Picasso’s ‘Girl before the Mirror’

I had forgotten that this painting was here and I stopped for a while and just admired it. I loved the simplicity of the idea but enjoyed its bold colors and crazy cubism to it. I have been attracted to this painting since I was a kid when my mother took me to the Picasso Retrospect here when I was a freshman in high school.

The signage for the painting

As the night wore on I visited the floors that were open and it was only two floors, four and five and the second atrium that were open so I visited the bar area when I finished with the other floors.

The prices here were just as expensive as the earlier Member’s Night at The Met and the selection was not as nice, so I bypassed it. I just watched everyone from a distance.

I just enjoy watching everyone having a good

time. I makes the evening even more special.

Watching the crowd while admiring the beautiful interactive art. This work kept moving around to the music in the background

The painting would move in different directions to the music

It had been a short but relaxing evening and got my mind off everything between work and home and I guess I needed a change of pace to shake me out of it.

After a short visit to the gift shop, I left the museum and headed home. As I turned the corner past the museum, I stopped to admire the lights of Seventh Avenue. I sometimes forget how breathtaking Manhattan can be at night.

Seventh Avenue at night around the corner from the MoMA

I took a short walk around the neighborhood, thinking about where I could stop for a snack. None of the restaurants at the museum were open the evening and they had nothing at the bar.

I remembered a wonderful hamburger/ hot dog place near Eighth Avenue, Lucky’s Famous Burgers at 370 West 52nd Street.

The meal specials at Lucky’s Famous Burgers

https://luckysfamousburgers.com/

My review on TripAdvisor:

https://www.tripadvisor.com/Restaurant_Review-g60763-d4345188-Reviews-Lucky_s_Famous_Burgers-New_York_City_New_York.html?m=69573

My review on DiningonaShoeStringinNYC@Wordpress.com:

I settled on the ‘Double Dog’ special meal with two dressed hot dogs and a large size of French Fries with a large Coke. It was enough food for two people. The hot dogs here are fantastic and the French Fries are cooked to order. The meal just hit the spot and really cheered me up as had the visit to the MoMA. It was the perfect meal to cap off the evening.

The Doubledogs with French Fries meal

The delicious twin hot dogs

They were nicely decorated

What a way to end the evening

It was quick and relaxing evening and shook away the blues of the past days of gloomy weather and some of the long nights of grading papers at work. A pleasant night at the MoMA can really cheer you up!

Walking back to the bus station on Eigth Avenue