The Institute of Italian Culture has a small gallery in it that several times a year hosts small art gallery events that are open to the public. This one caught my eye when I saw the picture of Sophia Loren looking back at me when I passed.
I thought it might be interesting and I stopped to see “Italians: Italian Women who changed the World” by artist Salvatore Catalano. The gallery held about fourth pictures of Italian women from all over the world and of different time periods who influenced art, fashion, politics and business.
There were many names I recognized and a few who I did not know. The works were very interesting and engaging.
The sign that welcomes you to the gallery
The main gallery at the Instituto Italiano di Cultura for the “Italiana: Italian Women Who Changed the World” exhibition
The exhibition Italiana: “Italian Women Who Changed the World” by artist Salvatore Catalono highlights the many impressive achievements by Italian women over the course of the last few centuries, until today.
(From the museum website):
These formidable women all greatly impacted the world in one way or another, often also against the odds imposed by a “male-ruled” society. The selection of 22 portraits includes scientists, politicians, entrepreneurs, artists, humanitarians and writers. These women all accomplished incredible feats and have contributed to the world in ways that still continue to resonate nowadays.
The Institute of Italian Culture exhibition sign:
The show Italiana: Italian Women Who Changed the World”
These were my favorite sketches from the show and women I most admired in the show.
Miuccia Prada, of the Prada fashion empire
Catherine de Medici, who revolutionized French Culture
Sophia Loren, the famous Italian actress
Lidia Bastianich, the Chef and restauranteur
The sketching’s represented different eras.
(From the museum website)
They are not all household names, but they are all at the top of their professions and exemplify the spirit of Italy. Salvatore Catalano uses his art as a vehicle to transmit these stories and to highlight the lives of these incredible Italian women.
(from the Italian Cultural Institute of New York website)
Salvatore Catalano is an artist, illustrator, and educator. Catalano works in all forms of visual communication. His art has appeared on everything from postage stamps to billboards and his work is in many private and corporate collections. He is an educator at the college level, teaching in New York City and Florence, Italy.
Catalano has worked with The United Nations, U.S. Government, Department of The Interior, National Audubon Society, The New York Times, The New Yorker, ABC, CBS, NBC, American Museum of Natural History, Smithsonian Institution, N.Y. Zoological Society, Merck, Pfizer, Johnson & Johnson, Bayer, GlaxoSmithKline, Coca Cola, Pepsi Cola, Seagram’s, General Foods, Sony, Panasonic, Citibank, Scholastic, Harper-Collins, Bantam-Doubleday, Dell, MacMillan, DuPont, Exxon, State of New Jersey Children’s Television Workshop, McGraw-Hill, Ranger Rick, among others. He has also worked on more than thirty books for children.
The History of the Instituto Italiano di Cultura in New York City:
(from the Instituto Italiano di Cultura website)
The Italian Cultural Institute in New York was founded in 1961 by the Italian Government. Its mission is to promote Italian language and culture in the United States.
Under the guidance of its trustees at the Ministry of Foreign Affairs, its advisory board, and its staff, the Italian Cultural Institute in New York fosters cultural exchanges between Italy and the U.S. in a variety of areas, from the arts to the humanities, to science, and technology.
Central to the Italian Cultural Institute’s activity is its collaboration with the most prominent academic and cultural Institutions of the East Coast. The scientific exchanges, the organization of, and support to, visual arts exhibitions, the grants for translation and publication of Italian books, inspire and nourish the Institute’s initiatives.
In particular, we focus on the relationship between memory and innovation, and the multiplicity of identities in the Italian civilization. The Italian Cultural Institute in New York, therefore, provides an “open window” on main cultural and social aspects of past and current Italy.
The entrance to the Central Park Conservatory Garden in Winter 2023 (The Vanderbilt Gates)
I love walking around the Central Park Conservatory at any time of the year especially in the early Spring when all the flowers are in bloom. It is a wonderful experience to go in the early morning when it is quiet and you have the park to yourself (which is very rare). The whole garden just went through a major restoration and it has really changed. The whole Conservatory is refreshed and in bloom. It is quite a site!
The sign at the entrance of the Gardens
The entrance to the gardens
This time of the year (Spring) the Central Park Conservatory is in full bloom and its magnificence is at its finest in the Spring and Summer months. In May, the tulips and daffodils are just finishing their flowering and the lilacs are just finishing their blooming and still fragrant the garden. The lawns are all a deep green and the dogwood trees are just starting to bloom around the rings of the gardens.
The newly renovated pathways
Don’t miss walking around the Gardens off to the side closest to the Harlem Meir as they are open through the renovation. You will see beds of flowers along the fountain’s edge and can admire all the sculpture. What is most impressive is that in-between the Gardens is a vast green lawn surrounded by trees. The lawn of the Conservatory is nice to just admire with the trees lining it on all sides.
Central Park Conservatory Garden Spring 2025
The best time to come to the Conservatory Gardens is in early to late Spring and the early Summer when everything is in full bloom. This is when Mother Nature shows us her great magic.
The beauty of the Central Park Conservatory is that it blooms all year around except the winter and even then, there is a quiet elegance to the garden.
The gardens in full bloom in Summer 2025
The restored fountain in all of its glory
History of The Central Park Conservatory:
(Information comes from a combination of NYC Parks.org and Wiki)
The Central Park Conservatory Garden is the only formal garden in Central Park, New York City and is located approximately between 104th and 106th Street on Fifth Avenue in NYC. The Garden consists of about six acres of formal landscaping of trees, shrubs and flowers. The formal garden is divided into three smaller gardens each with a distinct style: Italian, French and English. The Central Conservatory Garden is an officially designated Quiet Zone and offers a calm and colorful setting for a leisurely stroll and intimate wedding.
The Central Park Conservatory in the Spring 2025
It takes its name from a conservatory that stood on the site from 1898 to 1934. The park’s head gardener used the glasshouses to harden hardwood cuttings for the park’s plantings. After the conservatory was torn down, the garden was designed by Gilmore D. Clarke, landscape architect for Robert Moses, with planting plans by M. Betty Sprout and constructed and planted by WPA workers, it was opened to the public in 1937.
The Garden is composed of three distinct parts, skillfully restored since the 1980’s and is accessible through the Vanderbilt Gate at Fifth Avenue and 105th Street, a quarter south of the park’s northeast corner.
The Vanderbilt Gate at the Central Park Conservatory
The Vanderbilt Gate once gave access to the forecourt of Cornelius Vanderbilt II’s chateau designed by George Browne Post, the grandest of the Fifth Avenue mansions of the Gilded Age, at 58th Street and Fifth Avenue, sharing the Plaza with Plaza Hotel. The wrought iron gates with cast iron and repousse details, were designed by Post and executed in an iron foundry in Paris.
The fountain at the Central Park Conservatory
To the left of the south side is the garden of mixed herbaceous borders in wide concentric bands around The Secret Garden water lily pool, dedicated in 1936 to the memory of Frances Hodgson Burnett with sculpture by Bessie Potter Vonnoh.
The Fountain in the Spring of 2025
Some large shrubs, like tree lilac, magnolias, buddleias and Cornus alba ‘elegantissima’ provide vertical structure and offer light shade to offset the sunny locations, planted by Lynden Miller with a wide range of hardy perennials and decorative grasses, intermixed with annuals planted to seem naturalized. This garden has seasonal features to draw visitors from April through October.
To the right of the central formal plat is a garden also in concentric circles, round the Untermyer Fountain, which was donated by the family of Samuel Untermyer in 1947. The bronze figures, Three Dancing Maidens by Walter Schott (1861-1938) were executed in Germany about 1910 and formed a fountain at Utermyer’s estate “Greystone” in Yonkers, New York.
This section of the Conservatory Garden has two dramatic seasons of massed display of tulips in the spring and Korean chrysanthemums in the fall. Beds of satolina clipped in knotted designs with contrasting bronze-leaved bedding begonias surround the fountain and four rose arbor gates are planted with reblooming ‘Silver Moon’ and ‘Betty Prior’ roses.
The French Gardens at the Central Park Conservatory in Summer 2025
After the Second World War the garden had become neglected and by the 1970’s became a wasteland. It was restored and partially replanted under the direction of horticulturist and urban landscape designer Lyden Miller to reopen in June 1987. The overgrown, top-heavy crabapples were freed of water shoots and pruned up to a higher scaffold for better form. The high-style mixed planting was the first to bring estate garden style to urban parks, part of the general of Central Park under Elizabeth Barlow Rogers of the Central Park Conservancy.
The Conservatory in the early Spring of 2025
This is the fountain up close
(This information directly from Wikipedia and has many sources)
The Meadowlands Museum is the main steward of the history and culture of the Meadowlands region and one of its leading storyteller.
The sign welcoming you
Its mission and collection, which resides in the Yereance-Berry House in southern Bergen County in Rutherford, NJ are distinctive and unique. The house too is a historic treasure and landmark and was built in 1804 by the Berry family, who were among the county’s earliest European settlers.
The front of the museum in the Spring of 2026
Rooms in the three-level American Dutch farmhouse are alive with permanent and temporary exhibits and sometimes include loaned objects from other museums and private collections. Historical artifacts like archives and photographs are mingled with textiles, furniture, housewares and artwork.
The display on the history of area
There is even correspondence by the daughters of John Rutherfurd, a close confidant of George Washington.
The display in the local artifacts
The gardens outside in the Spring of 2016
Grounds include the William Carlos Williams Poetry Garden, which acknowledges the legacy of Rutherford’s most famous native and the town’s history as a cultural center.
The everyday products of the Meadowlands Museum
Founder in 1961 as the Rutherford Junior Museum by parents of school age children to help connect them to their community, the museum is staffed by professionals assisted by dedicated volunteers and involved trustees. Interns add to the rich resource of individuals who contribute to its present and future.
A recent commercial developed by my Business 101 Class for the Meadowlands Museum for the project “Rocking it in Rutherford: Being a Tourist in your own Town”
The location of the Yereance-Berry House suggests a colonial farm dating to 1740. The oldest house in south Bergen County in close to original condition, it was part of the Historic American Building Survey project of the 1930’s. The building is also listed on the state and national registers of historic places and the Bergen County Stone House Survey.
The Yereance-Berry House is the now the Meadowlands Museum
Affiliated organization include the American Alliance of Museums, American Association for State and Local History, Meadowlands Regional Chamber of Commerce, New Jersey Association of Museums and The National Trust for Historic Preservation.
Programming & Community Service:
Free and reasonably priced services for individuals, community groups, businesses, government bodies and educational institutions are available.
*Educational programs, lectures and traveling exhibits.
The ‘Historic Rutherford Homes’ exhibition at the museum in 2026
The Historic Homes exhibition
The Historic Homes exhibition
*Customized on and off site programs.
*Collaborative ventures with a wide range of partners.
*Assistance with academic research and other archival support.
Special Events:
Special events, which often are made possible by partnerships with businesses and other organizations, are an additional way for visitors of all ages to enjoy the museum. Public and private events occur on a regular or one-time basis; many are fundraisers. Call or email for a current calendar and sponsorship possibilities. The house hosts both permanent and special exhibits.
Our permanent exhibits include:
*Yereance Berry House: During the Spring of 2026.
The outside of the museum
*Pre-electric kitchen: This unique kitchen in the basement shows off the collection of equipment that would be used in the kitchen from the Civil War to the 1950’s. There are coffee grinders, whisks, wash boards and such. It showed how much effort was put into preparing the family meal through the ages.
The Farm Kitchen of Bergen County
The Farm Kitchen at the Turn of the Century
*Meadowlands Geology: there are all sorts of rocks and gems not just from the area but all over the state. There are two different rooms one of the specimens locally and there is a separate room for glowing stones. It is very interesting to see when the lights are out.
The Mineral Collection at the Meadowlands Museum
The fluorescent Zinc display
The Mining Display
*Mining in South Bergen: This is how the county has changed when we mined ore.
The Mining Display at the Meadowlands Museum
The Mining Display
The Mining Display
*19th century Laundry Room: The Laundry room that is located in the basement has many of the things our grandparents would have used. The washboards, scrub bushes, old washing machines and ringers. Washing clothes was much harder back then.
The Wash Room of the Turn of the Century
*The wonderful Toy Exhibition of turn of the last century toys and from the 1960’s 70’s and 80’s. This contains Dolls, Board Games, play things and instruments:
The Toy Collection fascinates kids of all ages
The Factory Toys display
The wonderful toy factory in Kearny, NJ that used to produce all these wonderful toys.
The Toy Display
The Toy Display
The Doll display
The Doll display
The ‘Brownies’ display in the Toy Room
*The Bergen County Farm display:
Farming in the County in the past
The Farm display
The home Spinning Wheel display
Spinning Wheel display
The new Turn of the Century Furnace display
*Horse elevator
Recent special exhibits have included:
*High school football
*Needlecraft
*Steampunk
*Medical Innovations
*Maps of the region
*Civil Rights
*Dr. Williams’ Babies
Dr. William’s display
Dr. Williams display
Dr. William’s display
Dr. William’s display
Dr. William’s display
*World War I
Special Events:
Scarecrow Day 2018:
I went to the recent Scarecrow Day on October 20, 2018 where guests of the museum created their own scarecrows using their own creativity. All the scarecrows were lined up facing the street with their interesting clothes and accessories.
Each person got to use their own clothes and each one had its own style to it. It was fun watching the families show their creativity at this annual event.
Scarecrow Day at the museum in 2018
Scarecrow Day in 2021: the winners of the contest for best Scarecrow
I also stopped by for the Dutch Christmas decorations. The museum was decorated for the holidays with garland and trees. On December 1st, they had a Dutch Christmas festival (I could not attend) with food and entertainment.
Celebrating the Easter Holidays in 2026
Help tell the story…
(from the museum website)
Individuals who value the purpose and work of the Meadowlands Museum remain its inspiration and abiding spirit. Donations, memberships, sponsorship’s, grants and fundraisers are crucial elements of the museum’s financial well-being.
Admission to the museum is free but donations are greatly appreciated. Fees for events and other services vary. A personal letter to the appropriate person acknowledges a gift made in the name of an individual. Donations to provide for the buildings and grounds are valuable links to the future and a kind of giving that is among the museum’s top priorities.
Disclaimer: This information was taken directly from the Meadowlands Museum’s pamphlet. For information on the site, please call or email the museum for more information.
My Bergen Community College Team Project in 2022:
Bergecco-Parc Consulting Inc.-Rocking it in Rutherford:
My Business 101 class at Bergen Community College Lyndhurst branch visit in the Spring of 2022 for the project “Rocking it in Rutherford: Be a Tourist in your own Town”.
For Spring Semester in 2022, my Business 101-Introduction to Business class made a weekend visit to the Meadowlands Museum for the project “Rocking it in Rutherford-Be a Tourist in your own Town”. We were promoting the museum to increase tourism with a fundraiser and a barbecue. So on the weekend, I took my Team to the museum to tour it for extra credit. They ended up learning a lot about not just the museum but the history of Rutherford and Bergen County, NJ.
The project was promoting the Town of Rutherford for Domestic and Foreign Tourism and created a fundraiser and modernization of displays for the museum. This is a copy of the project, presentation and Commercials.
The Team Project “Rocking it in Rutherford: Be a Tourist in your own Town”:
This small museum in the Upper West Side neighborhood of Manhattanville is easy to miss. It is in a small brownstone on West 107th Street right near Riverside Drive. You can see the plaque for the museum to the right of the building and there is a side door to get in. The admission is free but they do ask for a donation if you can do it.
The gallery on the second floor
The museum is a specialty collection of the works of artist Nicholas Roerich. They are mostly landscapes and religious themed that cover three floors of the museum.
The is a beauty to all his works especially the ones concentrated in the Himalayas with their colorful and spiritual themes.
The artist’s portrait of his mother on the third floor
It takes about an hour to an hour and a half to see all the floors. A nice touch they had in the afternoon that I was there was a piano player whom you could hear play throughout the brownstone. When you go, it will be a pleasant afternoon where you are not fighting the crowds of the larger museums.
The art pieces enlighten you and I felt gave you a sense of hope.
(The following information is from the museum website)
Artist Nicholas Roerich
(From the museum website)
The Nicholas Roerich Museum was founded in 1949 to house a permanent collection of over two hundred paintings by the Russian-born artist, poet, philosopher and humanitarian, Nicholas Roerich. The museum also houses a library of books and maintains an archive and a collection of artifacts relating to the areas of Roerich’s interests (Museum guide).
The Mission of the Museum:
The mission of the Nicholas Roerich Museum is essentially a narrow one: to make available to the public the full range of Roerich’s accomplishments. These, however, are not narrow; they cover the realms of art, science, spirituality, peacemaking and more. Because Roerich’s activities ranged widely, so do the museum’s.
The second floor galleries
The Museum Collection:
Nicholas Roerich is known first and foremost as a Russian-born artist. His paintings, of which there are thousands around the world, explore the mythic origins, the natural beauty and the spiritual strivings of humanity and of the world.
One of the more spiritual paintings in the collection
The museum houses approximately two hundred of these works and keeps most of them permanently on display for visitors who come from around the world. Indeed, for many of these visitors, the museum is a destination of great importance; the paintings speak to them of their own inner yearnings and possible fulfillment. For them, Roerich’s paintings are a kind of teaching-about spiritual development about culture and its role in human life and about opportunities for the achievement of peace in a fractious world.
The second floor galleries
The beautiful landscapes on the second floor
Publications & Booklist:
The museum also keeps in print a number of books by and about Roerich and his life and work and a substantial stock of postcards and reproductions of his paintings. These too are seen by many as more than just prints; they are hung in homes with a degree of appreciation that is not often given to such things.
The gallery on the first floor with some of the more religious works
Cultural Events:
In addition to these functions, the museum also maintains an active schedule of cultural activities.
The second floor galleries
It was Roerich’s fervent belief that the role of cultural development in the peace and evolution of the world is fundamental and that it is therefore the responsibility of those who work in creative and cultural fields to strive always for that peace and evolution and for those goals to be the chief impulses guiding their creative work. Information about these ideas is always available.
The second floor gallery with Asian themed art
The Roerich Pact & the Banner of Peace:
The museum sustains an ongoing effort to spread public awareness of the intermingled roles of peace and culture and the ways in which each sustains the other. Information and materials about The Roerich Pact and the Banner of Peace are always available.
The patronage of the museum through the Katherine Campbell-Stibbe Foundation
Throughout this century of wars and national struggles, the yearning of the public for ways of achieving peace has been great; the ideas of the Pact and the Banner provide a welcome answer to those yearnings.
The history of the museum through the years
As Roerich’s ideas become better known around the world, attendance at the Museum grows and requests for information and materials about him and his art and social achievements increase.
The gift shop on the first floor. The director of the museum even sells honey from the beehives on top of his building.
*This information is from the Museum’s website.
Disclaimer: This information was taken from a combination of the museum’s website and from the biography of the artist.
The Van Bushkirk Burial Ground behind the residence at 45 East Saddle River Road
The Van Bushkirk Burial Ground is part of the history of Saddle River, NJ’s early settlement period. The burial ground has about 40 tombstones that are arched and shaped. These are some of the first residents both of Saddle River and Bergen County, NJ.
The burial ground lies next to a creek off East Saddle River Road and can only be accessed by going through private property of the residents living at 45 East Saddle River Road. Please do not enter without permission of the owner of the home. These pictures were taken with a long distance camera from the street.
The Van Bushkirk Burial Ground at 45 East Saddle River Road
The History of Saddle River:
(from the Saddle River Town website):
In 1675, Lenni Lenape tribal leaders sold a large amount of land on the Eastern side of the Saddle River (known as Werimus) to Albert Zabriskie. In 1708, Zabriskie sold this tract of land to Thomas Van Buskirk. The first house in Saddle River was built by the Van Buskirk family in 1709. The original Van Buskirk homestead still stands at 164 East Saddle River Road across from Borough Hall.
In 1709, the Lenni Lenape sold the land on the west side of the Saddle River to the English as part of the Ramapo Tract. Property on the west side of the Saddle River was acquired from this Tract throughout the 1700’s. The Ackerman Family was the most prolific buyer of these early Saddle River parcels and first settled on the West side of the Saddle River in 1745 when Johannes Ackerman acquired 245 acres.
The graves of George and Margaret Achenbach
Saddle River continued to grow and populate during the 18th century. Families such as the Van Buskirk’s, the Ackerman’s, the Achenbach’s, the Hopper’s, the Zabriskie’s, the Stilwell’s and the Baldwin’s farmed and developed the area.
The grave of George Achenbach
The first of many Saddle River mills was built in 1714 and the first school was constructed in 1720. Another early 18th century business was the blacksmith shop operated by the Ackerman family. Over the years, these 1st families built the quintessential “Old Dutch Homesteads” from actual sandstone that was found in town.
The Revolutionary War era tombstones
The Revolutionary War was a horrendous time for the residents of Saddle River. The townsfolk had spent the entire 18th century developing the area into a well established community and all growth essentially stopped during the war. Since the Jersey Dutch initially considered the revolution to be an English issue, it was particularly shocking when the fighting came to their backyards. From December 1776 until the end of the war, both American and British forces traveled through Saddle River and many times set up camp in the center of town.
Residents were in constant fear of the British employed Hessian soldiers who would terrorize families by raiding the houses for food and then burning the fields before leaving. Although no major battles took place in Saddle River, there were small skirmishes to fend off raids and the Blue Mill on East Saddle River Road was destroyed. Even George Washington, the future father of our country, passed through Saddle River on multiple occasions and tradition has him staying overnight at the Ackerman Homestead on the East road.
When the Revolutionary War ended, Saddle River residents picked up right where they left off in terms of community and industry development. The Ackerman’s built a Foundry on what is now Waterford Gardens. Tice and Berdan both opened stores in town and the Bulls Head Tavern opened its doors to weary travelers in 1802. Old mills were re-opened and new ones such as Van Riper’s Saw Mill and Basket Factory were established. The post war growth continued for decades and culminated in the 1820s with the construction of the Zion Lutheran Church in 1821 and a new schoolhouse behind the church in 1825.
The worn tombstones in the cemetery
History of the Van Bushkirk family in Bergen County during the Revolutionary War:
(From the Bergen County Historical Society website):
Loyalists in Bergen County came from all backgrounds, religions and economic classes. At the beginning of the war, a number were officers in the militia, the military force composed of all able-bodied males maintained by each province, and later the states. The lieutenant colonel of the militia was John Zabriskie of New Bridge. Zabriskie understood the sentiments of many of his neighbors, particularly those of Abraham Van Buskirk, whose property was directly across the bridge in Teaneck. Van Buskirk was a surgeon in the militia under Zabriskie, and with whom he served on Bergen County’s Committee of Correspondence, an entity established to keep in touch with other New Jersey counties and the events occurring there.
The Van Houton Family Cemetery at 108 Delaware Lane on what was once the family farm
The historic Marker from 1822
The family plot from the entrance of the cemetery
About five generations of Van Houton’s have been buried in this spot, with an impressive list of family members who have served in all the nation’s wars.
From the Revolutionary War up to World War II, the family’s contribution extends not just to Bergen County but our entire country.
The family extends to other older ‘first families’ of Bergen County, such as the Snyder’s, the Demarest’s, DeBuan’s and the Van Ripper’s.
This multi-generational cemetery is still used today by the descendents of John Van Houten, who left the property in his will. The grounds of the cemetery are well maintained. A metal fence around the property could use some minor repairs. Unfortunately a couple of the obelisk markers have fallen off their bases.
In the August 1992 Cemetery Inventory Booklet, published by the Bergen County Department of Parks, Division of Cultural and Historic Affairs, they listed Andrew Schaaf as a contact person for the cemetery, with an address of 749 High Mountain Road, Franklin Lakes, NJ 07417. The same publication mentions that an inventory of the cemetery was done by John Neafie in 1911.
In the 17th century, Lenape Indians traveled the land we now call Franklin Lakes. They made winter camp in the “Clove” near Buttermilk Falls and fished in Micharagrape Pond ( now Franklin Lake).
Slowly, the Dutch settlers made their way west from the Hudson River Valley. In 1701 the East Jersey Proprietors confirmed to Michael Hawden the land around the Pond. In 1772 Franklin Township was formed and included much of northwestern Bergen County. Farming was the major occupation of the early inhabitants, mostly Dutch with the names of Van Winkle, Van Houten, Ackerman, Pulisfelt, Van Blarcom, etc. They built solid farmhouses of sandstone and fieldstone. Fourteen of these historic homes still stand in our Borough.
Some of the original family member tombstones in the cemetery
Mills sprang up along the creeks: sawmills, gristmills, tanneries and forges. Daniel Youman’s Grist Mill on Franklin Lake was probably the first business established (it later served as a saw mill and a cider mill).
The 1876 Walker Atlas showed Franklin Lakes had about 100 residences, 5 mills, 1 tannery, 3 schools, 4 blacksmith and wagon shops, 1 church, 2 hotels, 1 store, and 2 railroad depots.
The railroad stations were built in 1869 when the New Jersey Midland Railroad was extended to Oakland. One station stood at Campgaw on Pulis Avenue, the other at Crystal Lake on High Mountain Road. Residents used the train for commuting, moving goods and mail.
Around the turn of the century, estate houses and mansions began to appear in the area. The industrial revolution brought wealth, and many of the wealthy became “gentleman farmers,” sometimes living here only in the summer. Examples of these houses include the Bartholf-Hughes house on Somerset, the Post-Terhune house on Franklin Lake Road, and the Atterbury-Brockhurst house on Ewing Avenue.
Eventually, the Campgaw section became the civic center of our Borough. In 1922 Franklin Lakes separated from Franklin Township, incorporated, and elected William V. Pulis as its first Mayor.
Edward May built three lakes and started the Shadow Lake Swim Club, which evolved into Shadow Lakes Estates. On the other side of the Borough, J. Nevins McBride purchased land around Franklin Lake and began building single-family homes in Urban Farms.
When Route 208 was extended to Oakland in 1959, Franklin Lakes became more accessible, and by 1980 there were more than 8,500 residents. The completion of Interstate 287 in the early 1990’s stimulated another boom in building. Today, the population of our Borough is 10,422.
From a sleepy rural community to an affluent metropolitan suburb, Franklin Lakes has changed extensively, continuing to be a desirable place to live and raise families.
The Franklin Lakes Historical Society was created to help preserve our Borough’s rich history, while at the same time looking to the future of our unique community and those who choose to make this their home.
The family still uses the cemetery into the twenty-first century
Part of the cemetery into modern times
Multiple family members are often buried together
The cemetery in modern times
The children of Ralph Van Houten who passed within a few years of one another
The grave of Abraham Van Houton and his wife, Bridget
The front part of the cemetery shows the different branches of the family and when they were buried.
The back part of the cemetery is rather old
The Snyder branch of the family
Another branch of the Van Houten family is buried together here
Members of the Ackerman and Cooper side of the family
Conrad and Elizabeth Van Houten
Jacob and Elizabeth Van Houten
Some of the modern graves of the Van Houten’s and Ackerman sides of the family
Many of these small family plots sit on buffs and have the most amazing views. It is as if the final resting place was to be a place of beauty and contemplation.
Unfortunately the family farm is long gone and the cemetery is now surrounded by McMansions. Talk about progress!
I recently revisited the African Museum of Art on the SMA Father’s and on this trip really took my time to learn about the Mission and study the art in the various displays. Each country that the Mission is involved with is represented here with detailed information on the meaning of the art and its purpose. It is an interesting approach to understanding the culture of each of these countries.
The beautiful stained glass windows line the ceiling and walls and has a beautiful effect in the room on a sunny day.
The sculpture in the middle of the main hall
The History of the Museum:
(From the museum website)
This museum was established in 1980 and is one of the only rare few in the United States dedicated solely to the arts of Africa. Its permanent collections, exhibited on a rotating basis, offer a unique advantage in the study and research of sub-Saharan sculpture and painting, costumes, textiles and decorative arts, religion and folklore.
The main hall of the museum
The history of the Mission
The history of the Mission
The history of the Mission
The African Art Museum of the SMA Fathers is one of five museums around the world founded and maintained by the Society of African Missions, an International Roman Catholic missionary organization that serves the people of Africa.
The display case that line the main hall
The display case that line the main hall
The art works up close
The descriptions of the works
The display case that line the main hall
Some of the works up close
The description of the masks
The display case that line the main hall
The museum is the continued vision of SMA’s founder, Bishop Melchior de Marion Bresillac (1813-1859). The French-born clergyman urged his Society to respect and preserve the culture of the peoples they serve, the unique among the missionaries of his time. (This information is provided by the museum).
Some of the works being featured in the exhibition
Their current exhibitions is on the “Africanizing of Christian Art” which shows the 20th Century encounter between Catholic Christianity and the visual culture of the Yoruba, a prominent west African people of southwest Nigeria under the conditions of late colonization (This information provided by the museum).
The hallway off the main room
Linking the walls of the main room are wooden carved doors from a palace in Africa. The interesting detail work tells it own story.
The description of one of the doors
Panel One
Panel Two
Panel Three
Panel Four
The collection contains many works in the form of masks, textile work, religious figurines and decorative arts. Each display case shows a different theme in the art.
The works of art in the cases
The puppets in the case
The works of art lining the cases
The engaging Mask collection
The museum is the main hallway of the church. I found it a quiet place where you could really concentrate on the beauty of the art. It grounds are also nice to walk around in in the nice weather.
The Chapel just off the museum is interesting to visit. I wondered how many people came to serve here and how the service was performed.
The main chapel of the mission
The beautiful stained glass windows in the chapel
The museum is a true hidden gem of wonderful and interesting testimonial and contemporary art. An inspiring museum if you take the time to really enjoy it.
One of the things I love about being a member the Metropolitan Museum of Art is the private Member’s Night ‘Met After Hours’ they hold about four times a year. The museum is open after the closing hours and it is a night of wondering the museum galleries, great music and entertainment and wonderful tours and talks in the galleries. You really experience the museum at its best and it does shine.
The lines move very quickly to get into the museum and with traffic getting into the City that night, I arrived about twenty minutes after opening and there were no crowds to face and I got right in. There’s always a sense of excitement on these nights.
The Grand Hall in the front of the museum decorated with Spring flowers
The beautiful Spring flowers lined all the urns around the Great Hall
The museum welcoming all the members of the museum at ‘The Met After Hours’
I started my walk around the galleries in the Greek Wing touring the main hallway. It still boggles my mind how old these statues are and I am looking at something almost two thousand years old.
The Museum’s collection of Greek and Roman art comprises more than thirty thousand works ranging in date from the Neolithic period (ca. 4500 BCE) to the time of the Roman emperor Constantine’s conversion to Christianity in 312 CE. It includes the art of many cultures and is among the most comprehensive in North America. The geographic regions represented are Greece and Italy, but not as delimited by modern political frontiers: Greek colonies were established around the Mediterranean basin and on the shores of the Black Sea, and Cyprus became increasingly Hellenized. For Roman art, the geographical limits coincide with the expansion of the Roman Empire. The department also exhibits the art of prehistoric Greece (Helladic, Cycladic, and Minoan) and pre-Roman art of Italic peoples, notably the Etruscans (Metropolitan Museum of Art website).
One of the statues that stood out that evening
I spent some time admiring the statues and the craftsmanship of the works along the hallway. The only problem is that most of the Greek and Roman Galleries were closed for the evening so I headed off to the Renaissance Wing. I love the luxury objects in the collection of silver and gold and again their craftsmanship is still unrivaled today. To make these objects takes intensive work and talent.
The timepieces show how advanced science had become and the importance of it in not just measurements but in beauty.
The lobby of the American Wing with the facade of what was a former bank and a Wall Street private mansion. I love the quiet elegance of this building and to think they moved it here piece by piece. The American Wing Cafe was open for the evening and the area was busy throughout the evening. It is nice to just sit and enjoy the views by the fountain. The artwork is beautiful.
Visitors to the American Wing will experience in more than 75 galleries on three floors varied art, design, and culture from the mid-seventeenth to the mid-twentieth century, with some contemporary expressions, by a diverse array of artists from across North America. Since our founding in 1924, this curatorial department has evolved its collecting to include some 20,000 artworks in many mediums by African American, Asian American, Euro-American, Latin American, and Native American makers, affirming ever more inclusive definitions of American art and identity. These dynamic holdings include painting, sculpture, drawing, furniture, textiles, regalia, ceramics, basketry, glass, silver, metalwork, jewelry, as well as historic interiors and architectural fragments, produced by highly trained and self-taught artists, both identified and unrecorded (Metropolitan Museum of Art website).
The evening then moved to the Egyptian Wing and the Temple of Dendur, where the entertainment and the cocktail bar was located.
The Temple of Dendur is the hub of activity on Members Nights
This small temple, built about 15 B.C., honored the goddess Isis and, beside her, Pedesi and Pihor, deified sons of a local Nubian ruler. On the outer walls between earth and sky are carved scenes of the king making offerings to deities who hold scepters and the ankh, the symbol of life. The figures are carved in sunk relief. In the brilliant Egyptian sunlight, shadows cast along the figures’ edges would have emphasized their outlines. Isis, Osiris, their son Horus, and the other deities are identified by their crowns and the inscriptions beside their figures (Metropolitan Museum of Art).
These scenes are repeated in two horizontal registers. The king is identified by his regalia and by his names, which appear close to his head in elongated oval shapes called cartouches; many of the cartouches simply read “pharaoh.” This king was actually Caesar Augustus of Rome, who, as ruler of Egypt, had himself depicted in the traditional regalia of the pharaoh. Augustus had many temples erected in Egyptian style, honoring Egyptian deities (Metropolitan Museum of Art).
The area was packed with patrons enjoying music and talking by the bars. The crowds were so large at the beginning of the evening that I waited until after 9:00pm for the second performance of the group playing. So I headed into the section of the Egyptian Wing to look at the galleries that were open. I love walking around the Egyptian Wing of the Met. It is one of the most extensive collections outside of Egypt and the most fascinating Mummy exhibition.
Admiring one of the Mummy exhibits in the Egyptian Wing
The Department of Egyptian Art was established in 1906 to oversee the Museum’s already sizable collection of art from ancient Egypt. In the same year, the Museum’s Board of Trustees voted to establish an Egyptian Expedition to conduct archaeological excavations in Egypt. Between 1906 and 1935, The Met’s Egyptian Expedition worked at a number of important sites, including Lisht in the north and Thebes in the south, and the objects gifted to The Met by the Egyptian antiquities service form the core of our collection. Over the years, the Department of Egyptian Art has also been able to acquire, through purchase and bequest, several important private collections (Metropolitan Museum of Art website).
The ancient tablets outside of the Mummy Exhibition
The Egyptian artwork outside the Mummy Room
The tablets outside the Mummy Room
When the whole gallery is open, it is a treasure trove of objects and information from each Dynasty. I have been mind-boggled by these galleries since I first visited the museum in the third grade for a class field trip. I remember sketching artifacts for a class project and am still fascinated about how old some of these objects are and condition they are still in after thousands of years. It is my favorite part of the museum.
By 9:00pm, the entertainment was starting again, so I joined other members for a cocktail and enjoyed the music in the Temple of Dendur Gallery.
The Temple of Dendur fully lit for the evening before the start of the entertainment
The signature cocktail of the evening, the Starlight Spritz
Enjoying a Starlight Spritz while listening to the music
The bartenders can mix a drink
After a long week at work, it was nice to relax and enjoy the music. The music that night was performed by artist Jasim Perales and Friends, an Afro-Latin Jazz performance. The music was relaxing and soulful and the crowd had a wonderful time.
The start of the music again at 9:00pm
The trio performing
A clip from the entertainment that night
The Master of Ceremonies that night, Jasim Perales
All good things come to an end and it was time leave. The night was dark and the winter air was crisp creating the perfect Winter evening to set out into for the walk back to Port Authority. The Upper East is so beautiful at night.
The front of the Met that night
The artwork is always so impressive outside the Met
It was in the low 40’s that evening and the perfect night for a walk around the Upper East Side and Midtown. It still surprises me after all these years of walking around Manhattan how beautiful the City really is at night.
It was another spectacular evening at the Metropolitan Museum of Art. Thank you to the Membership and Special Events Departments for hosting another wonderful evening.
The members of the Bergen County Firemen’s Home Association met at the Harrington Park Fire House to start the stuffing of the envelopes for the fundraising efforts of the organization. Monies raised by the fundraiser help pay for entertainment, refreshments, the food for the barbecue, gifts to the residents and for items that residents might need.
The members of the Bergen County Firemen’s Home Association at our 2025 Christmas Party for the residents
Santa joining us for the Annual Christmas party at the home
This fundraising effort does so much for our fellow firefighters at the home. It provides entertainment, refreshments, gifts at the holidays, special projects at the home that benefit everyone and funds for us to run our annual barbecues and Christmas parties.
Chef Prince cooking at our Annual Barbecue in August 2025
The wonderful barbecue feast made for the residents of the NJ State Firemen’s Home at the August 2025 Barbecue
If you are interested in becoming a member of the Bergen County Firemen’s Home Association, please attend one of our meetings at the Boonton Firemen’s Home in Boonton, NJ. Our meetings are in February, April, June, August, October and the first weekend in December for our Annual Holiday Party.
Members enjoying breakfast at our November meeting hosted by the Wyckoff Fire Department
The members of the Bergen County Firemen’s Home Association
If you would like to make a donation to our organization, please send it to:
BCFHA
C/O Jeff Parma
277 Harriott Avenue
Harrington Park, NJ 07640
Please make the checks out to the Bergen County Firemen’s Home Association
Our 2026 Meeting Schedule:
All our meetings at the home start at 12:00pm at the NJ State Firemen’s Home in Boonton, NJ:
February 15th
April 19th
June 13th (June Barbecue)
August 15th (August Barbecue)
October 18th
December 6th (Annual Christmas Party)
A big “Thank you” from The Bergen County Firemen’s Home Association Executive Board 2026
Over the years I have heard newspapers saying some negative things about the City of Bridgeton, NJ in Cumberland County. The crime, the problems and the rows of rundown housing. I have to admit that the city has its share of problems like any city but Bridgeton is a paradox. For all its problems, it has so many interesting things to see and do. As I have been exploring historical sites of South Jersey, I have made many trips through the city and driven through the neighborhoods and walked the downtown and its really interesting.
When you leave the city on any side, you are in the countryside. There are all sorts of fields of crops as far as the eye can see and many Farmers Markets just outside its borders. When you return though, you know immediately that you are in the city’s borders as housing just seems to pop out of nowwhere.
When I was visiting museums and historical sites for a blog I was writing on Southern New Jersey, I left Greenwich, NJ and took a local country road that took me through the back roads and farm country to the big city of Bridgeton, NJ where I explored their now rundown downtown. I then explored the crown jewel of the community, the Old Presbyterian Church and Cemetery.
The church stands out like a stately jewel in the middle of the town and is so beautiful and graceful at any time of the year especially in the late Spring and the early Fall when it is perfect for taking pictures. I love its historic cemetery with its Colonial era church and the gravesite that dates back to the 1700’s.
The Old Presbyterian Church and Cemetery at 54 West Avenue South in Bridgeton, NJ
Visiting the Old Presbyterian Church and Cemetery was an interesting experience. While trying to get from Greenwich to Bridgeton should have been a straight run but there were no names on the signs, and you just had to figure it out. I found the right road and it led me right to the cemetery.
The Presbyterian Church itself is only used now for special occasions and events but is an elegant building that sits on top of a bluff overlooking the downtown area. During the daylight hours you are allowed to roam around the cemetery looking at the gravesites (See my reviews on TripAdvisor and VisitingaMuseum.com).
So many famous politicians, war heroes, founding fathers of the City of Bridgeton and entrepreneurs at the turn of the last century are buried here.
The church and the historic cemetery.
What I found interesting about the cemetery was the family plots with the generations of people buried next to one another and their stories. It was sad when the parents buried their children and then died a few years later. Trying to figure the narrative of these families can be heartbreaking.
The family plots at the cemetery
The really sad part of such a historic cemetery is that it is so overgrown. I was walking through in some parts a foot of weeds. I know that taking care of a cemetery this size must be hard, but I would think there would be more care of the dead considering this is a destination for historians.
The historic cemetery in the Summer of 2024
When I finished touring the church grounds, I took a tour of the Bridgeton Historical Downtown. It was such a waste to see a bunch of old buildings falling apart and most of the businesses closed or small run-down businesses located in them. A block away was a more modern downtown with newer buildings. The shopping district caters to the very large Hispanic population that lives here and is great if you are looking for provisions for a picnic.
The one place that did stand out for me was the Century Bakery at 525 North Pearl Street in Downtown Bridgeton. They have some of the best and most creative doughnuts around. I could never make up my mind.
Century Bakery at 525 North Pearl Street in Downtown Bridgeton
The bakery just smells good when you walk in and the staff could not be nicer and more accommodating. I could barely make up my mind with all the delicious doughnuts to choose from.
I could not figure out what I wanted with all these delicious choices displayed in the cases. I finally decided on a Glazed Cream filled doughnut that was just mind blowing. It was so delicious. I had wanted to go back for another but did not want to ruin my appetite for lunch. For another trip.
This was like biting into a piece of heaven
When I visited Bridgeton in the Fall of 2024 for Halloween, I took the time to visit the Cohanzick Zoo and that was an interesting detour. The Zoo is part of the Bridgeton Park system like it is up in Bergen County. It is a small County zoo that takes about an hour to visit.
The zoo has an old fashioned feel with smaller rescue animals and equally not too large cages. The zoo is mostly comprised of animals who were rescued from either being poached, illegally transported or had been used as pets, many of them being neglected and abused.
The sign that welcomes you to the park at the Cohanzick Zoo
Throughout the park amongst the cages of wildlife are strolling gardens and animal related statuary.
The pathways and gardens were still in bloom the afternoon that I was there and it is a nice way to spend do the afternoon.
The Elephant statuary at the entrance of the zoo
The status of how some animals found their home here
The first resident I finished was the Raccoon House, where it looked like the raccoon was taking a snooze. He really looked out of it when I passed the cage.
The Raccoon House
The Raccoon Crossing sign
This poor little guy was out like a light
The zoo is one of the smaller more localized ones that I have visited so you can see the whole zoo in a short amount of time. Then you can walk leisurely around the paths and revisit the exhibitions again. Some of the animals like the peacock family, just wonder around the park and do their thing.
This gorilla sculpture that greets you in the back part of the zoo
Following the walkway to the back pens where a lot of the small animal and bird displays were located
The next exhibition that I visited was the Sand Hill Crane and I read that the poor little guy had been injured. He seemed a bit more optimistic when I passed the cage. I think that the animals just want some attention.
The Sand Hill Crane display
The Crane was watching all of us as we passed his cage
The next small animal that I visited was the Fennec fox and the two that I saw were fast asleep on this warm afternoon. They must have had a busy morning.
The Fennec fox cage
The foxes that I saw that day were fast asleep
One of the historical sites that I had wanted to visit was the historic Potter’s Tavern across from City Hall. I tried twice to stop in to see the Potters Tavern in Bridgeton but then double checked the guide and found out that it is only open on Sundays in July from 1:00pm-4:00pm.
Finally in the Summer of 2024, Potter’s Tavern opened for touring again and is now open on Sundays. It is well worth stopping and touring this important part of our Revolutionary War history.
Potters Tavern at 49-51 West Broad Street in Bridgeton, NJ
The tavern is one of the city’s connections to the Revolutionary War where patriots from that time met and plotted their strategy during the war. It was also a meeting place for men who need to gather after a hard day on the farm. These taverns were part of the social factor at a time before electronic communication.
The Entrance room of the Potter’s Tavern
The Hearth in the Kitchen in the Potter’s Tavern
The Bar at the Potter’s Tavern
The tavern has been rebuilt and furnished to reflex the time period. There are three floors to tour with the first floor being the tavern itself, the bedrooms upstairs where travelers would stay after a long stagecoach journey. The lower floor was the kitchen and store room where meals would be prepared and staff would sleep.
The upstairs of the Potter’s Tavern was the overnight accommodations
The lower level of Potter’s Tavern
It is an interesting tour that should not be missed but the museum’s hours can be sporadic even as they are posted online and are seasonal so plan accordingly.
On a recent trip to Bridgeton, I was able to finally see the Bridgeton Liberty Bell that sits in a display case across the street from Potter’s Tavern in Bridgeton’s modern courthouse.
The Bridgeton Liberty bell is located in the lobby of the Bridgeton Courthouse, which is open only during the week. You can walk in through the back door from the parking lot and walk through the metal detector to get to the bell that is displayed in the hallway.
The bell was cast in Massachusetts in 1765 and was a source of information during Colonial days.
The Bridgeton Liberty Bell
It was used to call people together for important news and meetings when hanging in the courthouse in the Courthouse that was built in 1760-61. It rang for liberty when the Declaration of Independence was signed and as a warning signal for the War of 1812 (South Jersey Early American Historical Trail pamphlet).
A close up look at the bell
The historic marker of the bell
While walking in the downtown area one afternoon in the summer, I was trying to stop in the Bridgeton Library to visit the Robert Woodruff Museum of Indian Artifacts (that is only open by appointment only). Since nobody was there to help me that afternoon I left the library.
Across the street, a mother-daughter team was barbecuing and preparing tacos and tamales for locals and some workers on the construction site around the corner. The tacos were amazing and they only charged $3.00 for two small tacos and a Coke. I thought this great and the tacos were excellent. The ladies could really cook.
The fresh tacos from the pop up taco stand across from the library
Continue to follow this blog as I explore more of Bridgeton and its historical downtown and all it has to offer. There is so much that can surprise you in the City of Bridgeton, NJ.
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