I recently visited the Ogdensburg Old Schoolhouse and Firehouse Museum at 6 Passaic Avenue in Downtown Ogdensburg and discovered the community’s rich history of farming and mining in its past and its current destination as a weekend vacation spot and a up and coming bedroom community of New York City.
The County still has some farming and agriculture going on as the County continues to be built up with expats from the City, and Bergen and Morris Counties. The first floor is dedicated to the history of the Ogdensburg Fire Department with an old Engine and Ladders trucks, artifacts from the Sterling Mine just up the road and township property such as an old voting booth. You can read about the history of the Ogdensburg family as you head to the outside gallery.
The second floor has displays of various town departments including the Rescue, the Police Department and Fire Department. There are various displays of the town’s school system and various clubs in town. There are displays on the town’s mining and agricultural past with items such as farm advertising and mining equipment and minerals. Each display plays a role in the development of the community and how it progressed from farming to mining to manufacturing to the bedroom community it is today.
History of the Building:
“Built in 1910 as Ogdensburg’s fifth public school, it was adapted for re-use in 1930 as the Borough’s first firehouse replacing the one built in 1872. In 1984, with the aid of two state grants, the Ogdensburg Historical Society adapted it for re-use and dedicated it as the Old Schoolhouse and Firehouse Museum in 1987.
After 97 years, the Museum continues to serve the Borough of Ogdensburg as an historical learning and preservation center, and as a meeting hall. On June 10, 2006 it was dedicated as an Ogdensburg Historic Site.”
The historic sign of the museum
The Borough of Ogdensburg is the host of this marker commemorating the rich history provided by this building. This building has been maintained with much thought and care and remains as a museum and meeting place for the residents of the town. The marker is located in front of the building on Passaic Avenue just off Main Street by the Ogdensburg Elementary School. This marker was part of the 2008 placement (Museum website).
The outside of the museum which served as a school and a firehouse
The first floor of the building has the fire trucks, the history of the fire department and Ogdensburg’s 250th Anniversary of the United States on display.
The museum artifacts from the 250th celebration of the Country
The museum is on the heart of mining country of Sussex County, NJ and the museum has an interesting mineral collection along with their collection of mining artifacts.
The Mineral and Mining Collection
The museum being home to the Ogdensburg Fire Department contains the history of the local fire department along with vehicles and artifacts from the department.
One of the early pull hose beds pulled by men and then by horses
The first floor also contains the history of the Ogden family in the region.
The history of the Ogden family in the community
The town voting booth and a turn of the last century phone
The second floor gallery used to serve as offices and living space of the fire department.
The main gallery on the second floor
The gallery case lines are filled with memorabilia from different aspects of the community telling the story of the growth of the community that included Mining and Farming. It explains the growth into the modern suburbs of today.
The main gallery on the second floor of the museum
The main gallery on the second floor
The display case of Ogdensburg departments including school, fire and police departments
Blanket with historical sites and artifacts of the town of Ogdensburg, NJ
The businesses including schools and the domestic and farming industries
Each of the display cases represented different aspects of the town and has a variety of pictures and memorabilia from a variety of eras. The case lines show how the community changed over time from a mining community to the changes of a bedroom community of Newark and New York City.
The Entertainment display of recorders, phonographs, radios and early record players
The influence that Thomas Edison had on the community with new technology. Several pieces of Thomas A. Edison memorabilia are on exhibit to honor the ten years Edison spent mining iron ore at the old Edison Ore Milling Company on Sparta Mountain. Several of his phonographic inventions were created here (Ogdensburg Historical Society website).
Close up view of record players and Victrola’s
The School system display
The Ogdensburg Presbyterian Church display of artifacts from inside the church
The Sterling Mine display with minerals and equipment
The NJ Zinc Mine and Mineral display is a small s as molding of the museum down the street and the importance of the mining industry at the turn of the last century.
A closer look at the minerals display
A replica of a working mine operation. The machine shows how workers descending and brought up rock from the mines.
The Dedication to Mr. Waco Hadowantez, the town historian
The last display as you leave the museum is dedicated to the man who founded the historical society, Waco Hadowantez.
The museum tells an interesting story of the history of Ogdensburg and the surrounding area. It shows the importance of the Mining Community at the turn of the last century and how the community is pivoting towards tourism to tell its story.
Please contact the museum directly for seasonal hours and tours.
The Stone Harbor Life Saving Station at 11617 Second Avenue
(From the Stone Harbor Museum website)
American Legion Post 331 represents both Avalon and Stone Harbor, but also includes many members from outside the area. The Post occupies the old Tatham Life Saving Station, the oldest building in Stone Harbor, and is dedicated to the memory of PFC Stephen C. Ludlam, of Stone Harbor, New Jersey (1925-1945). Stephen was the recipient of the Distinguished Service Cross (our nation’s 2nd highest award) and Purple Heart for heroic action during the Battle of the Colmar Pocket in World War II (Stone Harbor Museum website).
The historic Life Saving Boat
The historic signs
The historic signs
The historic signs
The museum is open for limited hours Monday-Wednesday and on Fridays from 10:00am-2:00pm during the summer months and then by appointment only during the rest of the year. The building is used for the local Veterans VFW meeting place so the building is used all year round.
The outside painting of the rescue team on the outside of the old bay
(From the Stone Harbor Museum website)
Murals in the building depict the history of the building, use of life saving equipment during the 1900s and honor to our fallen soldiers. All murals were created by artist and member Mr. James J. Thompson. Memorabilia available includes the life saving surf boat, steering oars, historic photos of the Life Saving Service and wall panels describing in detail the various aspects of life saving operations. The murals, wall panels and surfboat restoration were funded by the Cape May County Board of Chosen Freeholders. Also of interest is the view from the tower which presents an excellent panorama of Stone Harbor, the ocean, Hereford Inlet and the bay (Stone Harbor Museum website).
The second painting
I took a guided tour on a recent Friday and one of the veterans gave me a very though tour of the museum and all the displays. If you like this depth of the history of both the Coast Guard, the Jersey Shore Rescues and this history of all the wars especially WWI and WWII, this museum shows that history in depth with artifacts from both local residents and members of the military from New Jersey.
The Rescue painting from the old rescue bays
We started the tour on the first floor with the history of the building, how the Jersey Shore Rescue units worked and the early formation of the Coast Guard from the earlier Rescue Units.
The painting in the lobby is rescued
The beginnings of the US Coast Guard
The building is named after local resident , Stephen Ludham. The memorial to Private First Class Stephen Ludham is located in the first room.
The memorial Stephen Ludlam
The picture of Stephen C. Ludlam
(From the American Legion Post 331 website)
The American Legion Post 331 was chartered on March 30, 1946. At the time of our organization, we received permission from Mr. and Mrs. Jesse D. Ludlam of Stone Harbor to name the new post in honor of their son, Private First Class (PFC) Steven C. Ludlam. PFC Ludlam was killed in action at the age of 19 near Ostheim, France on January 23, 1945. For his heroic action on that date, he was posthumously awarded the Distinguished Service Cross, an award second only to the Medal of Honor. His brother, John Ludlam an Army Air Corps member, was a charter member of the new post (American Legion Post 331 website).
Post 331 is unique primarily because it is fortunate enough to have been able to purchase and restore a deactivated U. S. Coast Guard (USCG) station that was formerly an 1895 U. S. Life-Saving Service (USLSS) station as its Post building. The building not only serves as a meeting place for legionnaires, but it also houses a life-saving museum on its first floor and a military museum on its second floor. The building’s tower offers a panoramic view of the southern part of Seven Mile Island (formerly Seven Mile Beach). American Legion Post 331 and Sons of The American Legion (S. A. L.) Squadron 331 members provide free tours of the historic building five days a week during the summer (American Legion Post 331 website).
Post 331 is also unique among many Posts because it services the summer resort communities of Avalon and Stone Harbor whose populations, to include active legion members, drastically fall during the off-season months. As a result, the Post is closed during the months of February and March. The Post has a membership of over 200 members. Our membership is comprised of past and present members of our nation’s military services: Army, Navy, Marine Corps, Coast Guard, Air Force and in the future US Space Force. As members of The American Legion, they carry out our goal of veterans helping veterans and our local communities (American Legion Post 331 website).
The main room on the first room where the VFW meets, there is all sorts of artifacts and pictures along the walls.
The main meeting room of the building
The beach live Guarding stations in this part of the shore district
The Rescue Stations used to line the coastline along a certain amount of miles that could be covered by Teams with the technology of the time. As modern rescue practices were developed after WWI, we saw the formation of the current US Coast Guard.
The uniform and the award to Charles M. Wright, along with his memos.
What the site looked like in the early part of the last century before Stone Harbor grew up around it.
The next memorial was to Seaman Stephen Tieser along with his uniform.
The memorial to Stephen Tieser
Stephen Teiser’s Sailor’s uniform
The uniforms and the group shot of the ‘Manning Station’, the men of the life guarding station
As we left the first floor of the station and arrived on the second floor, the first display was on the ‘Code Talkers’, the native Americans who spoke the ‘Navajo’ language, and established a code that no one could break during WWII.
The Code Talkers display. This was the basis for the movie “Windtalkers”
The second floor landing has an interesting display of artifacts, including uniforms and art from WWII.
The second floor display
The second floor WWII display
The WWI display of the ‘Doughboy’ uniform and pictures
The full uniform
The WWII display of veterans memorabilia
The museum has an interesting display of items that were taken as spoils of the war from veterans based in Germany. The collection as a lot of Nazi war items.
The Nazi memorabilia
The second floor gallery of the station
The electronic equipment used in the war
The WWII Women’s display of factory and war support
A local couple who both members of the armed forces during WWII family donated their entire collection of their parent’s memorabilia from the war years.
The collection of family memorabilia
Jay and Rosie Hart and all awards and accolades
A Japanese bomber uniform in the WWII
The Vietnam veteran display in the second floor gallery
The war display on the second floor landing
The third floor of the building had the look out and a spectacular view of the ocean.
The third floor lookout
The view from the lookout tower
The tour takes about an hour but can go longer depending on your tour guide and the amount of time you want to spend on each exhibition. It is a fascinating look not just at the history of the Legion and of the Rescue facility but of all our foreign wars. The museum is open from 10:00am-2:00pm on selected days of the week depending on the season.
The History of the American Legion Post 331:
(From the American Legion Post 331 website)
Since being chartered in 1946, Stephen C. Ludlam Post 331 of The American Legion has been welcoming veterans from all branches of our Armed Forces. The American Legion was chartered and incorporated by Congress in 1919 as a patriotic veterans organization devoted to mutual helpfulness. It is the nation’s largest wartime veterans service organization, committed to mentoring youth and sponsorship of wholesome programs in our communities, advocating patriotism and honor, promoting strong national security, and continued devotion to our fellow service members and veterans (American Legion Post 331 website).
The American Legion is a nonpartisan, not-for-profit organization with great political influence perpetuated by its grass-roots involvement in the legislation process from local districts to Capitol Hill. Legionnaires’ sense of obligation to community, state and nation drives an honest advocacy for veterans in Washington. The Legion stands behind the issues most important to the nation’s veterans community, backed by resolutions passed by volunteer leadership (American Legion Post 331 website).
This National Registered restored 1872 New York, Susquehanna & Western railroad station, one of oldest in New Jersey, is located in the heart of Maywood, NJ. Restored by the Maywood Station Historical Committee and opened in September 25, 2004, it contains an extensive railroad museum and collection. The site also contains a restored caboose and engine.
The museum sign welcomes you
The side of the museum where materials are dropped off
I visited the Maywood Station Museum when it was open recently and found a fascinating collection of railroad memorabilia, Maywood fire department history and early maps of the town of Maywood. It is a treasure trove of articles for people who like to study railroad history especially its growth in small towns, early stages of industry in the town and in New Jersey.
The inside of the station museum
There is a lot of items that show the history of rail service not just on the train but in the station as well. There are antique desks, phones, ticket takers, mailboxes, benches and pictures all from the turn of the last two centuries.
The train ticket collection
The Maywood Station Historical Committee (MSHC) division of New York, Susquehanna & Western Technical & Historical Society operates the Maywood Station Museum and is chartered as a tax-exempt, 501(c)3 non-profit, educational and historical organization with a mission to preserve our railroad and cultural heritage through restoration and preservation, historical awareness, archiving and interpretation, museum open houses, meetings and special events (Maywood Station Museum Committee).
The train artifacts
The History of the Museum:
(From the Museum website)
The museum is operated and staffed by the volunteer membership of the Maywood Station Historical Committee. The main focus of the museum is concentrated on the history of Maywood Station and the New York, Susquehanna & Western Railroad and the roles they played in the development of the Borough of Maywood and the surrounding area. The museum collection contains hundreds of photographs, displays, documents, maps and artifacts covering the histories of Maywood Station, the NYS&W and local railroads, the Borough of Maywood and the local region, which are changed periodically and designed to entertain and educate visitors of all ages as well as offer a virtual timeline to these subjects.
The Museum and Railroad Car
Maywood Station Museum is also the official site of the New York, Susquehanna & Western Technical & Historical Society’s (www.nyswths.org) archive, which contains thousands of drawings, maps, track diagrams, photos, timetables, documents and records covering the history of the New York, Susquehanna & Western Railroad (Wiki).
Train documents and other artifacts
For those interested in historical buildings, meticulous care has been taken by the Maywood Station Historical Committee to show the museum in a historical context. The museum features the original woodwork painted and stained in the original colors and original Maywood Station furnishings have been restored and displayed such as the potbelly stove, station agent’s desk, chairs, telegraph keys and freight scale. Victorian-period original light fixtures and sconces adorn the ceilings and walls. Additional items have been painstakingly reproduced to the exact original specifications of over one hundred years ago including the station benches and bay window area (Wiki).
The Station Master’s desk
The Maywood Station Museum collection includes a former Penn Central/Conrail N-12 class caboose, which was restored by Maywood Station Historical Committee members. Visitors to the Maywood Station Museum are invited to come aboard Caboose 24542 and view additional displays and an operating model train layout. The Maywood Station Museum collection also includes original New York, Susquehanna & Western Railroad ALCO Type-S-2 Locomotive #206, which has also been restored by Maywood Station Historical Committee members (Wiki).
On September, 10, 2009, NYS&W S-2 #206 was placed on the State of New Jersey Register of Historical Places. The locomotive was placed onto the National Register of Historical Places on March 19, 2010 (Wiki).
The History of Maywood Station:
The Museum Logo
In 1871, the New Jersey Midland Railway, predecessor of today’s New York, Susquehanna & Western (NYS&W), began constructing a rail line between Newfoundland, NJ and Hackensack, NJ. The line was part of a plan to connect with the New York & Oswego Midland (later New York, Ontario & Western) in Middletown, NY and provide rail service from the Great Lakes to New York Harbor. The residents of what would later become Maywood, which at the time was part of an area called Midland Township, saw the advantages of the new railroad and requested a stop be made.
At the time, approximately 13 homes with nearly 90 residents were in the boundaries of today’s Maywood. Soon afterward, construction of Maywood Station began. On March 11, 1872, the New Jersey Midland commenced operating trains on the new line and Maywood Station formally opened in the same paint colors you see it restored to today. Six passenger trains a day in each direction initially stopped at Maywood. It should be noted that for a brief period after that station opened, the station sign said “West Hackensack” but this removed due to the requests of local residents who wanted the station named “Maywood”, as the immediate area surrounding the station had then become known (Maywood Station Museum).
A station agent was employed and it is believed that the first agent was name George Sipley. The station agent handled passenger baggage, freight shipments to and from the station, passenger ticketing and general functions in addition to performing the job of postmaster. In the 1872 to 1910 period, Maywood Station served as Maywood’s post office at various times when it wasn’t housed in a local merchant’s store. Another station agent/postmaster was Charles M. Berdan, who held this position in the late 1890’s into the early 1900’s. Mr. Berdan’s home was located directly across Maywood Avenue from the station and exists today. Maywood Station was also equipped with a telegraph so that the railroad could communicate between their stations and local residents could send messages around the world. The station also offered Wells Fargo and later, Railway Express Agency delivery services. These services lasted into the 1960’s (Maywood Station Museum).
The Railroad buckles
When Maywood Station was built, it originally located on the south side of the current tracks. In 1893, the station was moved to its present location on the north side of the tracks due to the addition of a second set of tracks being constructed and a purchase of additional land by the railroad. At the time, several additional NYS&W stations along the line were similarly moved for the same reason. When the station was moved, it was jacked up onto the rails, the rails greased, spun around and slide approximately 30 feet closer to Maywood Avenue, then jacked up again and moved to its present location. A new foundation was also added. It is interesting made at this time including the addition of a freight platform at the “new” rear of the station.
The Maywood, NJ Railroad Museum
The spot where Maywood Station was moved to originally included a passing siding where steam locomotives were stationed to be added, when necessary to help heavy freight trains on the several grades encountered heading west on the line. When the station was moved, the passing siding was cut back and one of the two switches was removed. The remaining trackage was then used to store freight cars, which were unloaded at the station. The siding started to the west of the station and ran 440 feet to near the rear freight platform of the station. The siding was last used in the early 1970’s and remnants of it can be seen today (Museum Station Museum).
The train sections on displays in the back of the museum
In 1894, the approximate 1.1. square mile area that included Maywood Station, formerly part of Midland Township was incorporated as the Borough of Maywood. Also that year, the NYS&W expanded into western New Jersey and through its Wilkes-Barre & Eastern Railroad subsidiary, into the coal fields in the Pocono region of northeastern Pennsylvania. The rail line could now take a passenger from a ferry at New York City to a connection at Jersey City, NJ to almost Scranton, PA on its own rails. The added ease of transportation began to attract manufacturing to Maywood as well as a demand for new homes. In 1894, the total residents living in Maywood numbered approximately 300 but this was about to change (Maywood Station Museum).
The rails next to the museum
New manufacturing and homes sprang up in the area surrounding the station and included such industry as Schaefer Alkaloids Company, Maywood Chemical Company and Maywood Art Tile Company. As these companies expanded so did Maywood’s population and by 1920 it numbered nearly 3000 (today Maywood has approximately 9,500 residents). The 1920’s also marked the height of passenger service provided by the NYS&W at Maywood Station. Thirteen passenger trains in each direction stopped at Maywood Station on a daily basis. Freight shipments continued to be delivered to the station and most of the local industry had their own rail sidings serving their plants. The NYS&W was enjoying a period of posterity and in 1920, a freight house addition was added to rear of Maywood Station and the exterior walls received a stucco finish over the existing boards and battens.
Station equipment
Stucco was in-vogue in the 1920’s and the NYS&W applied this material to several other stations on their line as well. In 1926, another round of various improvements were made at Maywood Station including the addition of interior men’s and women’s bathrooms, an 8-inch concrete floor installed to replace the wooden floor planking plus electrical and heating improvements. Unfortunately the Great Depression stuck in October 1929 and lasted well into the late 1930’s and the growth slowed dramatically. In 1937, the NYS&W declared bankruptcy and shortly thereafter was spun off from its parent, the Erie Railroad, which had controlled it since 1898. Around the same time, Maywood Station’s bay window was removed due its deteriorating condition (Maywood Station Museum).
The newly independence NYS&W fought hard to survive and cut back certain services but at the same time tried innovative concepts like streamlined, self-propelled, rail passenger cars as a way of cutting costs while boosting efficiency. The railroad also quickly retired its steam locomotives and replaced them with more efficient diesel locomotives stating in 1941 and completed the program in 1947. During World War II, the fortunes of the NYS&W did improve with the wartime demands placed on America’s railroads. As in World War I, many of Maywood’s servicemen departed through Maywood Station, some never to return. By 1953, the NYS&W was solvent once again but only for a few more years. Faced with mounting losses from the passenger services it offered and America’s love affair with the automobile and a new interstate highway system, the railroad once again embarked on a period of reducing their passenger train schedules.
The Station Master Desk
Losses continued and on June 30, 1966, the last passenger train called on Maywood Station as well as on the entire NYS&W, however the railroad continued to utilize the tracks at Maywood Station for their freight operations, which continues to prosper to this day. Shortly after the end of passenger service, the station was closed and was used by the NYS&W as maintenance base and for storage. Bill Spence served as Maywood Station’s last station agent. In the late 1970’s. Maywood’s Veterans of Foreign Wars (VFW) leased the station from the NYS&W to be used as a meeting hall. The VFW made a number of improvements including repainting the station, repairing cracked stucco, repairing the roof and maintaining the grounds. In the early 1990’s, the VFW moved out of the station and it remained unoccupied until June 2002, even thought the NYS&W attempted to lease it to another tenant during this period.
Faced with a pending order of demolition by the Borough of Maywood in early 2002 due to the deteriorating conditions of the station, a volunteer, 501C3 non-profit group named the Maywood Station Historical Committee Division of the New York, Susquehanna & Western Technical & Historical Society Inc. was formed on May 29, 2002 with a plan to restore the station and turn it into their museum.
The back of the museum
After several years of volunteer work to restore the station and create a museum, the group has successfully achieved their objectives and more, including placement of the station on both the National Register and State of New Jersey Register of Historic Places. The station now enjoys the notoriety as being one of the most impressive restoration projects and museum efforts to date in the State of New Jersey’s historical community (Maywood Station Museum).
Train lanterns
I want to the thank the Maywood Station Museum for this interesting information and please check out their website at http://www.maywoodstation.com.
The Margate Historical Society at 1 South Washington Avenue
The Margate Historical Society is a small history museum that tells the story of Margate, NJ and nearby Atlantic City, NJ. The two towns are intertwined by history and business. This small museum is run by the Margate Library, part of the town’s municipal system.
The museum sign when open
The entrance to the museum
The inside of the museum and their fire and rescue displays
This interesting museum covers the history of the Fire, Rescue and Police Departments with lots of artifacts from all three departments including pictures and equipment.
The rescue and life guard display
The display explains both the lifeguard stations and members and the rescue units run by both this department and the fire department.
The museum has a lot of interesting artifacts from the Margate Fire Department that covers both the working and social aspects of the department. Many cover the last 100 years of the department.
Margate Fire Company #1 Banner
The history of the Margate Fire Department
The Margate Police Department also had an interesting display of artifacts including a jail cell. The department also donated uniforms and items to arrest people.
The museum features the history of the town from community events and organizations to artifacts on buildings and businesses.
Transit display
The history of the community of Margate, NJ
The town has many historical sites especially the “Lucy the Elephant” building down the road from the museum, which is one of the most well known structures at the Jersey shore.
The history of the Margate trolley system that used to exist on the shore line
Artifacts from the old trolleys
The history of the early community
Artifacts from residents of the town that continue to be collected by the museum
Artifacts from the community
The corner stones from the local schools
The museum has an interesting display of the 1964 Democratic Convention that was held in a fading Atlantic City. One of the biggest complaints was that the hotels were past their prime. This was before gambling would be introduced five year later.
The Democratic Convention in Atlantic City that was held in 1964
The museum touches on all parts of the Town of Margate,NJ and its role in the formation of beach communities along the Jersey shore. The museum shows the spirit of this New Jersey community.
The inside of the museum and the extensive displays of this small but interesting local museum.
The museum takes about an hour to visit and is packed with interesting information. The museum has very limited hours but you can work with the library in the off times to arrange a private tour.
The historic Woodside Cemetery in Dumont, NJ. It is the home of many ‘founding families’ of Bergen County, NJ., such as the Demarest’s, Hopper’s, Van Buskirk’s, Haring’s (Hering’s), Van Saun’s, DeBaun’s, Westervelt’s and Zabriskie’s. These are the families that dominated the farming industry in Bergen County before and after the Revolutionary War. It is one of the many historical cemeteries and graveyards in Bergen County, NJ.
My mapping of historical cemeteries and graveyards in Bergen County, NJ:
The inside of the cemetery in the historical section of the cemetery
The historical Woodside cemetery is the resting place of many of the founding families of Bergen County and the surrounding communities of New York State.
Lining the historical Main Street of Downtown Dumont, the older part of the cemetery holds the family plots of some of the original settlers who shaped this country from its beginning.
The Voorhis family plot
The Zabriskie family plot
The Brinkerhoff family plot
The Waite Van Bushkirk family plot
The Van Bushkirk family family plot
The large Demarest family plot
The Hasbrouck family plot (The Family who Hasbrouck Heights is named after)
The Blauvelt family plot
The DeBaum-Westervelt family plot
The Van Saun-Demarest family plot
The Demarest-Haring-Van Vliet-Vorhees family plot
The Demarest-Van Bushkirk family plot
The Brinkerhoff-Doremus-Demarest family plot
The Van Bushkirk-Hopper family plot
The grave of James Blauvelt DeMott
The cemetery is the resting place of many War of 1812, Civil War, the World Wars, Korean and Vietnam and the modern wars.
The cemetery is a place of respect and quiet contemplation. To see the contributions of these members of the community is to reflect on the history of Bergen County. These families and many people buried here have helped shape Bergen County and the State of New Jersey to what it is today.
I had never heard of the Hill-Hold Museum and I happened to come across it when I saw a sign on the local highway that the museum was open that day. I thought it was a very interesting home and grounds with historical homes and buildings. Some came from other parts of Orange County, NY.
There are group tours on the hour with the last tour at 3:00pm. I took the last tour by myself with the tour guide and got a one on one tour of the house and grounds. The tour takes you into a step back in time to an agricultural society that no longer exists and times were slower and more structured.
The Hill-Hold Museum
The estate in the background
The Hill-Hold Museum:
A Farm for Two Centuries. This stone farmhouse was built in 1769. This museum reflects the life of the Bull-Jackson family spanning over 200 years. Hill-Hold Museum has circa 1830 Furnishings, a one room School House, a historic 1870 barn, Goosetown Gift Shop, picnic benches, and parking (Museum website).
The house on the estate grounds
The Mission Statement:
(From the museum website)
The Friends of Hill-Hold and Brick House Museums serve to preserve and enhance the preservation of history in Orange County, by maintaining, furnishing and operating programs at both these exemplary 18th century houses. These museums include portraits, memorabilia, photographs, and furnishings pertinent to them, the county and the past ages that touched each house (Museum website).
The front of the Hill-Hold Museum at the start of the tour
History of the Hill-Hold house museum:
(From the museum website)
Visit Hill-Hold museum and see what life was like on a Hudson Valley farm in the 1830s. This was still the era of candlelight, fireplace heat, homegrown food, and homespun clothing. The stone farmhouse was built in 1769 with wide plank floors, handsome paneling, and huge fireplaces (Museum website).
It was the home of a prosperous farmer, Thomas Bull, and his family. Original furnishings range from a prized old mahogany sideboard to made-on-the-farm pieces. Most of the rural family’s needs – food, clothing, fuel came directly from the farm. The property was gifted to the County in 1968 by Eleanor Jackson and the house went through an extensive restoration in the 1970’s to return it to how it appeared when it was originally built in the 18th century. (Museum website).
The Hill-Hold farm served the Bull-Jackson family for more than two hundred years. Now visitors are welcome to tour the farm. As we wander through Orange County, reveling in its rolling farmland scenery, we can go back to when the early Americans brought the gracious living and energetic husbandry to this unique part of the Hudson Valley (Museum website).
The Parlor-sitting room on the first floor was once a bedroom
We started the tour in the formal parlor, which the tour guide told me was once a bedroom along with the Living Room before the house was expanded. The house is filled with Bull family heirlooms that were donated back to the house by distance family members.
The family portrait’s in the Parlor-sitting room with the family piano that was used in the evening for entertainment
The portrait below is of the last member of the Bull family to live in the house before it was donated to the State of New York.
A portrait of the last family member to live in the house
The room was used by the family for entertainment, relaxation and for every evening activities. The room was used for pursuits such a sewing, needlepoint, conversation and with a piano in the room, evening activities with the family. With so much going on the farm, people retired in the evening early as the morning brought a lot of work on this working farm.
The spinning wheel by the fireplace
The Dining Room again was a former bedroom that was expanded for a formal eating as the both the house was expanded as well as the family. Breakfast and a late lunch/supper were served in this room. The Dining Room table, chairs, sideboards and china were pieces that part of the house donated back by the family.
The family dining room
The family China in the sideboard cub-bard in the Dining Room
The complete formal china set was displayed in the china closet as if ready to be used for a formal dinner party.
The sitting area in the Dining Room
The upstairs bedroom
We toured the master bedroom on the second floor of the home. Each of the rooms had fireplaces to keep them warm in the long winter nights with a canopy bed to keep the warmth inside. I could not believe how small people were at this time. This would have barely held one person today.
The canopy bed in the upstairs bedroom
The other bedroom would have been used by the children of the family. Now it contains sewing and weaving machines as well as spinning wheel to create the family clothing.
The second bedroom
The Sewing Room on the second floor with the oven/heater and family spinning wheels
Fabric and clothing was created in the home. Whether flax and wool, material was spun on the farm and the family wardrobe was created here.
The family spinning wheels
The sitting area on the second floor
The last part of the house tour was of the family kitchen in the main house. The Summer kitchen was on the other side of the garden outside. The main kitchen inside the house had the fireplace, cooking materials, the family pewter and everything you would need to cook a complete meal.
The family kitchen
The family table set for cooking
Items for bread and dessert baking, butter making, roasting and stewing and all the items needed to cook three meals a day. The bounty of the Spring, Summer and Fall had to supply the long winters when there was no grocery shopping available.
The equipment for washing clothes and other household chores
Wash Day was a whole day reserved for sorting, boiling, scrubbing and hanging clothing to dry. Until the more modern machines were invented in the 1920’s after WWII, this was the weekly ritual for the farm housewife or the staff.
The open hearth and cooking equipment
The cooking equipment
The family pewter set
After we finished the house tour, we explored the outer buildings which included a Summer Kitchen, a smoke house, the vegetable and flower gardens. These buildings were spread around the main house.
The Summer Kitchen
The inside of the Summer kitchen
This Summer Kitchen came from a different property but the use is still the same. As the warmer months of the Summer were upon them, cooking was done in a separate building to keep the house cooler.
Some of the cooking and baking equipment
The flower beds on the side of the house
The flower and vegetable beds on the side of the property and the smoke house
Outside the main house were the vegetable, fruit and flower gardens. Items used in the household for meals, decorations and entertaining.
The barn, the outhouse and the smoke house in the distance
The inside of the smoke house where meats once hung used for family meals
All the family meats were placed in here for cooking and smoking for the family meals. The process took much longer than it does today.
The well in the middle of the property
They also moved an old school house to the property and it was furnished as a complete turn of the last century school house. It was used until 1936.
The schoolhouse on the property
The inside of the school room
The classrooms of the 1700’s and 1800’s to today have not changed much. With the exception of modern heating and air conditioning, the class room set up has not changed much. There is still a board in the front of the room, chairs facing the teacher, who is in charge and books lining the walls.
The teachers desk and the furnace that kept the room warm in the cold months
Games and amusements that were used in recess
Wheels and bikes were part of the games children played at the turn of the last century
Before modern electronics took over starting in the 1970’s, bicycles, hoops and games such as tag and hopscotch were part of playground activities. Playing outside has not changed much throughout the centuries.
Looking over the grounds at the end of the tour
Before I left for the afternoon, I was able to tour the gift shop before the museum closed for the day.
The Goosetown gift shop at the museum entrance at the end of the tour
The Goosetown Gift Shop at Hill-Hold features books, gifts, toys, craft items, and souvenirs. The shop is operated by the Friends of Hill-Hold, Inc., a not-for-profit organization, which aids in the operation of Hill-Hold and Brick House museums (The Museum website).
It really is an interesting tour and a step back in time for a glimpse into the life of a Upper Middle Class farming family.
Northwest Bergen History Coalition History Day/Summer Open House 2026:
I visited the Hopper-Goetschius House Museum during the 8th Annual Northwest Bergen History Coalition History Day. I had never been here before and it is a real treat. There are many buildings on the property to visit on top of the house and the fact that this was someone’s house into the 1980’s is pretty interesting.
The historic marker in front of the house
The Hopper property in July 2026 for the Weekend Open House
The Gris Mill wheel
The historical tree stump
The historical plaque
The property in the Summer of 2026
Christmas Open House December 2019:
The house still holds many secrets. The best part of the tour of the house is the secret stairs in the kitchen that lead to the old second floor. This can only accessed behind a panel that leads to a narrow set of steps. You can see it from the new second floor from the top floor.
I attended Holiday Celebration on December 8th, 2019 and it was a beautiful sunny day for an outside event. It was a really nice afternoon. They had a visit with Santa at the Dutch barn which was decorated with trees surrounding him and presents and a decorated Dutch sleigh. In the schoolhouse, there were all sorts of games and talks to enjoy.
Santa in the Dutch Barn at the Hopper museum
In the outside kitchen, there were chestnuts and fresh popcorn being made that you could munch on while walking around enjoying the festivities and the smells of the cooking food were mouthwatering. The gentleman doing the cooking was doing a demonstration on how the food was cooked and the amount of time it took to make things.
The outside buildings still had a bit of snow left
The inside of the house was decorated for the Victorian holidays with a nicely decorated tree in the Living Room and garland all over the place. There was a Victorian music box playing songs and a reading of “The Night Before Christmas” being read on the hour.
In the kitchen of the oldest part of the house, they served hot cider and homemade Christmas cookies of all kinds. They were also selling fresh homemade jam that one of the members made. The kitchen was decorated for the holidays as well. There was an open tour of the house and it was fun to see the upstairs decorated with all sorts of Victorian toys and dolls. The fee was a $5.00 donation and it happens every first week of December at the site.
The Hopper House kitchen
The house is a treasure trove of period furniture and family items and on the property there is a schoolhouse, a barn, a blacksmith shop and an outhouse. During the Summer months, the house is open for special tours on the weekends and in the Fall, they have a Harvest Festival and Christmas holiday events. The house is run and operated by the Upper Saddle River Historical Society.
The antique toys in the upstairs bedroom
In April of 2023, I returned to the Hopper-Goetschius House for the Northwest Bergen History Coalition Day for the event. It was a gloomy day with mist and rain but that did not put a damper on the event. There were lots of activities going on in each of the buildings.
My first stop was at the barn where the ladies were doing a demonstration on spinning thread and we had a conversation of where the expression “Pop goes the weasel” came from (from the spun threat reaching its max and then the machine made a ‘pop’ sound). The ladies were demonstrating the way women spun yarn and made clothes and the work that it entailed.
The yarn spinning demonstration at the Hopper Barn
The ladies explaining how the spinning works
‘Pop goes the weasel’, the weasel at the Van Riper-Tice Barn
When I left the barn, I went over to the school house building to see what was going on. A very bored volunteer took up all my time and would not leave me alone. She had to read from a script and take me all over the house. I just wanted to get out of there. Thank God another person walked in so that I could escape and see the rest of the property.
The Ramsey House was moved to the property to save it from destruction and the society has done a good job transform it to a turn of the century classroom. This is a surprising display in many historical societies as I am sure that people have donated so much of their childhood mementos.
The Ramsey House schoolroom
The schoolroom
The teacher’s seat at the school room. Nothing has really changed.
The farm artifacts at the Ramsey House schoolhouse
After the tour of the Ramsey House, I took the tour of the main house again and its secrets. The Hopper House is a very interesting home as the owner did not want plumbing in the house. Up until 1963, she still used the well. She was forced by her nephew to get a modern bathroom. I thought this was strange that the woman did not want a bathroom. She still used the outhouse into the 1960’s.
The Hopper House kitchen
The home is decorated with all sorts of beautiful antique furnishes and decorations. The house is so well organized and the volunteers do such a nice job telling its story especially at the holidays. I visited all the rooms where the volunteers explained its purpose.
The bedroom upstairs
Bedroom Two
Bedroom Three in the upstairs loft of the house
My last part of the tour was visiting the Smokehouse right behind the house.
The Smokehouse during the Summer Open House
Inside the kitchen during the Open Kitchen
The inside of the Smokehouse
The volunteers were cooking corn bread, homemade potato soup and biscuits in the fireplace. It was interesting to see how food was cooked on the farm in the days before modern kitchens.
The two volunteers working there were so happy to see someone. They told me that no one wanted any soup. On a cold rainy and misty day, I was taking them up on it and it was really good! Talk about warming you up.
The Smoke House on the Hopper estate was cooking away that afternoon
The volunteers were making breads, biscuits and soup that afternoon that warmed me up
The delicious Potato Kale Soup warmed me up on this rainy day
The delicious Corn Bread was cooked with bacon fat and tasted so good! I munched on most of this.
I finished eating and talking with the volunteers about all cooking they were doing. They told me that they were following the recipes that were from the late 1700’s that would have been cooked at the farmhouse at that time. It was a really interesting conversation we had on cooking. It was nice to eat something as well. I was starved at this point.
After the meal, I left to go to the next site. I felt for these volunteers. The Hopper House is off the beaten tract and they must have not gotten the visitors that the other homes had seen. Still it was a wonderful visit with members who care so much about the house and its grounds.
The Hopper estate with the barn, school house and ice house in the distance during the Northwest Bergen Historical Coalition Day
The Hopper House entrance hall
The Hopper-Goetschius house on the corner of Lake Street and East Saddle River Road dates back to 1739. Built by the Hopper family, it is the oldest remaining house in Upper Saddle River. We know it existed in 1739 because it was recorded in surveyor Charles Clinton’s journal and possible it is older.
The picture of Steven Goetschius and his wife,
The other family pictures on the table in the parlor
Rosalie Fellows Bailey in her book on pre-Revolutionary Dutch houses, says it was marked as the home of Gerrit Hoppa on a rough sheepskin map made about 1713.
The Goetschius family, the second owners of the house
The house underwent several changes in the mid 1800’s. The large central chimney with back to back fireplaces was removed. Probably, with more modern forms of heating available such as wood stoves, the fireplace seemed a bit old-fashioned and the owners took it out. Besides, they wanted to use the entrance hall as a room, so the stairway along the east wall was removed and a central staircase added where the fireplaces had once been. The dormers were added in the Victorian era.
The Hopper house in 2023
The Hoppers farmed the land and had a lot of it by today’s standards. The property extended from the Saddle River (Lion’s Park) up the hill almost to Montvale and up the East Road to where Creative Gardens was located.
The antique dolls at the Hopper House bedrooms
(From the Society website)
In 1814, the house became the home of the Reverend Stephen Goetschius of the Old Stone Church. It remained in the Goetschius family for a century and a half, always a place of central importance in town as Stephen Goetschius, the great-great grandson of the Reverend Stephen, served as the borough clerk for over 40 years and conducted his town business from the east room of the house (SRHS.com).
The Hopper House Living Room
The house was without running water until Stephen’s death in 1962. Until improvements were made at that time, Steve’s wife, Lizzie, as those before her, carried water from the well for washing, cooking and shoveled coal for heat (SRHS.com).
The Hopper House Kitchen
The kitchen in the new section of the house
In 1985, the Hopper-Goetschius house was presented to the Borough of Upper Saddle River by Clinton and Grace Carlough. Lizzie Goetschius, the last resident of the house was Clint Carlough’s aunt. The house today serves as a museum, run by the Upper Saddle River Historical Society and offers the public historically related events throughout the year (SRHS.com).
The Hopper House Living Room
The back bedroom Dutch wardrobe
The Patriotic Display for the ‘Bergen 250’
(Upper Saddle River Historical Society)
The Hopper House property also contains:
*The Privy or Outhouse that was in use at the Hopper-Goetschius House until 1962 when plumbing was installed in the house.
The Outhouse
Hopper House estate with all the important buildings in the Summer of 2026
*The Ramsey Sayer House was moved to the grounds in 1999 to become part of the museum complex. This is the oldest existing from house in Upper Saddle River, a good example of a tenant house common on farms in this area. The Ramsey Sayer house belonged to William Ramsey, the grandfather of Kate Fisher Goetschius, mother of Steve Goetschius, who lived in the Hopper Goetschius house for many years.
The Ramsey-Sayre House now serves as the makeshift schoolhouse
The schoolhouse at the turn of the last century
The Native American artifact collection at the Schoolhouse
*The Van Riper-Tice Barn was erected about 1800 by the Van Riper Family on their farm on West Saddle River Road (near the Cultural Center). It was later owned for many years by Harmon Tice.
The Dutch American barn in the Summer of 2026
Sleighs and buggies and outdoor equipment
In 1989, it was scheduled to be demolished to make way for a development, the Historical Society dismantled it, moved it to the Museum ground and had it restored and rebuilt on its present location.
The inside of the Van Riper-Tice Barn at the Hopper House estate
Winter transportation at the barn
Transportation and farming equipment
The farming equipment display
More farming equipment
The displays of wool at the Van Riper-Tice Barn
The display of waffle irons
The Apple Cider Press that the Tice and Van Ripper families were so well known for making especially at Thanksgiving
*Snake Fence: a zig-zag fence of split rails once common in this area was added in the property north of the Van Riper Tice barn. The project was completed in 2001 with the help of Will Mazzuto and the vision of John Kroner and Joanne Lombardo.
The Hopper House estate
The Blacksmith Shop
The blacksmith doing a demonstration
The Upper Saddle River Historical Society:
The Upper Saddle River Historical Society was organized in 1977 to collect, preserve and distribute the history of the Upper Saddle River area. The Society is also responsible for the management and restoration of the Hopper-Goetschius House Museum located at 245 Lake Street, Upper Saddle River, NJ.
The Historical Society has over 500 members and is host to nearly 2000 museum visitors each year. The Society holds program meetings throughout the year along with special events such as a Spring Concert, a wonderful Harvest Fair in the fall and an Old Time Holiday Open House in December, featuring mulled cider with chestnuts roasting on an open fire.
The Museum is open for tours every Sunday during July & August from 2:00pm-4:00pm or by appointment. For group or individual tours contact: Althea Gardner @ (201) 327-7807 or Kay Yeoman @(201) 327-2236.
Hopper-Goetschius House Museum Restoration Fund Drive
Disclaimer: This information was taken directly from the Upper Saddle River Historical Society website. Please check the site for the hours and days it is open.
I recently visited the American Folk Art Museum in New York City for the “Made in New York City” exhibition and it is a very interesting and engaging museum. The artwork for the museum was a combination of painting, sculpture, pottery and metal work created at different periods of the City’s history. It really showed the extent of manufacturing in New York City and the craftsmanship that was once here.
The entrance to the museum
I recently visited the American Folk Art Museum in New York City for the “Nation”exhibition and it is a very interesting and engaging museum.
The main gallery of the museum with early American art
The main gallery with one of the revolving shows
The artwork for the museum was a combination of painting, sculpture, pottery and metal work created at different periods of the City’s and the Country’s history.
Some of the permanent works were made in the Tri-state area. It really showed the extent of manufacturing in New York City and the craftsmanship that was once here.
The ‘Folk Nation’: Crafting Patriotism in the United States’ exhibition
Patriotism in the United States draws from the American Folk Art Museum’s rich collections to explore links between vernacular art and the construction of an American sense of self. Introducing visitors to the concept of “folk” as a category developed in conjunction with the art and antiques markets, this exhibition positions works as multilayered in their meanings, imbued with cultural significance by not only their creators, but also their collectors and subsequent owners. Americans have long preserved objects as a way of telling stories about themselves. Beginning after the Revolutionary War and gathering momentum in the late nineteenth and early twentieth centuries, people turned to early American things to construct a national history and sense of collective identity—an impulse often driven by lingering insecurity about the young nation’s perceived cultural provinciality compared to Europe (Folk Art Museum.com).
One of the painting’s that stood out to me was more contemporary approach to the Statue of Liberty, entitled ‘Miss Liberty reaches out to the persecuted’. A different approach to folk art.
The painting ‘Miss Liberty reaches out to the persecuted’ by Reverend Benjamin Franklin Perkins
The description of the painting
Some of the interesting things you will see are the paintings by artists in both Colonial New York and from the Hudson River School of prominent New Yorkers through its first 200 years of history. You will see how the styles of art have changed over the years.
Also there is a lot of metal work in the ways of signs and rods for the front of doors and for the roofs. The woodwork carvings that once graced the front doors of merchants all over the City is now a lost art. Here you could see the works of German and Russian carvers and the craftsmanship that was put into every piece. It was interesting too to see the racial themes and stereotypes that were used in the art.
Several revolving shows were being featured on a recent trip to the museum such as ‘Nation’ and ‘Self Made’, themed shows for the 250th Anniversary of the Country.
The show ‘Self Made’ A century of inventing artists’
Self-Made: A Century of Inventing Artists takes a critical look at the historical definition of the “self-taught artist” in the United States from the early twentieth century to today. The exhibition examines how artists without academic training have depicted, conceptualized, and identified themselves on their own terms. In doing so, it aims at challenging reductive, long-standing narratives that have cast these artmakers as amateurs or isolated geniuses working out of time, without lineage, influence, or artistic networks (Folk Art Museum.com).
The sixty artists featured here largely worked outside conventional art-school, gallery, museum, and peer-exchange systems. Their practices are rooted in diverse sites of learning, from professional expertise to community-based traditions. Drawn primarily from the American Folk Art Museum’s collection, this selection of artworks brings together outstanding examples of paintings, sculptures, photographs, videos, and artists’ notebooks by key national and international figures—many of them recent or rarely seen acquisitions (Folk Art Museum.com).
The exhibition is organized around three methods of artistic “self-making” and self-fashioning: self-portraits, alter egos, and autobiographies. Each gallery unfolds chronologically, providing grounding for the artists’ intentions. The works function as primary documents: firsthand accounts of the self, authored by the self. Akin to diaries or other personal statements, they call for close attention, asking viewers to “look at me, in this way, that I have chosen.” By centering the makers’ perspectives and aesthetic choices, Self-Made shifts the focus away from the viewer’s role in completing the creative act and places it squarely on the artist’s agency (Folk Art Museum.com).
Some of the paintings that stood out seemed to be self-portraits.
The painting ‘Untitled’
The painting ‘Untitled’
The museum takes different approaches to the way art is portrayed.
Another program that the museum does well is they have afternoon Jazz Wednesdays and Free Concerts on Friday nights.
There are family programs, walking tours, curator talks and lectures as part of the museum programming so there is something for everyone.
The American Folk Art Mission:
(From the Museum website)
Since 1961, the American Folk Art Museum has been shaping the understanding of art by the self-taught through its exhibitions, publications and educational programs. As a center of scholarship and by showcasing the creativity of individuals whose singular talents have been refined through experience rather than formal artistic training, the museum considers the historical, social and artistic context of American culture. Its collection includes more than seven thousand artworks dating from the eighteenth century to the present, from compelling portraits and dazzling quilts to powerful works by living self-taught artists in a variety of mediums (Museum bio).
Self-Taught art, past and present, tells empowering stories of everyday life. The field of American folk art was first defined at the turn of the twentieth century by collectors, professional artists, critics, dealers and curators whose search for an authentic American Art seemed to be finally answered in works that presented a nuanced of national identity, faith, progress, ingenuity, community and individuality. Under the umbrella of “folk art” expanded to also include artists working in the present. For the last twenty years, the term self-taught has more regularly come to address these artists, whose inspiration emerges from unsuspected paths and unconventional places, giving voice to individuals who may be situated outside the social mainstream. Those individuals have been active participants in the shaping of American visual culture, influencing generations of artists and establishing lively artistic traditions (Museum History).
American Folk Art Museum History:
(From the Museum website)
The museum of Early American Folk Arts as it was known initially held its first exhibition in a rented space on 49 West 53rd Street in 1961. The museum’s collection was launched in 1962 with the gift of a gate in the form of an American flag, celebrating the nation’s centennial. The gift reflected the museum’s early focus on eighteenth and nineteenth century vernacular arts from the northeast America.
In 1966, after receiving a permanent charter, the museum expanded its name and mission. As the Museum of American Folk Arts, it looked beyond the traditional definitions of American folk art. Its exhibitions and collection began to reflect “every aspect of the folk arts in America-north, south, east and west.” Founding curator Herbert W. Hemphill Jr. “expanded the notion of folk art beyond traditional, utilitarian and communal expressions.” Under his direction, the museum began to champion idiosyncratic and individualistic artwork from the fields of traditional and contemporary folk art. In doing so, the museum ushered in a new era in the field of twentieth-century folk art (Museum History).
The 1990’s brought new focus to the diversity and multiculturalism of American Folk Art. Offering a more inclusive vision. the museum began to present African American and Latino artworks in their exhibitions and permanent collections. Director Gerard C. Wertikin announced American folk art’s common heritage as “promoting an appreciation of diversity in a way that does not foster ethnic chauvinism or racial division.” (Museum History).
The museum further established its broadened outlook with the 1998 formation of the Contemporary Center, a division of the museum devoted to the work of 20th and 21st century self-taught artists as well as non-American artworks in the tradition of European art brut. In 2001, the museum opened the Henry Darger Center to house 24 self-taught artist’s works as well as a collection of his books, tracings, drawing and source materials (Museum History).
The gift shop
In 2001, the museum chose its current name, American Folk Art Museum. Recognizing that American Fold Art could be fully understood in an international context, the word American functions as an indication of the museum’s location, emphasis and principal patronage rather than as a limitation on the kind of art it collects, interprets or presents. The museum’s current programming reflects this shift in focus. Past exhibits have included folk arts of Latin America, England, Norway, among other countries and continents (Museum history).
Don’t miss this amazing little museum on the Upper West Side of Manhattan.
Fee: Adults $30.00/Seniors/Students $17.00/Children $12.00/Members & Patrons and Children under 12 are free (prices do fluctuate). NY, NJ and CT students and NY residents Pay as you wish.
Museum Hours:
Hours: Open 7 days a week
March-October 10:00am-5:15pm
November-February 10:00am- 4:45pm
Closed Thanksgiving Day, December 25th and January 1st.
*Some galleries may be closed for construction or maintenance.
I went on the Spring Garden tour at the Cloisters Museum with a discussion on Spring plantings and the use of those plants during Medieval times. The museum studied what plants were used for religious and medical practices.
We started the discussion of the plantings out in the first Cloister by the Hudson River
The Tour of the Gardens at The Cloisters in the Spring 2026:
(From the Museum website)
The gardens of the Middle Ages included both real and ideal gardens. Poets and artists delighted in the depiction of fantasy gardens like the Garden of Love or of Paradise, but no real garden of the time remains to us. Historical records are rare and incomplete; the ninth-century plan for the monastery of St. Gall, with its carefully drawn and labeled garden beds, is unique. Archaeological excavations are yielding valuable new evidence, but we still know more about infirmary gardens of medicinal plants and aristocratic pleasure gardens than we do about humble kitchen plots of potherbs and vegetables (Met.org).
The gardens of the Museum, planted in reconstructed Romanesque and Gothic cloisters, evoke those that provided sustenance and spiritual refreshment within the medieval monastery. Designed as an integral feature of the Museum, the gardens have been a major attraction of The Cloisters since its opening in 1938, enhancing both the setting in which the Museum’s collection of medieval art is displayed and the visitor’s understanding of medieval life. The gardens are designed and maintained by a horticultural staff actively engaged in researching and developing the living collection (Met.org).
The plantings of the first Cloister we visited
We walked through the Cloister discussing how plantings were determined by medical and religious purposes
The flower beds in the Cloister
The view of the Hudson River was amazing
The flowers in bloom
Flowers in bloom
Flowers in bloom
Flowers in bloom
We moved the next Cloister looking over the medical plants and flowers
The Cloister in bloom
Walking around the Cloister
The plants around the sills of the Cloisters
Touring the Cloisters and admiring the flowers
Everything in bloom
We toured the last Cloister while the tour guide explained the plantings
The last Cloister we toured
The garden in full bloom
The growth of the hops growing on a trellis
The hops planting up close
The flowers in bloom in the Cloister
We ended the tour admiring the art in the Tapestry Room and having a discussion about the use of plants and flowers in Medieval art. The artists at that time thought of the natural world with awe and respect. They admired the beauty of the natural world where in some points was still feared,
‘The Hunt of the Unicorn’ tapestry discussion
I then visited the ‘Creatures of Myth and Imagination-European and the Americas’ exhibition.
This exhibition was an interesting look at mythical beasts of the era of great exploration from European to the Americas. It reminded me of the book “In Search of Ancient Astronauts” with many golden creatures that look like they are visitors from another planet, Ancient Gods to worship and one civilization’s outlook on the unknown. The artwork was a cross between mysticism and respect.
The exhibition sign for “Creatures of Myth and Imagination: Europe and the Americas”
Set in the evocative atmosphere of The Met Cloisters, Creatures of Myth and Imagination: Europe and the Americas sheds light on a selection of works created on either side of the Atlantic Ocean between 500 and 1500 CE. The exhibition’s exploration of hybrid creatures deepens our understanding of their apparent necessity among diverse peoples. In the Americas, a complex gold pendant by a Tairona artist of northern Colombia, depicting a confrontational figure with hands on hips, a crocodile-like head, and an enormous headdress, would have reflected and expressed the wearer’s status and power. In Europe, ferocious dragons such as the one depicted on a monumental fresco from the monastery of San Pedro de Arlanza, Spain, took center stage to convey a multiplicity of meanings both sacred and profane (Met.org).
The exhibition gallery
Unusual mythical creature
(From the museum website)
For as long as humans have told stories, we’ve imagined creatures that transcend the natural world. Fantastical beings combining the features of animals, humans, and even plants appear across cultures, emerging in the most ancient myths and enduring in contemporary epics. The widespread presence of these supernatural beings, possessing the power to transform and be transformed, reflects a global impulse to make sense of both known and unknown worlds. Visual artists have given form to these imaginary creatures, resulting in some of the most fearsome, beloved, and extraordinary works of art ever made (Met.org).
Small gold ancient Gods
Ritual Knives
Double pendants
Earth Deity
I took one last tour of the museum gardens before I left for the afternoon. On the balcony overlooking the Hudson River offered beautiful views and beautiful potted plants.
Walking out of the back Cloister
The back Cloister
The beautiful white flowers
The balcony overlooking the Hudson River
The potted plants by the doorway
The view of the Hudson River
Looking north up the Hudson River
The tour of the Gardens was amazing and the exhibition on the Pre-Columbian art interesting. It was a wonderful tour of the Cloisters.
Interesting video on YouTube on “Gardens and Art at the Met”
I enjoy coming up to Germantown to visit the Clermont Mansion at any time of the year especially at Christmas time. I came for a tour of Clermont in the Christmas season of 2019 (pre-COVID) to tour the home. The old mansions of the Hudson River Valley show their real beauty at this time of the year.
The Clermont Library decorated for Christmas
In 2020, the home closed like everything else for COVID and because of extensive renovations on the property and in the home, did not open again until June of 2023. I came up finally in July of 2023 for another tour of the home. The mansion looked very refreshed and bright on a blue, sunny afternoon. The grounds were in full bloom and everything looked so green.
The views of the river when you arrive
Walking around Clermont is like walking through a history book. To think you are walking around the very rooms that family members who wrote the Declaration of Independence, were Governors and Ambassadors from our country and who owned most of Upstate New York lived is really incredible. The Livingston Family did so much for the United States in the formation of this country is a testament to the family.
Once you arrive at the Visitors Center and pay for your tour, you will have time to walk around the exhibition of the history of the family in the old stables. Here you will learn about the family who built and lived in this wonderful home. The family lived here for seven generations and like most families over time when the money depleted, they had to move out. The last daughter of the family, Honoria, sold the estate to the State of New York as a park. The upkeep got to be too much for the family.
The Visitor’s Center display on the family
The family story boards in the old stables
The history of the estate and the Livingston family in the Visitor’s Center
The history of the estate
The tour 2019 was wonderful because of the one on one conversation I had with my tour guide, Molly. It was the same in 2023 when Aaron took me on a one on one tour of the mansion. We started in the entry hallway where the family hang many of the family portraits and the long hall lead to wonderful views of the Hudson River.
The Entrance Hall of Clermont
Just off to the right of the front entrance of the home (the front entrance faces the river not the back entrance where you start the tour) is the Receiving Room. This was the room in 2023 during my summer tour of the house. The Receiving Room is where guests would wait to be welcomed by family members or people would call on the family and leave their calling cards.
The Receiving Room was also used as a Music Room as well
The Receiving Room was decorated for the holidays in 2019 with more beautiful views of the river and a very interesting clock on the mantle that there are only two in the world. This clock represented the first balloon launch in France and this was the clock where the balloon went up. In France was the other clock with the balloon going down. I thought that was pretty interesting.
Our next stop was the Library which seemed very homey and relaxing. It looked like a room that a family would want to spend their time in after a long day. The windows faced the river and the formal gardens at that time and let in a lot of light. The room was decorated with a elegant tree and looked like the family was ready to walk in and join us for the holidays.
The Library of Clermont
The Office/Library on the first floor
Next it was off to the formal Dining Room where the portraits of Margaret Beekman Livingston (a VERY distant relative of mine by marriage) and her husband, Robert Livingston hung. She had saved these along with the grandfather clock before her first house was burned by the British during the war years. It was set for Christmas lunch when the family would dine together.
In the summer months, the room was pretty plain with no set up on the table. The Dining Room has just had some renovation work so the walls and ceiling looked really nice.
The Clermont Dining Room in the summer of 2023
The Dining Room portraits
Margaret Beekman Livingston’s Wedding portrait in the Dining Room
Robert Livingston’s Wedding portrait in the Dining Room
We also toured where the food was prepared and prepped from the kitchen to the Dining Room, which was all done in organized fashion. I was told by the tour guide that for the most part the family lived here year round unlike some of the other mansions who only lived here during certain times of the season.
The Kitchen at Clermont
We took a walk upstairs to see the upstairs bedrooms and see where the third Mrs. Livingston lived. I thought it was interesting that she had two beds in her room in which neither was big enough to accommodate her. One was the main bed and the smaller one was a Day bed when she wanted to take a nap but did not want to mess up her main bed.
The last Mrs. Livingston’s bedroom until the 1960’s
We then toured what had been Honoria’s and Alice’s bedroom when they were children and then became the Guest Room. It still looked like a Children’s Room.
The Daughter’s/Guest Bedroom
Then it was back down to the formal hallway for the end of the tour. The one thing I have to say about Clermont is that it looks like someone’s home not some grand mansion like the Mills or Vanderbilt mansions that looked like they for a moment time or only for a season. This family lived here all the time.
The upstairs bathroom was one of the remodeling features
The family lived here until the 1960’s when upkeep of the estate got to be too much for the family and it was sold to the state. The New York Park is now maintained by the New York State Park system.
The Gardens:
The formal gardens were in bloom when I got there that weekend. Since the house opened in June most of the Spring plantings were already gone but the Summer plantings were in full bloom. There were three gardens on the property, two of which had been brought back to nature, the Wilderness Garden and the South Spring Garden and then the Walled Garden was well maintained and planted.
The Wilderness Garden was well-maintained and planted with natural plants
The South Spring Garden
The South Spring Garden has given way to nature
The Walled Garden was the most formal of all the gardens
The Walled Garden
The Walled Garden
The Walled Garden
The Walled Garden
The Walled Garden
In the Fall, I went back up to Clermont for the Ghost Tour and the foliage was amazing, but the rain knocked a lot of it off. Still the colors were glorious.
Clermont in the Fall of 2023
The formal gardens in the Fall
The formal gardens in the Fall
The gardens in the Fall.
The I toured the rest of the estate and saw the ruins of the other mansion, Arryl, that is on the other side of the parking lot and then saw the ruins of the Old House and the Root Cellar.
The Ice House
The Root Cellar
The flowers by the Root Cellar
View of the Hudson River
The History of Clermont:
The name Clermont derives from “clear mountain” in French and was inspired by the view of the Catskill Mountains across the Hudson River from the estate.
The front of Clermont that faces the Hudson River
The estate was established by Robert Livingston following the death of his father, the first Lord of the Manor was inherited by the eldest son, Philip Livingston, 13,000 acres in the southwest corner later named Clermont was willed to Robert. The original house was built around 1740.
The path leading to the main house
Robert Livingston of Clermont died on June 27, 1775 and the estate passed to his son, Robert, who was known as ‘Judge Livingston’ to distinguish him from his father. Judge Livingston was a member of the New York General Assembly from 1759 to 1768, served as Judge of the admiralty court from 1760 to 1763 and was a delegate to the Stamp Act Congress of 1765. He married Margaret Beekman, daughter of Colonel Henry Beekman. Their son, Robert R. Livingston, later known as “Chancellor”, served on the committee that drafted the Declaration of Independence. Judge Robert died about six months after his father, on December 9, 1775.
Burning and Rebuilding:
In October 1777, British ships sailed upriver from New York City in support of General John Burgoyne who was north of Albany. That same force had already stormed two forts in the Hudson Highlands and burned Kingston, New York. Major General John Vaughan led a raiding party to Clermont and burned Livingston’s home because of the family’s role in the rebellion.
The history of the ‘famous’ Robert’s of Clermont
Margaret Beekman Livingston rebuilt the family home between 1779 and 1782. Robert R. Livingston became the estate’s most prominent resident. Chancellor Livingston administered the oath of office to President General Washington, became Secretary of Foreign Affairs and negotiated the Louisiana Purchase.
Margaret Beekman Livingston
He also partnered with Robert Fulton in 1807 to create the first commercially successful steamboat on the Hudson River, the North River Steamboat (later known as the Clermont) which stopped at the house on its inaugural trip.
Robert Livingston in the famous Gilbert Sullivan painting.
The home’s final Livingston owners were John Henry Livingston and his wife, Alice. They added to the home and greatly valued the homes important historical role. The Livingston’s built second mansion on the property known as Arryl House, which burned down in 1909. The ruins of Arryl House are still visible at the south end of the property.
The burnt ruins of Arryl Mansion on the other side of the property.
The Arryl Mansion in the Fall of 2023
Alice Livingston was responsible for creating many of the landscaped gardens that are continued to this day. Following John Henry’s death, Alice turned the Mansion and property over to the State of New York in 1962 so that all the people of New York could enjoy it.
The landscaping around the old Ice House
The house is now a New York State Historic Site and was designated a United States National Historic landmark in 1972. It is a contributing property to another National Historic Landmark, the Hudson River Historic District. Although locate in the town of Clermont, its mailing address is in the nearby town of Germantown.
The views from the back of Clermont to the Hudson River
(This information is a combination from the Clermont Website and Wiki and I give them full credit for this information. Please check the website above for more information on the site and its activities through their Friends site.)
The Clermont Grounds
The Fall in the Hudson River Valley is one of the most brilliant times to visit and the foliage is so colorful. The constant rain knocked a lot of it down already but all around the house their were still signs of the reds, golds and oranges. I came up for the Ghost Tours which the mansion resumed this year to sold out crowds.
The Clermont Estate in the Fall.
The river front of the estate in the fall.
The Hudson River in all its glory.
The Ghost Tour of the estate:
The Ghost Tour took us on a tour through the house to meet the costumed characters throughout the mansion. The mansion was decorated for the Halloween and with the lights dimmed, it gave the house an eerie appearance to it.
When I arrived at the estate, the house loomed in the distance in its it glories with the golden colors of autumn.
Jack-a Lanterns lined the pathways and lit the way to the house.
We were greeted with fresh Apple Cider Doughnuts and Apple Cider from a local farm in Kingston, NY.
We were also treated to old fashioned Halloween candy with Mary Janes, Tootsie Rolls and other treats.
We started our tour at 7:00pm at twilight with the lanterns lit and the house waiting in the distance.
The hallway was decorated for Halloween.
First we met an embittered Robert Livingston (who over acted)
We stopped in the haunted Living Room to talk to the maid.
We met the ghost of Janet Livingston Montgomery in the Parlor.
Then it was off to the Dining Room to meet the last inhabitant of the house, Janet Livingston.
Margaret Beekman Livingston guarding the Dining Room.
On the way to the kitchen, we met Captain Kidd, the Livingston children and the last owners of the house on the way out the back door to end the tour. The whole tour took less than an hour.
We exited the house through the kitchen and out the door to a moon lit night with jack-a-lanterns taking us back to the Visitors Center. The night had fallen in the early evening at the mansion as we were the second to last tour of the evening and the moon had come out giving the sky a ominous and spooky look about it.
The Christmas Open House: 2024
I visited again for the Christmas Open House in early December to see the decorations. I had not been there since 2018 and wanted to see how things had changed for the winter months. Everything was decked out for Christmas. The rooms were decorated but not in an over the top way as some of the other Hudson River homes.
The Clermont Estate at Christmas time.
The Clermont Estate at Christmas time.
The Front porch at Christmas time.
The Christmas tree on the porch.
Even the logs on the porch were decorated for the holidays.
The entrance foyer from the stairs.
Upon entering the front door, you could see the beauty and simplicity of the Christmas holidays in the early 1800’s before Victorian traditions took over and the house was overdone with decorations. Garland, Holly and simple pine trees adorned the rooms and welcomed everyone to the Christmas Holiday Open House sponsored by the Friends of Clermont. The home was nicely decorated for the holidays circa 1840’s.
Entering the Front Door at Clermont at Christmas.
The wreath was beautiful on the door.
Livingston Painting in the foyer
The Sugar Spun Clermont Sculpture.
Painting in the Foyer of Robert Livingston
Portrait of Margaret Livingston in the Foyer.
The holiday display.
The Office of Clermont
The Table Top tree in the Office.
The Library was set for Christmas morning with a large tree, homemade presents from the family and a morning of Christmas cheer. The views from the windows would have shown the beautiful views of the river.
The Library at Clermont
The Clermont Library at Christmas time.
The Christmas tree in the library.
The Library decorations.
Library decorations.
The Living Room was set for Afternoon Tea and for greeting guests who would have entered through the front door right off the main hallway.
The Living Room decorated for Christmas.
The Living Room was set for Afternoon Tea.
The portrait of Robert Livingston in the Living Room.
The portraits of Alida and Robert Livingston.
The Dining Room was not set for dinner but in anticipation of the holidays. The elegant runners, china, crystal and silver were off to the side awaiting the servants to set the table and prepare for Christmas dinner.
The Dining Room decorated for the holidays.
Holiday display in the Dining Room.
The Wedding Painting of Margaret Beekman Livingston in the Dining Room.
The family’s private bedrooms were decorated with garland and a small tree in the foyer.
Heading to the Second Floor of Clermont.
The view of the foyer from the upstairs.
The Livingston girls Bedroom.
The Livingston girl’s doll adorns the room.
The Christmas tree in the upstairs Foyer outside the bedrooms.
The Gingerbread House display in the Foyer.
When touring the kitchen which is located to the side of the house, the counters and tables were filled with all the delicious foods that would have been served at Christmas. Roasts, Trifles, Cakes and Pies would have been served by the staff for holiday get togethers and dinners at the mansion.
The Kitchen staff preparing the family’s Christmas dinner feast.
Preparations for Christmas dinner for the family.
Preparing Christmas dinner in the kitchen at Clermont.
After the Christmas Open House tour was over, the Friends sponsored Marshmallow roasting on the front lawn of the mansion and refreshments and talks up at the Visitors Center.
Roasting Marshmallows over the firepit on the mansion’s grounds after the walking tour of the mansion.
Christmas cookies, Apple Cider and Classic Candies in the Visitors Center ended the tour and the Open House for the day.
After the tour was over, I toured the gardens, which were dormant at the time and the grounds along the Hudson River. The views were just amazing and the gardens awaited the coming of the Spring when flowers would be blooming again.
The Garden Tours:
In the Summer of 2024, I took a special Garden Tour of the Livingston Gardens. A new Lead Gardener had been hired by the State of New York and she was starting to renovate the gardens. So we took a tour of the four gardens near the mansion. While we toured the estate grounds, we visited the South Spring Garden, the Walled Garden, the Children’s Garden and the Cutting Garden to see how they were progressing. The staff here is doing a good job bringing these gardens back to life to how Alice Livingston envisioned them.
The first was the South Spring Garden which is closest the house. This was built when the stairs to the side of the home were built and one of Alice Livingston’s first gardens.
The South Spring Garden sign
The South Spring Garden in Summer 2023
The South Spring Garden being cleaned up in Summer 2024
The grown in wall of the South Spring Garden
The Root Cellar sign
The Root Cellar remains by the South Spring Gardens
The flowers in the South Spring Gardens
The sign for the Walled Garden
The Walled Garden
The Walled Garden
The Walled Garden
The Walled Garden
The Walled Garden Statuary
The Walled Garden
Then we visited the Wilderness Gardens that were just beyond these and they also had been brought back to life by the gardeners. This was to be a transition from the formal gardens to the woods.
The Wilderness Gardens:
The Wilderness Gardens sign
The Wilderness Gardens
The Wilderness Gardens
The we visited the Children’s Garden and the Cutting Gardens which were the newest gardens on the estate. The Children’s Garden playhouse had just been renovated and the beds had been replanted.
The Children’s Garden with the Children’s playhouse
The Children’s Garden from the entrance
The Children’s Garden Garden
The Children’s Garden
The Cutting Gardens were created so that Alice Livingston could grow the types of flowers that would decorate the house at various points in the season. These gardens have been brought back to their original purpose and the flowers and assortments that have been planted are colorful and the fragrances are so nice. On a beautiful day, walking amongst the beds is so nice and relaxing.
The Cutting Garden
The Cutting Garden
The Cutting Garden
The Cutting Garden trellis
The bridge between the Walled Gardens and the Children’s and Cutting Gardens
The Gardens Tour was very informative. Alice Livingston’s love of flowers and how they accented the house were her pride and joy. The Cutting Garden were all the flowers that she used to decorate the house with and the Children’s Gardens taught her daughters responsibilities and knowledge of horticulture.
The biggest problem in recent years is how to maintain all these gardens. This takes a lot of effort and work to weed. plant and prune these beds and make them look nice. The new gardener hired by the State and her team of two staff and volunteers are doing a nice job cleaning out the old beds and replanting and pruning all the plants and bushes that were already there. You can tell by the pictures there is a lot more to do but the gardens are on their way back to their original look.
The Garden Tour in 2026: “Gardens and Growth-The Evolving Landscape of Clermont”
The Clermont Garden Walking Tour 2026:
I returned in the Spring of 2026 for the an updated walking tour of the gardens “Gardens and Grounds: Evolving Landscaping of Clermont”, where the State of New York horticulturalist who had just been hired to maintain the gardens, explained to us the developments and goals that the State wanted for the direction of the landscaping on the property. They wanted it brought back to the 1930’s blueprint of what Alice Livingston had originally envisioned for the estate when she returned from Europe.
Arriving to the Clermont estate for the walking tour
We started the tour with a history of the house and Alice Livingston’s return from Europe to create her famous gardens
The front of the mansion in the Spring of 2026
We started the tour at the Walled Garden which was just finished being restored. The back wall had just been finished and the site’s main horticulturalist explained that she was working with a group of volunteers to maintain the gardens.
The Walled Garden designed by Alice Livingston
The Walled Garden in the Spring of 2026
The inside to the entrance of the Walled Garden
The back part of the Walled Garden
The next garden we toured was the Wilderness Garden which included wildflowers and a fish pond
The Wilderness Garden sign
The back part of the Walled Garden leads to the Wilderness Garden
The entrance to the Wilderness Gardens
The lecture on the design and plantings of the Wilderness Garden
The colorful wildflowers that line the grass paths
The fish pond in the Wilderness Garden
We then followed the path and walked up and toured the Cutting and Children’s Garden. These colorful gardens once supplied the house with an assortment of fresh flowers. It also taught the Livingston girls the attributes of gardening.
The Cutting Garden and Greenhouse sign
The main Cutting Garden
The Cutting garden
The Cutting Garden in the late Spring
The in season flowers in the Cutting Garden
The Children’s Playhouse and Garden is next to the Cutting Garden
The Children’s Garden in the Spring
Touring past the old Greenhouses
Part of the former greenhouse
The tour through the grounds with my group
The pathway back to Clermont
Touring along the river
The former roadway between the house and the river
The South Spring Garden
Our last garden toured was the one closest to the house and that was the South Spring Garden of which Alice could see from her window. When the porch was removed from the home and Alice developed plans for other gardens, this garden went ‘native’.
The South Garden
The South Garden in bloom
The views from the South Garden
The flower planters near the South Garden
The planters filled with Spring geraniums
Walking back after the tour was over and looking at the beautiful grounds
Ending the tour that day with a walk along the river
It was a beautiful day to walk the gardens and the perfect way to spend the afternoon. Each time I take a tour of the gardens, I am amazed how different they seem. I love the different times of the year and how it changes these gardens.
Downtown Germantown during the Christmas holidays.
Downtown Germantown at the Christmas holidays.
Downtown Germantown for the Christmas holidays and church service.
After the tour in July 2024 for the Summer Garden tour, I revisited Germantown again to see what it was like during the summer months. It is a very active and historical downtown with nice restaurants and shops, a wonderful gourmet grocery store and beautiful historical churches. It is a nice place to spend the weekend when touring the mansions in Columbia and Duchess Counties.
Germantown in the Summer of 2024:
Downtown Germantown, NY in the summer
The town square and historical sign
The Inn downtown
The restaurant row of Germantown with Gaskin’s in the background
The Reformed Church of Germantown. For some reason the clouds started to roll in after a sunny day.
The church grounds across the street
Germantown is a small town that keeps changing as more people from the City move up to the Hudson River Valley. A lot of the buildings in town are becoming art galleries, furniture shops and new restaurants. With each season, there are more changes coming to the town.
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