This small museum in the Upper West Side neighborhood of Manhattanville is easy to miss. It is in a small brownstone on West 107th Street right near Riverside Drive. You can see the plaque for the museum to the right of the building and there is a side door to get in. The admission is free but they do ask for a donation if you can do it.
The gallery on the second floor
The museum is a specialty collection of the works of artist Nicholas Roerich. They are mostly landscapes and religious themed that cover three floors of the museum.
The is a beauty to all his works especially the ones concentrated in the Himalayas with their colorful and spiritual themes.
The artist’s portrait of his mother on the third floor
It takes about an hour to an hour and a half to see all the floors. A nice touch they had in the afternoon that I was there was a piano player whom you could hear play throughout the brownstone. When you go, it will be a pleasant afternoon where you are not fighting the crowds of the larger museums.
The art pieces enlighten you and I felt gave you a sense of hope.
(The following information is from the museum website)
Artist Nicholas Roerich
(From the museum website)
The Nicholas Roerich Museum was founded in 1949 to house a permanent collection of over two hundred paintings by the Russian-born artist, poet, philosopher and humanitarian, Nicholas Roerich. The museum also houses a library of books and maintains an archive and a collection of artifacts relating to the areas of Roerich’s interests (Museum guide).
The Mission of the Museum:
The mission of the Nicholas Roerich Museum is essentially a narrow one: to make available to the public the full range of Roerich’s accomplishments. These, however, are not narrow; they cover the realms of art, science, spirituality, peacemaking and more. Because Roerich’s activities ranged widely, so do the museum’s.
The second floor galleries
The Museum Collection:
Nicholas Roerich is known first and foremost as a Russian-born artist. His paintings, of which there are thousands around the world, explore the mythic origins, the natural beauty and the spiritual strivings of humanity and of the world.
One of the more spiritual paintings in the collection
The museum houses approximately two hundred of these works and keeps most of them permanently on display for visitors who come from around the world. Indeed, for many of these visitors, the museum is a destination of great importance; the paintings speak to them of their own inner yearnings and possible fulfillment. For them, Roerich’s paintings are a kind of teaching-about spiritual development about culture and its role in human life and about opportunities for the achievement of peace in a fractious world.
The second floor galleries
The beautiful landscapes on the second floor
Publications & Booklist:
The museum also keeps in print a number of books by and about Roerich and his life and work and a substantial stock of postcards and reproductions of his paintings. These too are seen by many as more than just prints; they are hung in homes with a degree of appreciation that is not often given to such things.
The gallery on the first floor with some of the more religious works
Cultural Events:
In addition to these functions, the museum also maintains an active schedule of cultural activities.
The second floor galleries
It was Roerich’s fervent belief that the role of cultural development in the peace and evolution of the world is fundamental and that it is therefore the responsibility of those who work in creative and cultural fields to strive always for that peace and evolution and for those goals to be the chief impulses guiding their creative work. Information about these ideas is always available.
The second floor gallery with Asian themed art
The Roerich Pact & the Banner of Peace:
The museum sustains an ongoing effort to spread public awareness of the intermingled roles of peace and culture and the ways in which each sustains the other. Information and materials about The Roerich Pact and the Banner of Peace are always available.
The patronage of the museum through the Katherine Campbell-Stibbe Foundation
Throughout this century of wars and national struggles, the yearning of the public for ways of achieving peace has been great; the ideas of the Pact and the Banner provide a welcome answer to those yearnings.
The history of the museum through the years
As Roerich’s ideas become better known around the world, attendance at the Museum grows and requests for information and materials about him and his art and social achievements increase.
The gift shop on the first floor. The director of the museum even sells honey from the beehives on top of his building.
*This information is from the Museum’s website.
Disclaimer: This information was taken from a combination of the museum’s website and from the biography of the artist.
The Van Bushkirk Burial Ground behind the residence at 45 East Saddle River Road
The Van Bushkirk Burial Ground is part of the history of Saddle River, NJ’s early settlement period. The burial ground has about 40 tombstones that are arched and shaped. These are some of the first residents both of Saddle River and Bergen County, NJ.
The burial ground lies next to a creek off East Saddle River Road and can only be accessed by going through private property of the residents living at 45 East Saddle River Road. Please do not enter without permission of the owner of the home. These pictures were taken with a long distance camera from the street.
The Van Bushkirk Burial Ground at 45 East Saddle River Road
The History of Saddle River:
(from the Saddle River Town website):
In 1675, Lenni Lenape tribal leaders sold a large amount of land on the Eastern side of the Saddle River (known as Werimus) to Albert Zabriskie. In 1708, Zabriskie sold this tract of land to Thomas Van Buskirk. The first house in Saddle River was built by the Van Buskirk family in 1709. The original Van Buskirk homestead still stands at 164 East Saddle River Road across from Borough Hall.
In 1709, the Lenni Lenape sold the land on the west side of the Saddle River to the English as part of the Ramapo Tract. Property on the west side of the Saddle River was acquired from this Tract throughout the 1700’s. The Ackerman Family was the most prolific buyer of these early Saddle River parcels and first settled on the West side of the Saddle River in 1745 when Johannes Ackerman acquired 245 acres.
The graves of George and Margaret Achenbach
Saddle River continued to grow and populate during the 18th century. Families such as the Van Buskirk’s, the Ackerman’s, the Achenbach’s, the Hopper’s, the Zabriskie’s, the Stilwell’s and the Baldwin’s farmed and developed the area.
The grave of George Achenbach
The first of many Saddle River mills was built in 1714 and the first school was constructed in 1720. Another early 18th century business was the blacksmith shop operated by the Ackerman family. Over the years, these 1st families built the quintessential “Old Dutch Homesteads” from actual sandstone that was found in town.
The Revolutionary War era tombstones
The Revolutionary War was a horrendous time for the residents of Saddle River. The townsfolk had spent the entire 18th century developing the area into a well established community and all growth essentially stopped during the war. Since the Jersey Dutch initially considered the revolution to be an English issue, it was particularly shocking when the fighting came to their backyards. From December 1776 until the end of the war, both American and British forces traveled through Saddle River and many times set up camp in the center of town.
Residents were in constant fear of the British employed Hessian soldiers who would terrorize families by raiding the houses for food and then burning the fields before leaving. Although no major battles took place in Saddle River, there were small skirmishes to fend off raids and the Blue Mill on East Saddle River Road was destroyed. Even George Washington, the future father of our country, passed through Saddle River on multiple occasions and tradition has him staying overnight at the Ackerman Homestead on the East road.
When the Revolutionary War ended, Saddle River residents picked up right where they left off in terms of community and industry development. The Ackerman’s built a Foundry on what is now Waterford Gardens. Tice and Berdan both opened stores in town and the Bulls Head Tavern opened its doors to weary travelers in 1802. Old mills were re-opened and new ones such as Van Riper’s Saw Mill and Basket Factory were established. The post war growth continued for decades and culminated in the 1820s with the construction of the Zion Lutheran Church in 1821 and a new schoolhouse behind the church in 1825.
The worn tombstones in the cemetery
History of the Van Bushkirk family in Bergen County during the Revolutionary War:
(From the Bergen County Historical Society website):
Loyalists in Bergen County came from all backgrounds, religions and economic classes. At the beginning of the war, a number were officers in the militia, the military force composed of all able-bodied males maintained by each province, and later the states. The lieutenant colonel of the militia was John Zabriskie of New Bridge. Zabriskie understood the sentiments of many of his neighbors, particularly those of Abraham Van Buskirk, whose property was directly across the bridge in Teaneck. Van Buskirk was a surgeon in the militia under Zabriskie, and with whom he served on Bergen County’s Committee of Correspondence, an entity established to keep in touch with other New Jersey counties and the events occurring there.
The Van Houton Family Cemetery at 108 Delaware Lane on what was once the family farm
The historic Marker from 1822
The family plot from the entrance of the cemetery
About five generations of Van Houton’s have been buried in this spot, with an impressive list of family members who have served in all the nation’s wars.
From the Revolutionary War up to World War II, the family’s contribution extends not just to Bergen County but our entire country.
The family extends to other older ‘first families’ of Bergen County, such as the Snyder’s, the Demarest’s, DeBuan’s and the Van Ripper’s.
This multi-generational cemetery is still used today by the descendents of John Van Houten, who left the property in his will. The grounds of the cemetery are well maintained. A metal fence around the property could use some minor repairs. Unfortunately a couple of the obelisk markers have fallen off their bases.
In the August 1992 Cemetery Inventory Booklet, published by the Bergen County Department of Parks, Division of Cultural and Historic Affairs, they listed Andrew Schaaf as a contact person for the cemetery, with an address of 749 High Mountain Road, Franklin Lakes, NJ 07417. The same publication mentions that an inventory of the cemetery was done by John Neafie in 1911.
In the 17th century, Lenape Indians traveled the land we now call Franklin Lakes. They made winter camp in the “Clove” near Buttermilk Falls and fished in Micharagrape Pond ( now Franklin Lake).
Slowly, the Dutch settlers made their way west from the Hudson River Valley. In 1701 the East Jersey Proprietors confirmed to Michael Hawden the land around the Pond. In 1772 Franklin Township was formed and included much of northwestern Bergen County. Farming was the major occupation of the early inhabitants, mostly Dutch with the names of Van Winkle, Van Houten, Ackerman, Pulisfelt, Van Blarcom, etc. They built solid farmhouses of sandstone and fieldstone. Fourteen of these historic homes still stand in our Borough.
Some of the original family member tombstones in the cemetery
Mills sprang up along the creeks: sawmills, gristmills, tanneries and forges. Daniel Youman’s Grist Mill on Franklin Lake was probably the first business established (it later served as a saw mill and a cider mill).
The 1876 Walker Atlas showed Franklin Lakes had about 100 residences, 5 mills, 1 tannery, 3 schools, 4 blacksmith and wagon shops, 1 church, 2 hotels, 1 store, and 2 railroad depots.
The railroad stations were built in 1869 when the New Jersey Midland Railroad was extended to Oakland. One station stood at Campgaw on Pulis Avenue, the other at Crystal Lake on High Mountain Road. Residents used the train for commuting, moving goods and mail.
Around the turn of the century, estate houses and mansions began to appear in the area. The industrial revolution brought wealth, and many of the wealthy became “gentleman farmers,” sometimes living here only in the summer. Examples of these houses include the Bartholf-Hughes house on Somerset, the Post-Terhune house on Franklin Lake Road, and the Atterbury-Brockhurst house on Ewing Avenue.
Eventually, the Campgaw section became the civic center of our Borough. In 1922 Franklin Lakes separated from Franklin Township, incorporated, and elected William V. Pulis as its first Mayor.
Edward May built three lakes and started the Shadow Lake Swim Club, which evolved into Shadow Lakes Estates. On the other side of the Borough, J. Nevins McBride purchased land around Franklin Lake and began building single-family homes in Urban Farms.
When Route 208 was extended to Oakland in 1959, Franklin Lakes became more accessible, and by 1980 there were more than 8,500 residents. The completion of Interstate 287 in the early 1990’s stimulated another boom in building. Today, the population of our Borough is 10,422.
From a sleepy rural community to an affluent metropolitan suburb, Franklin Lakes has changed extensively, continuing to be a desirable place to live and raise families.
The Franklin Lakes Historical Society was created to help preserve our Borough’s rich history, while at the same time looking to the future of our unique community and those who choose to make this their home.
The family still uses the cemetery into the twenty-first century
Part of the cemetery into modern times
Multiple family members are often buried together
The cemetery in modern times
The children of Ralph Van Houten who passed within a few years of one another
The grave of Abraham Van Houton and his wife, Bridget
The front part of the cemetery shows the different branches of the family and when they were buried.
The back part of the cemetery is rather old
The Snyder branch of the family
Another branch of the Van Houten family is buried together here
Members of the Ackerman and Cooper side of the family
Conrad and Elizabeth Van Houten
Jacob and Elizabeth Van Houten
Some of the modern graves of the Van Houten’s and Ackerman sides of the family
Many of these small family plots sit on buffs and have the most amazing views. It is as if the final resting place was to be a place of beauty and contemplation.
Unfortunately the family farm is long gone and the cemetery is now surrounded by McMansions. Talk about progress!
I recently revisited the African Museum of Art on the SMA Father’s and on this trip really took my time to learn about the Mission and study the art in the various displays. Each country that the Mission is involved with is represented here with detailed information on the meaning of the art and its purpose. It is an interesting approach to understanding the culture of each of these countries.
The beautiful stained glass windows line the ceiling and walls and has a beautiful effect in the room on a sunny day.
The sculpture in the middle of the main hall
The History of the Museum:
(From the museum website)
This museum was established in 1980 and is one of the only rare few in the United States dedicated solely to the arts of Africa. Its permanent collections, exhibited on a rotating basis, offer a unique advantage in the study and research of sub-Saharan sculpture and painting, costumes, textiles and decorative arts, religion and folklore.
The main hall of the museum
The history of the Mission
The history of the Mission
The history of the Mission
The African Art Museum of the SMA Fathers is one of five museums around the world founded and maintained by the Society of African Missions, an International Roman Catholic missionary organization that serves the people of Africa.
The display case that line the main hall
The display case that line the main hall
The art works up close
The descriptions of the works
The display case that line the main hall
Some of the works up close
The description of the masks
The display case that line the main hall
The museum is the continued vision of SMA’s founder, Bishop Melchior de Marion Bresillac (1813-1859). The French-born clergyman urged his Society to respect and preserve the culture of the peoples they serve, the unique among the missionaries of his time. (This information is provided by the museum).
Some of the works being featured in the exhibition
Their current exhibitions is on the “Africanizing of Christian Art” which shows the 20th Century encounter between Catholic Christianity and the visual culture of the Yoruba, a prominent west African people of southwest Nigeria under the conditions of late colonization (This information provided by the museum).
The hallway off the main room
Linking the walls of the main room are wooden carved doors from a palace in Africa. The interesting detail work tells it own story.
The description of one of the doors
Panel One
Panel Two
Panel Three
Panel Four
The collection contains many works in the form of masks, textile work, religious figurines and decorative arts. Each display case shows a different theme in the art.
The works of art in the cases
The puppets in the case
The works of art lining the cases
The engaging Mask collection
The museum is the main hallway of the church. I found it a quiet place where you could really concentrate on the beauty of the art. It grounds are also nice to walk around in in the nice weather.
The Chapel just off the museum is interesting to visit. I wondered how many people came to serve here and how the service was performed.
The main chapel of the mission
The beautiful stained glass windows in the chapel
The museum is a true hidden gem of wonderful and interesting testimonial and contemporary art. An inspiring museum if you take the time to really enjoy it.
One of the things I love about being a member the Metropolitan Museum of Art is the private Member’s Night ‘Met After Hours’ they hold about four times a year. The museum is open after the closing hours and it is a night of wondering the museum galleries, great music and entertainment and wonderful tours and talks in the galleries. You really experience the museum at its best and it does shine.
The lines move very quickly to get into the museum and with traffic getting into the City that night, I arrived about twenty minutes after opening and there were no crowds to face and I got right in. There’s always a sense of excitement on these nights.
The Grand Hall in the front of the museum decorated with Spring flowers
The beautiful Spring flowers lined all the urns around the Great Hall
The museum welcoming all the members of the museum at ‘The Met After Hours’
I started my walk around the galleries in the Greek Wing touring the main hallway. It still boggles my mind how old these statues are and I am looking at something almost two thousand years old.
The Museum’s collection of Greek and Roman art comprises more than thirty thousand works ranging in date from the Neolithic period (ca. 4500 BCE) to the time of the Roman emperor Constantine’s conversion to Christianity in 312 CE. It includes the art of many cultures and is among the most comprehensive in North America. The geographic regions represented are Greece and Italy, but not as delimited by modern political frontiers: Greek colonies were established around the Mediterranean basin and on the shores of the Black Sea, and Cyprus became increasingly Hellenized. For Roman art, the geographical limits coincide with the expansion of the Roman Empire. The department also exhibits the art of prehistoric Greece (Helladic, Cycladic, and Minoan) and pre-Roman art of Italic peoples, notably the Etruscans (Metropolitan Museum of Art website).
One of the statues that stood out that evening
I spent some time admiring the statues and the craftsmanship of the works along the hallway. The only problem is that most of the Greek and Roman Galleries were closed for the evening so I headed off to the Renaissance Wing. I love the luxury objects in the collection of silver and gold and again their craftsmanship is still unrivaled today. To make these objects takes intensive work and talent.
The timepieces show how advanced science had become and the importance of it in not just measurements but in beauty.
The lobby of the American Wing with the facade of what was a former bank and a Wall Street private mansion. I love the quiet elegance of this building and to think they moved it here piece by piece. The American Wing Cafe was open for the evening and the area was busy throughout the evening. It is nice to just sit and enjoy the views by the fountain. The artwork is beautiful.
Visitors to the American Wing will experience in more than 75 galleries on three floors varied art, design, and culture from the mid-seventeenth to the mid-twentieth century, with some contemporary expressions, by a diverse array of artists from across North America. Since our founding in 1924, this curatorial department has evolved its collecting to include some 20,000 artworks in many mediums by African American, Asian American, Euro-American, Latin American, and Native American makers, affirming ever more inclusive definitions of American art and identity. These dynamic holdings include painting, sculpture, drawing, furniture, textiles, regalia, ceramics, basketry, glass, silver, metalwork, jewelry, as well as historic interiors and architectural fragments, produced by highly trained and self-taught artists, both identified and unrecorded (Metropolitan Museum of Art website).
The evening then moved to the Egyptian Wing and the Temple of Dendur, where the entertainment and the cocktail bar was located.
The Temple of Dendur is the hub of activity on Members Nights
This small temple, built about 15 B.C., honored the goddess Isis and, beside her, Pedesi and Pihor, deified sons of a local Nubian ruler. On the outer walls between earth and sky are carved scenes of the king making offerings to deities who hold scepters and the ankh, the symbol of life. The figures are carved in sunk relief. In the brilliant Egyptian sunlight, shadows cast along the figures’ edges would have emphasized their outlines. Isis, Osiris, their son Horus, and the other deities are identified by their crowns and the inscriptions beside their figures (Metropolitan Museum of Art).
These scenes are repeated in two horizontal registers. The king is identified by his regalia and by his names, which appear close to his head in elongated oval shapes called cartouches; many of the cartouches simply read “pharaoh.” This king was actually Caesar Augustus of Rome, who, as ruler of Egypt, had himself depicted in the traditional regalia of the pharaoh. Augustus had many temples erected in Egyptian style, honoring Egyptian deities (Metropolitan Museum of Art).
The area was packed with patrons enjoying music and talking by the bars. The crowds were so large at the beginning of the evening that I waited until after 9:00pm for the second performance of the group playing. So I headed into the section of the Egyptian Wing to look at the galleries that were open. I love walking around the Egyptian Wing of the Met. It is one of the most extensive collections outside of Egypt and the most fascinating Mummy exhibition.
Admiring one of the Mummy exhibits in the Egyptian Wing
The Department of Egyptian Art was established in 1906 to oversee the Museum’s already sizable collection of art from ancient Egypt. In the same year, the Museum’s Board of Trustees voted to establish an Egyptian Expedition to conduct archaeological excavations in Egypt. Between 1906 and 1935, The Met’s Egyptian Expedition worked at a number of important sites, including Lisht in the north and Thebes in the south, and the objects gifted to The Met by the Egyptian antiquities service form the core of our collection. Over the years, the Department of Egyptian Art has also been able to acquire, through purchase and bequest, several important private collections (Metropolitan Museum of Art website).
The ancient tablets outside of the Mummy Exhibition
The Egyptian artwork outside the Mummy Room
The tablets outside the Mummy Room
When the whole gallery is open, it is a treasure trove of objects and information from each Dynasty. I have been mind-boggled by these galleries since I first visited the museum in the third grade for a class field trip. I remember sketching artifacts for a class project and am still fascinated about how old some of these objects are and condition they are still in after thousands of years. It is my favorite part of the museum.
By 9:00pm, the entertainment was starting again, so I joined other members for a cocktail and enjoyed the music in the Temple of Dendur Gallery.
The Temple of Dendur fully lit for the evening before the start of the entertainment
The signature cocktail of the evening, the Starlight Spritz
Enjoying a Starlight Spritz while listening to the music
The bartenders can mix a drink
After a long week at work, it was nice to relax and enjoy the music. The music that night was performed by artist Jasim Perales and Friends, an Afro-Latin Jazz performance. The music was relaxing and soulful and the crowd had a wonderful time.
The start of the music again at 9:00pm
The trio performing
A clip from the entertainment that night
The Master of Ceremonies that night, Jasim Perales
All good things come to an end and it was time leave. The night was dark and the winter air was crisp creating the perfect Winter evening to set out into for the walk back to Port Authority. The Upper East is so beautiful at night.
The front of the Met that night
The artwork is always so impressive outside the Met
It was in the low 40’s that evening and the perfect night for a walk around the Upper East Side and Midtown. It still surprises me after all these years of walking around Manhattan how beautiful the City really is at night.
It was another spectacular evening at the Metropolitan Museum of Art. Thank you to the Membership and Special Events Departments for hosting another wonderful evening.
The members of the Bergen County Firemen’s Home Association met at the Harrington Park Fire House to start the stuffing of the envelopes for the fundraising efforts of the organization. Monies raised by the fundraiser help pay for entertainment, refreshments, the food for the barbecue, gifts to the residents and for items that residents might need.
The members of the Bergen County Firemen’s Home Association at our 2025 Christmas Party for the residents
Santa joining us for the Annual Christmas party at the home
This fundraising effort does so much for our fellow firefighters at the home. It provides entertainment, refreshments, gifts at the holidays, special projects at the home that benefit everyone and funds for us to run our annual barbecues and Christmas parties.
Chef Prince cooking at our Annual Barbecue in August 2025
The wonderful barbecue feast made for the residents of the NJ State Firemen’s Home at the August 2025 Barbecue
If you are interested in becoming a member of the Bergen County Firemen’s Home Association, please attend one of our meetings at the Boonton Firemen’s Home in Boonton, NJ. Our meetings are in February, April, June, August, October and the first weekend in December for our Annual Holiday Party.
Members enjoying breakfast at our November meeting hosted by the Wyckoff Fire Department
The members of the Bergen County Firemen’s Home Association
If you would like to make a donation to our organization, please send it to:
BCFHA
C/O Jeff Parma
277 Harriott Avenue
Harrington Park, NJ 07640
Please make the checks out to the Bergen County Firemen’s Home Association
Our 2026 Meeting Schedule:
All our meetings at the home start at 12:00pm at the NJ State Firemen’s Home in Boonton, NJ:
February 15th
April 19th
June 13th (June Barbecue)
August 15th (August Barbecue)
October 18th
December 6th (Annual Christmas Party)
A big “Thank you” from The Bergen County Firemen’s Home Association Executive Board 2026
Over the years I have heard newspapers saying some negative things about the City of Bridgeton, NJ in Cumberland County. The crime, the problems and the rows of rundown housing. I have to admit that the city has its share of problems like any city but Bridgeton is a paradox. For all its problems, it has so many interesting things to see and do. As I have been exploring historical sites of South Jersey, I have made many trips through the city and driven through the neighborhoods and walked the downtown and its really interesting.
When you leave the city on any side, you are in the countryside. There are all sorts of fields of crops as far as the eye can see and many Farmers Markets just outside its borders. When you return though, you know immediately that you are in the city’s borders as housing just seems to pop out of nowwhere.
When I was visiting museums and historical sites for a blog I was writing on Southern New Jersey, I left Greenwich, NJ and took a local country road that took me through the back roads and farm country to the big city of Bridgeton, NJ where I explored their now rundown downtown. I then explored the crown jewel of the community, the Old Presbyterian Church and Cemetery.
The church stands out like a stately jewel in the middle of the town and is so beautiful and graceful at any time of the year especially in the late Spring and the early Fall when it is perfect for taking pictures. I love its historic cemetery with its Colonial era church and the gravesite that dates back to the 1700’s.
The Old Presbyterian Church and Cemetery at 54 West Avenue South in Bridgeton, NJ
Visiting the Old Presbyterian Church and Cemetery was an interesting experience. While trying to get from Greenwich to Bridgeton should have been a straight run but there were no names on the signs, and you just had to figure it out. I found the right road and it led me right to the cemetery.
The Presbyterian Church itself is only used now for special occasions and events but is an elegant building that sits on top of a bluff overlooking the downtown area. During the daylight hours you are allowed to roam around the cemetery looking at the gravesites (See my reviews on TripAdvisor and VisitingaMuseum.com).
So many famous politicians, war heroes, founding fathers of the City of Bridgeton and entrepreneurs at the turn of the last century are buried here.
The church and the historic cemetery.
What I found interesting about the cemetery was the family plots with the generations of people buried next to one another and their stories. It was sad when the parents buried their children and then died a few years later. Trying to figure the narrative of these families can be heartbreaking.
The family plots at the cemetery
The really sad part of such a historic cemetery is that it is so overgrown. I was walking through in some parts a foot of weeds. I know that taking care of a cemetery this size must be hard, but I would think there would be more care of the dead considering this is a destination for historians.
The historic cemetery in the Summer of 2024
When I finished touring the church grounds, I took a tour of the Bridgeton Historical Downtown. It was such a waste to see a bunch of old buildings falling apart and most of the businesses closed or small run-down businesses located in them. A block away was a more modern downtown with newer buildings. The shopping district caters to the very large Hispanic population that lives here and is great if you are looking for provisions for a picnic.
The one place that did stand out for me was the Century Bakery at 525 North Pearl Street in Downtown Bridgeton. They have some of the best and most creative doughnuts around. I could never make up my mind.
Century Bakery at 525 North Pearl Street in Downtown Bridgeton
The bakery just smells good when you walk in and the staff could not be nicer and more accommodating. I could barely make up my mind with all the delicious doughnuts to choose from.
I could not figure out what I wanted with all these delicious choices displayed in the cases. I finally decided on a Glazed Cream filled doughnut that was just mind blowing. It was so delicious. I had wanted to go back for another but did not want to ruin my appetite for lunch. For another trip.
This was like biting into a piece of heaven
When I visited Bridgeton in the Fall of 2024 for Halloween, I took the time to visit the Cohanzick Zoo and that was an interesting detour. The Zoo is part of the Bridgeton Park system like it is up in Bergen County. It is a small County zoo that takes about an hour to visit.
The zoo has an old fashioned feel with smaller rescue animals and equally not too large cages. The zoo is mostly comprised of animals who were rescued from either being poached, illegally transported or had been used as pets, many of them being neglected and abused.
The sign that welcomes you to the park at the Cohanzick Zoo
Throughout the park amongst the cages of wildlife are strolling gardens and animal related statuary.
The pathways and gardens were still in bloom the afternoon that I was there and it is a nice way to spend do the afternoon.
The Elephant statuary at the entrance of the zoo
The status of how some animals found their home here
The first resident I finished was the Raccoon House, where it looked like the raccoon was taking a snooze. He really looked out of it when I passed the cage.
The Raccoon House
The Raccoon Crossing sign
This poor little guy was out like a light
The zoo is one of the smaller more localized ones that I have visited so you can see the whole zoo in a short amount of time. Then you can walk leisurely around the paths and revisit the exhibitions again. Some of the animals like the peacock family, just wonder around the park and do their thing.
This gorilla sculpture that greets you in the back part of the zoo
Following the walkway to the back pens where a lot of the small animal and bird displays were located
The next exhibition that I visited was the Sand Hill Crane and I read that the poor little guy had been injured. He seemed a bit more optimistic when I passed the cage. I think that the animals just want some attention.
The Sand Hill Crane display
The Crane was watching all of us as we passed his cage
The next small animal that I visited was the Fennec fox and the two that I saw were fast asleep on this warm afternoon. They must have had a busy morning.
The Fennec fox cage
The foxes that I saw that day were fast asleep
One of the historical sites that I had wanted to visit was the historic Potter’s Tavern across from City Hall. I tried twice to stop in to see the Potters Tavern in Bridgeton but then double checked the guide and found out that it is only open on Sundays in July from 1:00pm-4:00pm.
Finally in the Summer of 2024, Potter’s Tavern opened for touring again and is now open on Sundays. It is well worth stopping and touring this important part of our Revolutionary War history.
Potters Tavern at 49-51 West Broad Street in Bridgeton, NJ
The tavern is one of the city’s connections to the Revolutionary War where patriots from that time met and plotted their strategy during the war. It was also a meeting place for men who need to gather after a hard day on the farm. These taverns were part of the social factor at a time before electronic communication.
The Entrance room of the Potter’s Tavern
The Hearth in the Kitchen in the Potter’s Tavern
The Bar at the Potter’s Tavern
The tavern has been rebuilt and furnished to reflex the time period. There are three floors to tour with the first floor being the tavern itself, the bedrooms upstairs where travelers would stay after a long stagecoach journey. The lower floor was the kitchen and store room where meals would be prepared and staff would sleep.
The upstairs of the Potter’s Tavern was the overnight accommodations
The lower level of Potter’s Tavern
It is an interesting tour that should not be missed but the museum’s hours can be sporadic even as they are posted online and are seasonal so plan accordingly.
On a recent trip to Bridgeton, I was able to finally see the Bridgeton Liberty Bell that sits in a display case across the street from Potter’s Tavern in Bridgeton’s modern courthouse.
The Bridgeton Liberty bell is located in the lobby of the Bridgeton Courthouse, which is open only during the week. You can walk in through the back door from the parking lot and walk through the metal detector to get to the bell that is displayed in the hallway.
The bell was cast in Massachusetts in 1765 and was a source of information during Colonial days.
The Bridgeton Liberty Bell
It was used to call people together for important news and meetings when hanging in the courthouse in the Courthouse that was built in 1760-61. It rang for liberty when the Declaration of Independence was signed and as a warning signal for the War of 1812 (South Jersey Early American Historical Trail pamphlet).
A close up look at the bell
The historic marker of the bell
While walking in the downtown area one afternoon in the summer, I was trying to stop in the Bridgeton Library to visit the Robert Woodruff Museum of Indian Artifacts (that is only open by appointment only). Since nobody was there to help me that afternoon I left the library.
Across the street, a mother-daughter team was barbecuing and preparing tacos and tamales for locals and some workers on the construction site around the corner. The tacos were amazing and they only charged $3.00 for two small tacos and a Coke. I thought this great and the tacos were excellent. The ladies could really cook.
The fresh tacos from the pop up taco stand across from the library
Continue to follow this blog as I explore more of Bridgeton and its historical downtown and all it has to offer. There is so much that can surprise you in the City of Bridgeton, NJ.
The Mount Vernon Hotel Museum at 421 East 61st Street
Mount Vernon historical sign during the summer months
The history of the building
The model of the building
I had come across the Mount Vernon Hotel Museum when I was walking on East 61st Street for my blog and went to take the tour of the building. It is a one hour (or more as I there for almost two hours but I was by myself) tour of both floors. You start with a film and a quick talk about the history of the building. The hotel building has had several owners and uses over its over hundred years.
I visited the museum during the holiday season in 2025 and I got to see all the decorations around the hotel. There was elegant decorations in most of the rooms and got to see how people ate during the holiday season as well as with visits guests would have indulged in when they came for the day.
Then you start the tour of the upper room where the ladies would gather and talk. This is where they might have tea, musical recitals and read and sew. They would gather with other women for conversation and debate.
The Upstairs foyer gallery
The foyer landing decorated for the holidays with the former traveler, James Taylor, who discussed in his memoir about visiting the hotel
The Ladies Parlor
The upstairs is where the sleeping rooms and the ladies parlors are located, where female guests would enjoy tea, games, music and reading. The main landing was for dancing and for gatherings.
The Ladies Palour with the Chinese writing desk and festive decorations.
The room set for tea with Englishware
The holiday set up afternoon service
The sleeping rooms were kept simple and functional
The Men’s game room
The main floor was the Men’s gaming rooms, where there is a bar and two rooms for male activities such as cards, gambling and reading. Here the men would discuss politics and business over a drink and games of chance.
The main games room
The main entrance was used as the dining room for dinner (our lunch), which was the biggest meal of the day served around 2:00pm.
The bar area where spirits are sold
The afternoon supper was part of the package and couples would join one another for a several course meal, which would serve as the main meal of the day.
Dinner time at the Mount Vernon Hotel Museum
The tour guide went over what would have been served, menu’s and meal times. Dinner would have been served at 2:00pm, tea time would have been around 4:00pm-6:00pm and Supper around 8:00pm.
The multi course meal for everyday on display
The meal would include popular dishes such as turkey and oysters and a specialty, Turtle soup. Fresh vegetables and fancy desserts would be part of the package.
The tour of the kitchen show preparation of foods, recipe books and all kitchen equipment including the stoves and baking materials.
The kitchen for both the hotel and house
The kitchen used to cook afternoon meals
The area used for baking and roasting
If you like the history of “Old New York” and like old homes, hotels and buildings, this is a very interesting tour that deals with the City’s growing middle-class and the new ‘leisure time’ that was coming with the changes in the work week. There are many pieces of period furniture all over the building that show the growth of affluence of the time.
The side board set with holiday desserts
The side board ladened with holiday treats
Don’t miss the formal walled in garden in the back. It is a place of relaxation from the rest of the city. There are stone walk ways and landscaped gardens as well as an herb garden. The building is owned and maintained by the Colonial Dames of America.
The walled gardens during the winter
The walled garden in the winter
I revisited the museum for the holidays and the hotel was decked out in garland and holy based on the decor traditional for the Revolutionary War era Christmas. The archways and tables were lined with greenery and the tables were loaded with oranges plunged with cloves to give the homes at that time a rich citrus smell.
The downstairs dining table was set for a Christmas meal of wild turkey, mock turtle soup, and apple and pumpkin pies. This would have been served in the afternoon as the main meal while it was still light out.
Holiday goodies at the Mount Vernon Hotel Museum getting ready for the holidays
There had been a light snow while we were touring the hotel so when we visited the gardens, it really did have that Christmas feel to it with that light snow all over the pine and the bushes.
How the neighborhood has changed
The old stable area
During the time of the Revolutionary War and afterwards, homes were not as elaborately decorated as they would have been during Victorian times after the Civil War. Homes were lined with greenery that would have given the home the fragrant smell of pine and strings of cranberries and popcorn would have been used to decorate mantles.
The hotel decorated for the holidays
The hotel was getting ready for one of its many special events during the holidays so there was a lot of commotion going on downstairs. It is a very festive looking place for the holidays so try to tour it when it is open in the month of December.
The museum in the 2025 holiday season
What is the Museum:
Constructed in 1799 as a carriage house and converted into a ‘day hotel’ in 1826, the Museum transports visitors back to Mount Vernon Hotel, a 19th Century country resort for New Yorkers escaping the crowded city below 14th Street.
The model of the original house layout
Recognizing the building as one of the few remaining 18th century sites and the only surviving day hotel in New York City Historic Landmark in 1967, added to the National Register of Historic Places in 1973 and accredited by the American Association of Museums in 1983.
History of the House:
The Mount Vernon Hotel Museum & Garden presents the period of the Mount Vernon Hotel which operated from 1826 until 1833.
Constructed in 1799 as a carriage house for a 23 acre estate and converted into the Mount Vernon in 1826, this stone building sits on land originally owned by Colonel William Stephens Smith and his wife, Abigail Adams Smith, the daughter of John Adams.
This fashionable country resort was popular among New Yorkers who wished to escape the hustle among the bustle of the city, which at that time extended only as far north 14th Street. The Hotel advertised “free from the noise and dust of the public roads and fitted up and intended for only the most gentle respectable” clientele. In those days, one could take the stagecoach or steamboat up to 61st Street spend the day at the hotel sipping lemonade in the ladies parlor or playing cards in the gentlemen’s.
In 1833, the house became the home for three generations of a New York City family. In 1905, as the area became more industrialized, the building was purchased by Standard Gas Light Company (today’s Con-Edison). The Colonial Dames of America, a woman’s patriotic society purchased the building in 1924 and did an extensive restoration to the structure, the Colonial Dames opened the site to the public in 1939. The building endures as a rare reminder of an important era in New York City’s history.
What the organization does:
*Welcome 5000 school children annually in grades-pre-K through high school for field trips.
*Summer History Weeks for children ages 6-12
*A Summer High School Internship for 15 students to support college readiness skills and career exploration.
*Two summer Hearst Fellowships for undergraduates or graduate students.
*40+public programs each year, including:
-monthly free Story time
-monthly Lunchtimes lectures
-holiday programs, garden concerts, hands on craft and cooking workshops.
*Temporary exhibitions on facets of life in early 19th century NYC, some promoting local contemporary artists.
*Special programs for individuals with Alzheimer’s and their caregivers.
*Outreach programs to schools, senior centers and homeless shelters.
*Themed group tours focused on 19th century food, decorative arts or literature.
*Three options for team building events.
*Two free admission days: Smithsonian Museum Day and Open House New York.
Programs are made possible in part by the support of the New York City Department of Cultural Affairs in partnership with the City Council and Council Member Ben Kallos, the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature, the Manhattan Borough President Gale Brewer, the Institute of Museum and Library Services, the Rosenthal Foundation and the Michael Tuch Foundation.
(Mount Vernon Hotel Pamphlet)
The Colonial Dames of America:
With these words, spoken in April 1890, Maria Denning “May” Van Rensselaer imitated what was to become the oldest colonial lineage society for women in the United States. The Colonial Dames of America. Its mission is to preserve historic sites and objects, award scholarships, educate the public about American history, inspire patriotism and promote fellowship among its members.
The front of the library and museum in the Fall of 2025
The historic sign
I recently visited the Beach Haven Library and Museum in Beach Haven during the holiday season and discovered a historical library with a rich history in both the community and on Long Beach Island.
The museum on the second floor
On the second floor of the library is the history room of the Beach Haven Library that contains a collection of historic artifacts and ledgers from hotels and businesses on the island. Each of the case lines tells a different story of the community from the grand hotels that once lined the shore and have since disappeared to the lives of the families that once called the island home. When I talked with one of the librarians, she told me that estates from the area donate these items to the library and this has established their collection.
The second floor fireplace
The antique kitchen equipment
The second floor of the library has another fireplace where vintage pottery and kitchen items are on display. There are also decorative pieces of pottery lining the shelves.
Historic China inside the Emily Lloyd Wilson Secretarial desk. Her father designed the Baldwin Hotel in Beach Haven.
The historic ledger from the Parry Hotel
The library has another fireplace where extensive collection of hotel ledgers and artifacts.
Letters from Elizabeth Pharo proposing the Library in 1923
Short History of the Library:
(From the library pamphlet)
Mrs. Pharo presented to the library board a proposal to build the library entirely at her own expense. She contacted Philadelphia architect, R. Brognard Okie to design the library. He chose the model of a Pennsylvania Farmhouse. The library was completed in the Fall of 1924. The museum is now over a hundred years old.
The dedication to Elizabeth Pharo, who dedicated the museum.
The Long Beach Island House Guest Ledger and historic items from the historic Bond Hotel
The records of the past resort town Long Beach Island used to be with guests coming from New York City, Philadelphia and beyond.
Historic items from the Tuckerton & Long Beach Building Land and Improvement Association
The Engleside Hotel ledger and items from the hotel
The New Jersey Declaration towards the Declaration of Independence
Historic books and periodicals
The library has an interesting collection of vintage and antique books that have been donated to the collection.
Photo display on historic sites in Beach Haven and pictures of the original library
Some of the pictures are from the old library and the artifacts come from ships ground ashore. The library has a diverse collection of items to view.
The Compass from the historic shipwreck ‘Fortuna’ that wrecked off Ship Bottom in 1910 and historic boat
The second floor museum gallery holds the diverse collection of artifacts
The second floor of the 1928 building
The first floor of the library has all sorts of historical artifacts along the walls
The Holiday Kickoff in 2025:
I visited during the library’s Holiday Open House with games, trivia and activities. There was also live music in the afternoon. It was a way that the library gives back to the community. It was a nice family event with good food and nice conversation with people from the community.
The Holiday Open House
The fireplace was going when I was talking to the librarians
It was a very nice family event where patrons families could relax, have something to eat and play games with their children. The Liberians could not have been more friendly and engaging with the public.
The Children’s Room had a holiday challenge
The museum is a rare gem tucked not just on the second floor but along the shelves and tables of the entire historic library giving visitors a chance to see all these historic artifacts mixed in with the library book collection.
The History of the Beach Haven Library:
(from the library website)
Attempts to establish a library in Beach Haven had begun as early as the 1880’s with a gift of books for the town’s children by Dr. Edward Williams. Williams, along with Charles Parry of the Parry House and the Baldwin Hotel, was a partner in the Baldwin Locomotive Works. The library collection was first housed in the home of Samuel Copperthwaite on Engleside Avenue. It was later moved into one of the Sunday School rooms of the Kynett Methodist Church, which had been built in 1890.
After the old Quaker Meeting House was donated to the town by Walter Pharo, the Reverend Alexander Corson of the Methodist Church began work, with the help of his wife, to turn the former Meeting House into a viable library. By the time they left in 1908, it was well on its way.
In 1923, Walter’s widow, Elizabeth Pharo, presented the library’s board of trustees with a proposal to build, entirely at her own expense, a new library for the town. It would be sited two blocks away from the Methodist church on a corner lot which she owned at Third Street and Beach Avenue. The library would be dedicated to the memory of her husband’s parents, Archelaus Ridgway Pharo and Louisa Willits Pharo–the founders of Beach Haven–as well as to her late husband Walter.
Mrs. Pharo contracted R. Brognard Okie, one of Philadelphia’s finest architects, to design the new library. He chose as his model a Pennsylvania farmhouse–not an early lifesaving station, as some believed. Unlike a traditional farmhouse, however, it would be constructed entirely of brick and steel and include several stunning features: three working fireplaces, a vaulted ceiling, and an interior balcony encircling the first floor.
Tons of concrete were poured and steel girders for the new, two-story structure were already up by the spring of 1924 on the southeast corner of Beach Avenue at Third Street. Okie moved to Beach Haven to supervise every step of the construction, which was all done by local builder Floyd Cranmer. Ten railcar loads of bricks were used to build the solid outer walls and it was soon evident that the town was to have the finest library on the New Jersey coast.
As the library neared completion in the late fall of 1924, its beauty was already drawing praise. Every window in the structure was framed with long shutters of pale green, which gleamed against the white brick exterior. A sweeping, multi-dormered black roof added a grace seldom seen in a public building. Surrounded by a low, white picket fence and later, a well-kept green lawn, it added an incomparable dignity to what, in that time period, was the town’s main street, Beach Avenue.
There are two large colonial-style working fireplaces on the first floor. One is in the main room and the other is behind it in the long back room on the ocean side of the library. Today this room houses the Mystery collection and its solid, ten-foot table makes it useful as a meeting room. In the early years, however, it served a different function–it was designated as the men’s reading room, and there male patrons could sit in large comfortable chairs to read magazines and newspapers. It was well lit by two tall French windows and it opened out onto the screened porch on the north side.
The main reading room with its vaulted ceiling is encircled with a balcony reached by a spiral stone staircase, its steps topped with thick slabs of slate. The balcony flooring is of oak, as are all of the spindles in the railings. The upstairs walls are lined with books. One great window on the west side rises ten feet to the ceiling. The rest are all set into dormers. On the east wall behind the upstairs balcony there is a door where one may step down into a well-furnished little museum with high, beamed ceilings and a huge stone fireplace. It is filled with old hotel registers, deeds, diaries, photographs and other mementos of Beach Haven’s vibrant history.
The Beach Haven Public Library is a prime architectural treasure on Long Beach Island and a direct link to a colorful past that is the town’s most precious heritage. Mrs. Elizabeth Pharo’s gift to the town, itself now almost 100 years old, is as stunning as the day it was built. The taxpayers who support it are proud of its status as the only independent library in Ocean County and have chosen to keep it that way.
There is always a lot of excitement when a new art exhibition is ready to open. It is even better when the museum opens it to its members first before the public gets a glimpse. The lines always wrap around the corner from the museum.
The long line of MoMA members waiting to get into the museum for the opening night of Artist Ruth Asawa’s exhibition
I noticed this year especially and right before Thanksgiving, all the museums are throwing open their doors for Member’s Nights. I have been invited to five Members Nights at museums all over the City. You can’t attend them all but when you can, it is a lot of fun.
The excitement the museum creates for these evenings
Video of entering the museum at the start of the opening with 80’s Japanese Pop Music
I think in an economy like this, these Members Nights are one of the best ways to engage with the membership for both donations and renewals of memberships especially before the holiday season. Plus it gives the members a wonderful night out to see the exhibitions ahead of time and enjoy the evening after a long week at work.
Born on a farm in Southern California, Asawa began her arts education when she was a teenager and she and her family were among the thousands of persons of Japanese descent who were forcibly incarcerated by the US government during World War II. It was at the internment camp that Asawa began taking classes in painting and drawing. After her release, Asawa studied to be a teacher but was unable to get a license because of her Japanese heritage, so she enrolled at Black Mountain College, an experimental art school in North Carolina. Asawa took classes from and worked alongside fellow artists Josef Albers, Robert Rauschenberg, Merce Cunningham, and R. Buckminster Fuller. Black Mountain was also where she met her husband, the architect Albert Lanier.
I loved her wire woven sculptures. They were the real standouts of the show.
The wire woven sculptures were the standouts of the exhibition
I thought these were a unique design
I liked here colorful paintings, these are of her child’s footprints. I loved the idea that her children were involved with the art
The patrons enjoying the art
The display of the wire art
The displays were impressive and graceful
The colorful faces looked tired
The look of nature in the wire art in the form of trees
I loved her works of food
At the end of the exhibition and the evening, I joined everyone on the main floor where the bar and gift shop were located. The main floor was the busiest part of the museum. I wondered if some of these people even went upstairs to see the exhibition or just stayed downstairs to socialize.
The main floor of the museum is always packed with people
Share in the excitement of the Membership opening
These evenings always get my mind off the stress of life. It is nice to just be in Midtown Manhattan and be in the moment. It is nice to see art, hear music and walk through the museum.
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